Not Signed-In
Which clippings match 'Documentary Filmmaking' keyword pg.1 of 1
24 MARCH 2017

MIT Open Documentary Lab: documentary is a project rather than a genre bound to a particular medium

"Drawing on MIT's legacy of media innovation and its deep commitment to open and accessible information, the MIT Open Documentary Lab brings storytellers, technologists, and scholars together to explore new documentary forms with a particular focus on collaborative, interactive, and immersive storytelling. The Lab understands documentary as a project rather than as a genre bound to a particular medium: documentary offers ways of exploring, representing, and critically engaging the world. It explores the potentials of emerging technologies and techniques to enhance the documentary project by including new voices, telling new stories and reaching new publics. ...

If we are indeed witnessing the emergence of a new form of representation, what can we broker from past moments of change to facilitate our move into the future? How can we evaluate this new work – what descriptive terminology and frameworks for assessment are most useful? What trends can we discern? What are the implications for style, authorship and the craft of filmmaking of these collaboratively sourced and edited moving images? And how can we work with our funding agencies, exhibition venues, and archival systems to give these new and often challenging practices a place in our cultural register?"

1

TAGS

collaborative storytellingdigital storytellingdocumentary experimentsdocumentary filmmakingdocumentary formdocumentary practice • documentary research • documentary series • emerging techniques • emerging technologiesfilmmakinghybrid formsimmersive storytellinginteractive documentary • interactive factual • interactive storytelling • media innovation • media maker • MIT Open Documentary Lab • new documentary forms • new publics • new stories • new voices • open and accessible information • reality-based storytelling • storytelling forms • the documentary subject • transmedia meta-documentary

CONTRIBUTOR

Simon Perkins
03 MARCH 2011

The camera's relation to reality is addressed directly by the documentary filmmaker

"The issue of the camera's relation to reality, which permeates the fiction film, is addressed directly by the documentary filmmaker, who has always aspired toward capturing the sight and sound of life in an unobtrusive and impartial manner. The ambivalent nature of the medium, which excludes the human element as an intermediary but nevertheless implies a subjective viewpoint, gives rise to issues concerning the camera's legitimacy to record the 'obscene' object of reality. Questions about what degrees of faithfulness to the truth establish a film as a documentary, and whether such faithfulness is even possible, have accompanied the history of documentary filmmaking since its origin.

In the meantime, partly due to the technological advancements, documentary underwent a revival, and experimentations with the new technology abounded. The answer of 'direct cinema', which included Richard Leacock, Donn A. Pennebaker and the Maysles brothers as its representatives, was a purist approach in which the impact of the observer on the observed had to be kept to a minimum. Interviews, voice–over commentary and any other forms of interaction with the subject matter were considered to contaminate the result of the observation. Others like, Pierre Perrault, used the new equipment to draw meaning from the seemingly insignificant and the quotidian, attempting to find greater meaning in and unity to the whole by observing and bringing together the small elements of everyday life."

(Barbara Bruni, Senses of Cinema)

1

TAGS

ambivalence • Andre Bazinauthorial intrusion • Chronicle of a Summer • cinema veritecommentaryconstructed realitydirect cinemadocumentarydocumentary filmmakerdocumentary filmmakingdocumentary truthDonn A. Pennebaker • Edgar Morin • ethnographiceveryday lifeexperimentationfiction filmimpartiality • intermediary • interviewJean Rouch • Lightning Over Water • Maysles Brothersmedium • Nicholas Ray • observation • Pierre Perrault • realityRichard LeacockSenses of Cinema (journal)subjective viewpointtechnological advancements • The Human Pyramid • truth • unobtrusive • voice-over • voice-over commentary

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.