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Which clippings match 'Fore-project' keyword pg.1 of 1
19 MAY 2013

Ways In and Out of the Hermeneutic Circle

"In this lecture, Professor Paul Fry examines acts of reading and interpretation by way of the theory of hermeneutics. The origins of hermeneutic thought are traced through Western literature. The mechanics of hermeneutics, including the idea of a hermeneutic circle, are explored in detail with reference to the works of Hans–George Gadamer, Martin Heidegger, and E. D. Hirsch. Particular attention is paid to the emergence of concepts of 'historicism' and 'historicality' and their relation to hermeneutic theory."

(Open Yale Courses, 22 January 2009)



2009 • Alexander Pope • Being and Time (1927) • Christian tradition • circularity • common ground • cult of genius • Eric Donald Hirsch • fore-having • fore-project • fore-structure • Friedrich Schleiermacher • Hans-Georg Gadamerhermeneutic circlehermeneutic horizonhermeneutic theory • hermeneutic thought • hermeneutics • historicality • historicism • history of hermeneutics • imagined whole • interpret meaningsinterpretation • interpretative engagement • Mark Akenside • Martin Heidegger • mechanics of hermeneutics • moving back and forth • Northrop Frye • Open Yale Courses • opinionpart • Paul Fry • preconception • prejudgment • prejudices (prior awareness) • preliminary conception • preliminary idea • prior judgment • Protestant ReformationProtestantismreligion • sacred scripture • Samuel Johnsonscripture • secular scripture • supposed whole • Talmudic scholarship • The Reformation • theory of hermeneutics • theory of literature • transparency of meaningviewpoint • Voruteil • Western literature • whole • Wilhelm Dilthey • William Kurtz Wimsatt • Yale University


Simon Perkins
13 MARCH 2011

The process of conceptualisation can be seen as an emergent process that involves the constant re-projection of prior understanding onto new and changing circumstances

"An inspiring new website for digital culture and creative practices has been created by School of Art & Design academic Simon Perkins. The Folksonomy – – is a knowledge commons and social bookmarking tool for digital culture and creative practice. The brainchild of Simon Perkins, as part of his research, the Folksonomy simplifies the process of clipping references and features photographs, videos and published documents. The Folksonomy is simultaneously a device for engaging with and a product of digital culture. It acts as a teaching tool for supporting the generation of ideas and digital culture creative practice. The research project is of a broader practice that extends from creative technology and design teaching and is focused on the nature of knowledge construction within digital culture environments. One of the unique aspects of the site is the way content is categorised, as it simultaneously belongs to multiple and sometimes contradictory categories, encouraging the viewer to make new discoveries. This sits in stark contrast to the more traditional logic conventionally employed by libraries and computer operating systems where books and files are organised according to a linear, centralised and hierarchical form. Simon says: 'The process of conceptualisation can be seen as an emergent process that involves the constant re–projection of prior understanding onto new and changing circumstances. The Folksonomy tool aims to support this type of tactical interaction through its use of linking and association.'"

(Steve Goodhew, 2010, p.140–141)

Fig.1 Simon Perkins (2010) 'Stellarscope Constellations'.

2). Steve Goodhew (ed.) (2010). 'OPEN: 50 RESEARCH PROJECTS exploring the boundaries of creativity', College of Art & Design and Built Environment, Nottingham Trent University.



Simon Perkins
16 JUNE 2005

Coalescing in the act of interpretation

"A person who is trying to understand a text is always performing an act of projecting. He projects before himself a meaning for the text as a whole as soon as some initial meaning emerges in the text. Again, the latter emerges only because he is reading the text with particular expectations in regard to a certain meaning. The working of this fore–project, which is constantly revised in terms of what emerges as he penetrates into the meaning, is understanding what is there."
(Hans–Georg Gadamer)

2). Adrian Snodgrass and Richard Coyne (1997) 'Is Designing Hermeneutical?', Architectural Theory Review, Journal of the Department of Architecture, The University of Sydney, Vol. 1, No. 1, pp 65–97.



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