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Which clippings match 'Animal Farm (1954)' keyword pg.1 of 1
20 NOVEMBER 2016

Alex Gendler: how to recognize a dystopia

"The genre of dystopia – the 'not good place'– has captured the imaginations of artists and audiences alike for centuries. But why do we bother with all this pessimism? Alex Gendler explains how dystopias act as cautionary tales – not about some particular government or technology, but the very idea that humanity can be molded into an ideal shape."

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Aldous Huxley • Alex Gendler • Animal Farm (1954)artificial intelligence • aryan • atomic energyBlade Runner (1982)brave new world • Brave New World (1932) • cautionary talecommunist systemconcentration campdemocracydepletion of natural resourcesDr Strangelove (1964) • drudgery • dystopia • dystopian fiction • dystopian literature • dystopian science fictioneugenicsfactory workerfascismfree willgas chambergenetic engineering • Gullivers Travels (1726) • H G Wells • humanitys future • impoverished masses • impoverishment • industrial ageindustrial revolution • industrial warfare • It Cant Happen Here (1935) • Jack London • Jonathan Swift • mass entertainment • mass media ageMetropolis (1927) • modern anxieties • nightmare world • Nineteen Eighty-Four (1949)nuclear war • oligarchy • oppressionoverpopulationparadise • perfect world • political structures • povertyprogress narratives • resource depletion • science fiction • Sinclair Lewis • slumsocial rolessocial structures • space colony • space travelspeculative fiction • squalor • surveillance state • TED-Ed • The Handmaids Tale (1985) • The Iron Heel (1908) • The RepublicThe Time MachineThomas Moretotalitarianism • tyrannical oligarchy • tyranny of modernismutopia • V for Vendetta (2006) • Watchmen (2009) • We (1924) • Westworld (1973) • WW1WWII • Yevgeny Zamyatin

CONTRIBUTOR

Simon Perkins
08 MARCH 2014

The Barbican Centre Presents: Joy Batchelor - Life in Animation

An event and films curated by Vivian Halas and guests: 4pm / ScreenTalk with Vivian Halas, Clare Kitson, Jez Stewart and Brian Sibley, Thursday 13 April 2014. Barbican Centre, Silk Street London, EC2Y 8DS

"Joy Batchelor was one of the pioneering creative and commercial forces in UK animation with her output of witty public service short films after the second world war, as well as the BAFTA nominated Animal Farm adapted from the novel by George Orwell.

This event, celebrating the centenary of her birth, looks at Joy's life as both a professional co–running a creative studio and her role as a mother."

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2014Animal Farm (1954)animationBarbican Centre • Birds Eye View Film Festival • book illustration • Brian Sibley • British animation • Clare Kitson • creative studio • George OrwellHalas and Batchelorillustrator • Jez Stewart • Joy BatchelorLondonpioneering animatorpioneering womenpublic information film • public service short films • traditional animationUKUK animationVivien Halaswomen designerswomen illustratorswomen in animationwomen in designwomen in film

CONTRIBUTOR

Simon Perkins
04 DECEMBER 2010

BFI gets Halas & Batchelor animation archive

"the husband and wife–run Halas & Batchelor, sometimes called the British Disney–which for more than 50 years produced adverts, public information pieces, feature films, TV cartoons and serious award–winning animation respected the world over.

Today, 15 years after the studio's last release, the British Film Institute will announce that it has been given the Halas & Batchelor archive, including film prints, stills, scripts, correspondence and original cells. It is the largest ever single donation of British animation and was welcomed as 'an extraordinarily rich gift' by the BFI director, Amanda Nevill. 'We look forward to working on ensuring these films and artefacts are enjoyed by the widest possible group of people in years to come,' she said. ...

Curator Jez Stewart hopes that the BFI will be now be able to open up Halas & Batchelor to new generations of animation fans and practitioners. Aardman Animation's Nick Park said he had fond memories of watching the company's animated educational films at school. 'They have always been part of my life,' he said. 'John Halas was the judge on the first animated competition I ever entered–I didn't win, but admired him and looked up to him as a great figure in British animation.'"

(Mark Brown, 3 December 2010, The Guardian)

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19401954advertadvertising • Amanda Nevill • Animal Farm (1954)animationart historyartefactBFIBritainBritish animationBritish Film Institutecartooncollectioncommercial • Corn Flakes • donationfeature filmfilm • film print • Halas and BatchelorheritagehistoryJohn HalasJoy BatchelorKelloggsLondon • pioneers • political allegorypublic informationpublic information filmscript • stills • studioTVVivien HalasWalt Disney

CONTRIBUTOR

Simon Perkins
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