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Which clippings match 'Fish' keyword pg.1 of 2
25 FEBRUARY 2016

Forms in Nature: Understanding Our Universe

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20162D animationant • bee • birdsbright coloursbutterflycell division • Charley Harper • chimpanzee • Chromosphere (studio) • David Kamp • digital aesthetics • eclipse • fishflat colourflat spacefrog • gerridae • illustrative styleinsectjellyfish • jesus bugs • Kevin Dart • living creatures • moon landingNational Science Foundation • National Science Programme • natural worldnature • Nelson Boles • nest • night sky • observatory • optic nerve • outer space • pollination • pond skater • seal • shark • snail • space launch • space shuttle • Stephane Coedel • terrestrial ecosystemvolcano • water bug • water skipper • water strider • wildlife

CONTRIBUTOR

Simon Perkins
05 JULY 2014

Japanology Plus: Japanese Bento Trends

"Bento are portable boxes of food, typically composed of rice, protein-rich main dishes, and vegetables on the side. They've evolved from a purely practical means of sustenance into a fun way to eat - these days, there's even a fad for bento with cute characters drawn using the food. This time on Japanology Plus, our theme is bento. Our guest is Ayao Okumura, one of the leading experts on Japan's culinary culture. And in Plus One, the latest trends in bento boxes."

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Ayao Okumura • baon • bento • bento box • bento shops • bento style • bento-ya • biandang • box • box lunch • box lunches • box-shaped container • boxed lunch • character bento • compartment • cooked vegetables • culinary culture • dosirak • fishfood • hand crafted lacquerware • home-packed meal • Japan Broadcasting Corporation • Japanese • Japanese box lunches • Japanese cuisine • Japanology Plus • kyaraben • lunch • lunch box • meat • Nippon Hoso Kyokai (NHK) • oekakiben • pickled vegetables • picture bento • portable boxes • riceschool lunch • single-portion takeout • tiffin • traditional bento

CONTRIBUTOR

Simon Perkins
17 DECEMBER 2012

Immersive underwater experience for high school students

"The Virtual Reef is a life–sized marine ecosystem expanding across two levels of the new Science and Engineering Centre. Multi–touch technologies enable the user to manipulate, intimately explore and interact with the reef world, specific behaviours and relationships.

Australia's leading marine science and interactive and visual design organisations, QUT and the Queensland Museum, bring knowledge and research of the underwater world to your fingertips through multi–touch screens and projectors.

Users will have the opportunity to go beyond the cinematic experience and interact with the marine world. Each interaction has associated content designed to complement the aims of the National Curriculum and provide an exploratory learning experience."

(Jeff Jones, the Cube, QUT)

Fig.1 "The Virtual Reef" project team: Professor Jeff Jones (Cube Project Leader), Associate Professor Michael Docherty (Project Leader), Warwick Mellow (Principal Animator/Art Director), Joti Carroll, Paul Gaze, Sean Gobey, Ben Alldridge, Sophia Carroll, Sherwin Huang, Bryce Christensen.

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20123Danimation • art director • asset creation • Australia • Ben Alldridge • Bryce Christensen • character rigging • cinematic experience • creaturedigital engagementdigital technologyecologyecosystemexperience designexploratory learning experienceexplore and interactfish • Great Barrier Reef • healthy oceanshigh schoolimmersive environmentsimmersive experienceinteractioninteractive displayintimate interactionJeff JonesJoti Carroll • life-sized • marine • marine ecosystem • marine science • marine world • Michael Docherty • multi-touch screenmulti-touch technologiesnational curriculumnatural environment • Paul Gaze • Queensland Museum • Queensland University of TechnologyQUTQUT Cube Projectsreefresearch projectresource for studentsScience and Engineering Centre • scientific exploration • scientific visualisation • Sean Gobey • Sherwin Huang • simulated experience • Sophia Carroll • The Cube Projects • The Virtual Reef • underwater • underwater experience • underwater world • virtual heritagevisual representations of scientific conceptsvisualisationWarwick Mellowwildlife

CONTRIBUTOR

Simon Perkins
13 DECEMBER 2012

OCEAN2012 Transforming European Fisheries

"Since its start in 1983, the European Union's Common Fisheries Policy (CFP) has failed to prevent overfishing. Over 25 years, short–term economic interest and political expediency has landed European fisheries in deep crisis."

(European Marine Programme of the Pew Environment Group)

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19832012abundancecall to action • CFP • Common Fisheries Policy • crisiscritical posturedecision makingdepletiondestructive practicesecology • EU Common Fisheries Policy • European Unionevidence • exhaustion • extinction • fair and equitable • fish • fish stocks • fisheries • fisheries policy • fishinghealthy oceansocean • OCEAN2012 • overfishing • policy decisions • policy making • political expediency • reformresource managementresponsibilityscientific evidence • short-term economic interests • supply • sustainabilitysustainable consumptionsustainable livelihoodswildlifewildlife reserves

CONTRIBUTOR

Simon Perkins
25 OCTOBER 2012

Te Wei's Feelings of Mountains and Waters

"Shan shui qing ('Feelings of Mountains and Waters') finished production in 1988. This water/ink animation was Te Wei's [特伟] fourth and final major production, and is in many ways fittingly so. 'Feelings of Mountains and Waters' is a masterpiece. The film runs slightly under twenty minutes, moving the viewer through an emotional journey cleanly articulated by deep and vivid imagery, wrought with incredible artistic purity.

The film's subject is a young girl, whom ferrying an aging man across a river, generously nurses him to better health after witnessing him collapse on the shoreline. In 'Feelings of Mountains and Waters,' Te Wei uses earthy watercolors and craggy puffs of ink to maneuver hillsides, paths, valleys, and waterfalls. He uses the high–values where the ink ends and the paper begins not as an artifact of the landscape, but as the landscape itself. The watercolor paintings move and flourish, the water and ink are the animation; and the rosy–cheeked girl, through muted conversation with the humble old man, learns to play a plucked, string instrument under the quiet and almost sentient backdrop of the mountainous milieu.

Te Wei served as general director for 'Feelings of Mountains and Waters,' and retired after its completion, at the time well into his seventies. The film deservedly earned multiple awards, including high honors from international film festivals in Montreal and Shanghai. In 1995, the global professional animation community ASIFA honored Te Wei with a Lifetime Achievement Award."

(Aaron H. Bynum, 12th February 2010, p.3, Animation Insider)

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19882D animation • aging man • ancient instrument • animationblack and whitecreative practicecultural heritage • earthy watercolours • emotional journey • Feelings of Mountains and Waters • female protagonistfish • folk narrative • folk story • folk tale • folkloregirlhand-drawninklandscapemark makingmonkeymonotonemusical instrumentmusiciannational cultural identities • national cultural identity • national heritageold manpaintingpaperPeoples Republic of Chinapioneering animatorriver • Shan shui qing • Shanghai Animation Studios • Shanghai Film Studios • Te Wei • traditional painting • traditional techniquesvisual designvivid imagerywater and inkwater/ink animationwatercolour painting • whistle • young girl • zheng (instrument)

CONTRIBUTOR

Guannan (cassie) Du
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