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18 JANUARY 2013

empyre: critical perspectives on contemporary cross-disciplinary issues, practices and events in networked media

"-empyre- facilitates critical perspectives on contemporary cross-disciplinary issues, practices and events in networked media by inviting guests -key new media artists, curators, theorists, producers and others to participate in thematic discussions.

-empyre- is an Australian based global community which preserves its autonomy as a non-hierarchical collaborative entity by engaging with new content on a monthly basis. The list was instigated by Melinda Rackham (AU) in 2002. The community grew exponentially and within the first year Adrian Miles (AU) and Rebecca Cannon (AU) joined briefly as facilitators. Long-term facilitators Christina McPhee (USA) and Michael Arnold Mages (USA) were invited to the -empyre- curatorium soon after, and during the next years they were joined by Jim Andrews (CA)and Felix Sattler (AU/GER). In 2005 Tracey Meziane (AU) and Marcus Bastos (BR) joined the team, and in 2006 and 2007 it was extended with Sérgio Basbaum (BR), Nicholas Ruiz III (USA), Renate Ferro (USA) and Tim Murray (USA). To find out more go to who is -empyre-"

(Melinda Rackham)

TAGS

2002 • Adrian Miles • Australian • Christina McPhee • contemporary practicescritical perspectivescross-disciplinary • cross-disciplinary issues • cross-disciplinary knowledge communitycross-disciplinary research • curatorium • dOCUMENTA (festival) • empyre • Felix Sattler • fibrecultureglobal community • Jim Andrews • Marcus Bastos • Melinda Rackham • Michael Arnold Mages • network society • networked media • new content • new media • new media artists • new media curators • new media producers • new media theorists • Nicholas Ruiz • non-hierarchical collaborative entity • Rebecca Cannon • Renate Ferro • Sergio Basbaum • thematic discussions • Tim Murray • Tracey Meziane

CONTRIBUTOR

Simon Perkins
06 MARCH 2012

Senses of Cinema: Australian-based online film journal

"Senses of Cinema is an online journal devoted to the serious and eclectic discussion of cinema. We believe cinema is an art that can take many forms, from the industrially-produced blockbuster to the hand-crafted experimental work; we also aim to encourage awareness of the histories of such diverse forms. As an Australian-based journal, we have a special commitment to the regular, wide-ranging analysis and critique of Australian cinema, past and present.

Senses of Cinema is primarily concerned with ideas about particular films or bodies of work, but also with the regimes (ideological, economic and so forth) under which films are produced and viewed, and with the more abstract theoretical and philosophical issues raised by film study. As well, we believe that a cinephilic understanding of the moving image provides the necessary basis for a radical critique of other media and of the global 'image culture'."

(Nicola White, Senses of Cinema Inc)

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TAGS

academic journal • AFI Research Collection • analysis and critique • APAIS • art formAustralianAustralian cinema • Australian content • Australian Public Affairs Information Service • Australian-based • Bill Mousoulis • blockbuster • bodies of work • cinemacinephilic understandingcritical theoryeclecticexperimental cinema • film analysis • film industry • film study • Film Victoriafilmmakinghand-craftedhistories • image culture • International Bibliography • journalmedia culturemedia studiesMLA • MLA Directory of Periodicals • Modern Language Association of America • Movie Review Query Engine • moving imageNational Library of Australiaonline journalradical critiqueRMIT Universityscreen cultureSenses of Cinema (journal) • theoretical issues

CONTRIBUTOR

Simon Perkins
03 NOVEMBER 2010

Stelarc: The Body is Obsolete

"Stelarc is an Australian artist who has performed extensively in Japan, Europe and the USA - including new music, dance festivals and experimental theatre. He has used medical instruments, prosthetics, robotics, Virtual Reality systems and the Internet to explore alternate, intimate and involuntary interfaces with the body."

(Contemporary Arts Media)

Fig.1 Stelarc (2005) 'The Body is Obsolete' DVD & CD-ROM

Fig.2 Stelarc (2009) 'Stretched skin' type C photograph, 120.0 x 180.0 cm, Courtesy of the artist and Scott Livesey Galleries

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TAGS

2005 • alternate interfaces • artistartworkAustralianbodycreative practicedeviceengineeringexoskeletonexperimentalhypothetical questionsintimate interfaces • involuntary interfaces • motion prosthesis • muscle • nervous systemperformanceperformance artperformance artistprosthetics • robotics • sculptureservo • Sterlarc • telematic • virtual body • virtual reality

CONTRIBUTOR

Simon Perkins
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