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Which clippings match 'Fantasy' keyword pg.1 of 3
03 DECEMBER 2012

Turner Prize 2012 winner: Elizabeth Price

"Elizabeth Price describes her films as moving 'from something that looks like a PowerPoint lecture, to something that looks like an infomercial to something that feels like a cinematic melodrama'. For the Turner Prize exhibition, Price is presenting her video installation THE WOOLWORTHS CHOIR OF 1979 2012. Comprising three parts, the video brings together distinct bodies of material into a dissonant assembly; photographs of church architecture, internet clips of pop performances and news footage of a notorious fire in a Woolworths furniture department in 1979. The film weaves together existing archives of text, image and sound to create video installations that drift between social history and fantasy."

(Tate, UK)

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19792012archive footagechurch architecture • cinematic melodram • dissonant assembly • Elizabeth Price • exhibition • existing archives • fantasyfilmfilmsfire • furniture department • infomercial • internet clips • news footagenotoriousphotographs • pop performances • PowerPoint lecturesocial historysound archive • text archive • The Woolworths Choir of 1979 • Turner Prizevideo artvideo artistvideo installation • Woolworths

CONTRIBUTOR

Simon Perkins
26 NOVEMBER 2012

The Minister of Chance: a crowdfunded audio science fiction series

"The Minister of Chance is an audio Science Fiction Fantasy series in the tradition of the BBC Radiophonic Workshop and the best in radiophonics. It's free, and you get it by subscribing to the podcast.

The series is entirely funded by its listeners. We have very small budgets, and absolutely no money for publicity – which is why you haven't heard about it til now. You can help by telling everyone you know on Twitter, Facebook, your blog, any Sci–Fi or fantasy sites, reviewers you know, your mum...."

(Clare Eden, MoC Executive Producer)

TAGS

2012 • Athene Hyde • audience-distributionaudio drama • auditory science fiction • Bruce Collingwood • Chris Mock • Clare Eden • commissioning process • crowdfundingcrowdsourcing • Dan Freeman • Dan Hunt • Doctor Whodrama series • Eloise Whitmore • fantasy • fantasy series • free cultureJed Brophy • Jenny Agutter • Julian Wadham • Karl Philips • Kate Cornish • Keelan Gumbley • Lauren Crace • low budget • Margrethe Nandrup-Pettersen • Mark Lewis • MoC • open distribution • Paul Darrow • Paul McGann • podcastradioradio drama • radio series • radio show • radiophonic series • sci-fiscience fiction • science fiction fantasy series • Simon Dixon • Sylvester McCoy • The Minister of Chance • Thomas Moulton • Violet Lavinia Brown

CONTRIBUTOR

Simon Perkins
05 APRIL 2012

Exposition Futur Anterieur: the future of an alternative past

"Articulée autour des trois axes convergents mais néanmoins autonomes que constituent le rétrofuturisme, le steampunk et l'archéomodernisme, l'exposition a pour enjeu de faire dialoguer des productions culturelles issues du passé, qui tentaient à leur époque d'envisager ce que pourrait être le futur – c'est–à–dire approximativement notre postmodernité – avec des uvres d'artistes actuels qui revisitent le passé et réactivent certaines visions du futur ou de la modernité générées essentiellement entre le dernier tiers du XIXe et la première moitié du XXe siècle.

Structured around the themes of retrofuturism, steampunk and archeomodernism – a concept developed by the academic, critic and curator Arnaud Pierre, the exhibition FUTUR PERFECT aims to create a dialogue between past cultural output that imagined the future, what is essentially our postmodern era – with work from contemporary artists, which in both form and substances refer to the pas [sic] by revisiting and reviving certain visions of the future or of modernity, generated by mainly between the last third of the 19th century and the first half of the 20th century. The exhibition takes a transversal approach, intersecting different aesthetic and temporal veins. A selection of work from contemporary artists will be grouped with older work and documents – each giving perspectives to the others. In addition, one section will be dedicated to cinema and another to the various accessories, devices and artefacts developed by the steampunk community. in a separate section, the exhibition will also include the first French retrospective of the American magazine Retrofuturism, in the form of an installation designed by its originator, the artist and editor Lloyd Dunn."

(Commissaire de l'exposition / Curator : Jean–François Sanz, Galerie du Jour agnès b.)

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19th century201220th century • Adrien Beau • agnes b • Albert Robida • alternative past • archeomodernism • Arnaud Pierre • Bill Domonkos • Bob Basset • Camille Flammarion • Didier Graffet • Dove Allouche • Elise Leclercq • Emile Bayard • envisioning • Eric Caro • Etienne Leopold Trouvelot • Evariste Richer • exhibitionfantastical endsfantasy • Franck Rezzak • Franco Brambilla • futur anterieur • futur perfect • Georges Melies • Henri Armengol • Henri Lanos • historical perspective • Hugh Ferriss • Hugues Reip • imagined future • Jean-Luc Verna • Jesse DAngelo • Keith Thompson • Laurent Grasso • Laurent Montaron • Le voyage dans la Lune • Leon Benett • Leon Gimpel • Lloyd Dunn • Lucien Rudaux • Marc Caro • Marjolaine Sirieix • Markus Schinwald • Matthew Buchholz • Maurice Grunbaum • Metropolis (1927)modernity • Mr Audax • nostalgia • Plonk and Replonk • postmodern era • Ray Caesar • Redstar • retrofuturism • Retrofuturism (magazine) • retrospective • Ruppert and Mulot • Sam Van Olffen • Samon Takahashi • space travelspeculative fictionsteampunk • steampunk community • Stephane Halleux • Tempus Factoris • the past • transversal approach • visions of the futurevisual design • Xavier Veilhan

CONTRIBUTOR

Simon Perkins
13 MARCH 2012

Jean Cocteau: la Belle et la Bête

"La lumière brillante et surnaturelle qui avait dominé toute la scène du château (flamme des chandeliers, feu, reflets étincelants de l'argenterie) s'estompe pour laisser la place à la lumière naturelle du jour [plan 9] [9]. Ces rayons lumineux rappellent ceux des dernières gravures de la Belle au vois dormant. D'autant plus que cette lumière naturelle n'est pas légitimée par la présence d'une fenêtre, comme c'est le cas chez Doré. C'est une lumière naturelle, la lumière du jour, mais elle semble toujours éclairer le personnage de manière surnaturelle : comment la lumière extérieure peut–elle pénétrer à l'intérieur sans la présence d'aucune fenêtre ? Les flambeaux s'éteignent un à un, le personnage traverse un grand pan de lumière blanche, la porte se referme toute seule, l'escalier apparaît en plongée : la scène semble se rejouer à l'envers, ce qui souligne la structure circulaire et la clôture de la séquence, mais aussi l'influence de l'œuvre de Gustave Doré. Le dialogue des contes et des illustrations se poursuit jusqu'à la dernière image de la séquence puisqu'elle se termine sur les ronces qui envahissent l'escalier du château de la Bête, comme celles qui envahissent les gravures du château de la Belle au bois dormant."

(Estelle Plaisant Soler, 26 juin 2006)

Fig.1 Jean Cocteau (1946). "la Belle et la Bête"

2). PDF of 100 Cult Films (Screen Guides).

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1946atmosphericbeastbeauty • candlebra • candlestick • caryatids • castlechandelierscostume design • daylight • eerie • enchanted garden • engraving • external light • externalisation • extinguished • fairy talefantasyfilmfilm designfireflameFrenchgloveGustave Dorehorse • iconogaphy • in the mindinterior spaceJean CocteauJean Marais • Josette Day • Jungian • key • La Belle et la Bete • light • living arms • Madame Leprince de Beaumont • magic • merchant • metaphormotion picturemyth • natural light • Prince Charmingrealityset design • silverware • Sleeping Beauty • smoke-breathing • sparkling reflections • spatial symbolismspecial effectsstaircasestory • supernatural • surrealismsymbolismtalismantheatrical space • torch • visual designvisual metaphorvisual spectacle • white light

CONTRIBUTOR

Simon Perkins
12 MARCH 2012

What Dreams May Come: imagining a painted world through vfx

"Ward's 'What Dreams May Come,' starring Robin Williams was nominated for production design in addition to winning an Academy Award for Best Visual Effects. The film, tells an epic love story of soul mates separated by death. The story would inspire Ward to envision the afterlife as a painted world, incorporating state–of–the–art, adapted, and entirely new visual effects technologies in an original, fully articulated, filmic view of imagined realms that may await us after death."

(Saville Productions)

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1998after deathafterlifeallegory • Annabella Sciorra • Aotearoa New Zealandboundary-crossingcontemplating mortality • Cuba Gooding Jr. • deathdreamemotion • eternity • Eurydiceexpressionexpressionisticexternalisationfantasyfantasy about deathfictional worldfilmflowerflowersheavenhellin the mindin transitin-limbointernal quest • Joel Hynek • Josh Rosen • LIDARlifelove storymemorymilestonemortalitymoving paintingNew Zealand filmmaker • Nick Brooks • oozingOrpheusOscarpaintpaint our own surroundingspainted worldpainting • Pierre Jasmin • psychologyremembrance • representing emotions • Richard Matheson • Robin Williams • romantic love • Ronald Bass • Scott Huntsman • self-realisationSFXsoulmatesspecial effectssurrealisticthemethreshold spaceunderworldVFXVincent Wardvisceral experiencevisual effectsvisual metaphorvisual spectacle • What Dreams May Come (1998) • wifeworld of the story

CONTRIBUTOR

Simon Perkins
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