"Nell’America che ha eletto Donald Trump nuovo Presidente degli Stati Uniti c’è chi si batte per la difesa del diritto costituzionale e al porto delle armi da fuoco. Ma le conseguenze ce la racconta la cronaca con il lungo elenco di delitti o di incidenti per l’uso domestico di pistole e fucili. Come se fossimo in un moderno Saloon del Far West Donald Trump è, per i costruttori, il simbolo di tutto ciò."
(Carnevale di Viareggio, 2017)
"Brands are about meaning. In this case, Leo Burnett was able to transform a mild woman's cigarette into a rugged masculine product virtually overnight by using iconic imagery. The brand was literally re–imagined and thrust into the number 1 position as a result. The state of California realized that they needed to disempower this same iconic imagery and bluntly point out that even rugged cowboys can suffer serious diseases like lung cancer, emphysema, and heart disease caused by smoking."
(Kurian M. Tharakan)
"Hilarious and frequently surreal, the stop–motion extravaganza A Town Called Panic has endless charms and raucous laughs for children from eight to eighty. Based on the Belgian animated cult TV series (which was released by Wallace & Gromits Aardman Studios), Panic stars three plastic toys named Cowboy, Indian and Horse who share a rambling house in a rural town that never fails to attract the weirdest events.
Cowboy and Indians plan to gift Horse with a homemade barbeque backfires when they accidentally buy 50 million bricks. Whoops! This sets off a perilously wacky chain of events as the trio travel to the center of the earth, trek across frozen tundra and discover a parallel underwater universe of pointy–headed (and dishonest!) creatures. Each speedy character is voiced – and animated – as if they are filled with laughing gas. With panic a permanent feature of life in this papier–mâché burg, will Horse and his equine paramour – flame–tressed music teacher Madame Longray (Jeanne Balibar) – ever find a quiet moment alone? A sort of Gallic Monty Python crossed with Art Clokey on acid, A Town Called Panic is zany, brainy and altogether insane–y!."
"The classical Western [...] was the dominant form from 1930 to 1955. The classical plot is the one in which a stranger rides into town, resists society (and is resisted by them), but eventually ends up saving the good townsfolk from some villainous threat – and subsequently accepts (and is accepted by) the society he has saved. Wright identifies variations on this theme as well. More significantly, however, he identifies a shift to an appreciably different form of the genre, which was dominant from 1958 to 1970. Wright calls this second form the Professional plot: it is the Western in which a group of heroes – or anti–heroes – (rather than an individual) who fight for money (rather than for justice or some other ideal), exemplified by films such as The Wild Bunch, The Professionals, and Butch Cassidy and The Sundance Kid."
The film Shane presents an archetypal view of the development of American society. Through its depiction of the struggles of a capitalist agenda: the sod–busters struggling to make a living tending the land; to the Riker family representing corporate enterprise.