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Which clippings match 'New Zealand Cinema' keyword pg.2 of 3
02 AUGUST 2012

The Lounge Bar: cyclic narrative kiwi short film from 1988

"The zenith of Don McGlashan and Harry Sinclair's legendary Front Lawn collaborations, this iconic Kiwi short follows two men and one woman on a rainy night at a deserted bar. Pivoting on amnesia and woven together by music, two timeframes are seamlessly combined and a darkly humorous plot unfolds. The film had a wide international release (Ireland to Norway, Germany to the USA) and was a finalist in the inaugural American Film Festival."

(NZ On Screen)

Fig.1 The Lounge Bar (1988), Don McGlashan, Harry Sinclair, Aotearoa New Zealand, 35mm 12 minutes.



198835mmamnesiaAotearoa New ZealandAustralasiabar • caustic humour • chance meeting • Chinese puzzle box • cyclic narrativecyclical narrative • Dance to My Ten Guitars • diegetic sounddisturbing taleDon McGlashanFuture Shorts • Grant Campbell • Harry Sinclair • head injury • headgear • John Gilbert • jukeboxkiwi short films • Kiwiana • Leon Narbey • lounge bar • Lucy Sheehan • memory loss • Monty PythonNew Zealand cinemanon-diegetic soundPeter Jackson • pretty spunky • short filmsongThe Coming of Age of The New Zealand Short FilmThe Front Lawn • The Girl from Ipanema • The Lounge Bar • Theres a Man at The Bar Staring into Space • weirdness • Wellington Film Society


Simon Perkins
15 JULY 2012

The New Zealand Film Archive

"Established in 1981, the Film Archive is an independent charitable trust overseen by a Board of Trustees representing film, archival, Maori and community interests. The Film Archive's constitution and kaupapa express a commitment to collect, protect and connect New Zealand's film and television history.

When an item is in the care of the Archive, it is considered the property of the depositor. Subsequently the copyright for the material remains with the legal rights holders.

The collections of predominantly New Zealand film, video and television date from 1895 to the present day. Every genre of filmmaking – feature films, documentaries, short films, home movies, newsreels, television programmes and film and television advertisements – is represented. There is also a significant documentation collection which includes publicity materials, stills, posters, production records, props, costumes and equipment housed in Wellington.

As there is no statutory deposit legislation for film in New Zealand, material is deposited voluntarily – and without cost to the depositor. Maintaining a kaitiaki role over the collections the Film Archive's guardianship ensures ownership of the original item remains with the depositor and copyright is maintained by the appropriate parties. In the case of material with Maori content, the Film Archive actively maintains relationships with whanau/hapu/iwi to ensure appropriate long term care and access."

(New Zealand Film Archive)



18951981advertisementAotearoa New ZealandarchivalarchiveAustralasia • care and access • collectioncostumecultural heritagedocumentarydocumentationfeature film • film advertisement • film and television history • film archivefilm historyfilmmaking • guardianship • hapu • home movie • independent charitable trust • iwilegal rights holders • long term access • long term care • long term care and access • moving imageNew Zealand cinemaNew Zealand cultureNew Zealand Film ArchivenewsreelNZ Film Archive • production records • publicity materials • publicity posters • publicity stills • short filmtelevision advertisement • television history • television programmeWellington • whana


Simon Perkins
26 JULY 2011

Mana Waka: feature-length documentary showing the re-building of the seven wakataua/war canoes of the Great Maori Fleet

"Mana Waka, working title Canoe, is a feature–length documentary made to launch New Zealand's 1990 centennial celebrations. The documentary has a fascinating history. Princess Te Puea Herangi of the Turangawaewae Marae, Ngauruawahia, was a great Maori leader committed to work that would uphold, and be used for the benefit of, the Maori people. During the late 1930s she conceived the idea of celebrating the 1940 centennial of the signing of the Treaty of Waitangi by re–building the seven wakataua/war canoes of the Great Fleet, According to legend these canoes had journeyed from Hawaiki to Aotearoa some 25 generations previously. Princess Te Puea asked stills photographer R.G.H. (Jim) Manley, who had not previously made a film, to film the re–building, and he did so over a period of three years. Up north in the Puketi Forest, a great kauri tree was felled for the building of the Nga–toki–matawhaorua canoe which is now housed at Waitangi. Two totara trees from the Oruanui Forest provided the timber for the canoes that were carved and built at Turangawaewae."

(Helen Martin, 8 July 2011, Onfilm Magazine)

Fig.1 Still from "Mana Waka": NZ 1990 Documentary prod co Nga Kaitiaki o Te Puea Estate and the Turangawaewae Marae Trust dir Merata Mita camera R.G.H. Manly (filmed 1937 – 1940) ed Annie Collins kai korero/narrator Tukuroirangi Morgan film preservation Te Tumu Whakaata Taonga The New Zealand Film Commission, Ngā Kaitiaki Ō Ngā Taonga Whitiāhua The New Zealand Film Archive, NFU Laboratory, NFU Sound finecut Nga Kaitiaki o Te Marae o Turangawaewae sound Merata Mita, David Madigan, Chris Verberg, Mike Hedges, Annie Collins. 85 minutes.



1930s193719401990Annie CollinsAotearoa New Zealandcanoecarvingcentennialcraftcultural heritagedocumentaryfeature-length documentaryfilm • Great Fleet • Hawaiki • heritageIndigenous • Jim Manley • kauri • Mana Waka (film) • MaoriMaori peopleMerata MitaNew Zealand cinemaNew Zealand on Screen • Nga Kaitiaki O Nga Taonga Whitiahua The New Zealand Film Archive • Ngauruawahia • NZ Film Archive • Oruanui Forest • photographerpreservation • Princess Te Puea Herangi • Puketi Forest • Te Tiriti o Waitangi • Te Tumu Whakaata Taonga The New Zealand Film Commission • totara • Treaty of Waitangi • Tukuroirangi Morgan • Turangawaewae Marae Trust • Waikato • wakataua • war canoes


Simon Perkins
30 APRIL 2011

Annie Collins on her 30 year career cutting New Zealand films

"Editor Annie Collins has worked with some of New Zealand's most provocative directors, including Barry Barclay (The Neglected Miracle), and Merata Mita (Patu!) over a 30 year editing career. Collins has also edited key feature films, (Scarfies, Out of the Blue) and was part of the editing team on Peter Jackson's Lord of the Rings.

NZ On Screen's Clare O'Leary visits Collins at her home and Collins reflects on:

Her beginnings in the industry and being convinced by producer Pat Cox to shelve her design training and become an editor.

What she requires of directors ('that they've done their homework!')

Cutting Patu! with Merata Mita: evading the police and becoming conscious of the Springbok Tour Protests' relevance to New Zealand history and realising the (different) echoes it had for Mita as a Māori filmmaker.

Working with director Robert Sarkies on Scarfies and Out of the Blue

The four and a half years she spent working on the Lord of the Rings trilogy and the realisation that despite the 'profound experience' of working on such a massive scale project that she needed to get back to New Zealand stories.

Her consciousness of the power of the edit: 'it takes about five seconds for you to destroy somebody in a cut, or edit, on national TV.'

The ethics of story–telling: the need for the people who are involved in a documentary (or a story where the subjects are still alive) to follow 'good process' and the importance of 'clarity of mind and heart.'"

(Clare O'Leary, 12 February 2009, NZ On Screen)

Fig.1 direction and Interview – Clare O'Leary, camera and editing – Leo Guerchmann



1981 Springbok rugby tourAnnie CollinsAotearoa New ZealandAramoana • Barry Barclay • creative practicedesign trainingdocumentaryethics • film directors • film editorfilm industryfilmmaking • Graeme Tuckets • historyLord of the RingsMaoriMerata MitaNew Zealand cinemaNew Zealand filmmaker • New Zealand history • New Zealand on Screen • New Zealand stories • NZ On Screen • Out of the Blue • Pat Cox • Patu!Peter Jacksonpost productionRobert Sarkies • Ruby & Rata • Scarfies • Springbok Tour • storytelling • Ted Coubray • The Neglected Miracle • women in film


Simon Perkins
27 JULY 2010

NZ on Screen: An Archive of Aotearoa New Zealand Screen Culture

"In 2007 NZ On Air initiated the NZ On Screen project as an integral part of its digital strategy. Since 1989 NZ On Air has funded over 15,000 hours of local television production. Much of this content, as well as thousands more hours supported by broadcasters, film investors and other funding sources, is not easily accessible to the public.

NZ On Screen is unlocking the treasure chest, providing access to the wealth of television, film, music video and new media produced in NZ, along with knowledgeable background information."

(New Zealand on Screen)

Fig.1 Murphy, G. (1981). Goodbye Pork Pie. Aotearoa New Zealand, NZ Film.
Fig.2 Tamahori, L. (1994). Once Were Warriors. Aotearoa New Zealand, New Zealand Film Commission
Fig.3 Ballantyne, A. (2009). The Strength of Water. Aotearoa New Zealand, NZ Film.





19892007Aotearoa New Zealandarchivebroadcastcontentculturedigital strategyfilmfilm makingfilmmakerfundinginvestmentiwilocal television productionMaori • Maori Television • mediamedia culturemoving imagemusic videoNew Zealand cinemaNew Zealand on ScreenNZ Film ArchiveNZ On Screenold mediaproductionscreen culture • Te Mangai Paho • televisionTVNZ • TVNZ Archives


Simon Perkins

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