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Which clippings match 'Existentialism' keyword pg.2 of 3
12 JUNE 2011

Ayn Rand: objective reality

"In this engaging 1959 interview, her first on television, Ayn Rand capsulizes her philosophy for CBS's Mike Wallace. The discussion ranges from the nature of morality to the economic and historical distortions disseminated about the 'robber barons.' She also comments on her relationship with Frank O'Connor, provides some autobiographical information and gives her perspective on the future of America."

(Uploaded by hastelculo on 8 Jan 2008)

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CONTRIBUTOR

Simon Perkins
30 APRIL 2010

Stable Knowledge / Beständiges Wissen?

"Modernity replaced this metaphysical casting through the conception of a knowing subject as a stable medium. Information technology transformed the modern subject into an object of in–formation. But this process does not necessarily lead to the domination of information technology over humankind. It also enables the transformation of the modern subject into a project (Vilém Flusser). The medium of our projections is digital casting. Within it logos is not primarily oriented toward a stable object, but consists of unstable messages. Angelia displaces logos."

(Rafael Capurro)

Capurro, R. (2006). "Beständiges Wissen / Stable Knowledge?" LIBREAS(01/2006).

Flusser, Vilém. (1994). Vom Subjekt zum Projekt [From Subject to Project]. Bollmann (Bensheim).

TAGS

a knowing subject • an object of in-formation • angelia • autonomydisplacementexistentialismhumankindinformationinformation technologylogosmetaphysics • modern subject • modernityphenomenologystability • stable object • transformation of the modern subject • unstable messages • Vilém Flusser

CONTRIBUTOR

Simon Perkins
22 DECEMBER 2008

Podcasting Heidegger's Being and Time

"One of the most important philosophical works of the twentieth century, Being and Time is both a systematization of the existential insights of Kierkegaard and Nietzsche and a radicalization of Husserl's phenomenological account of intentionality. What results is an original interpretation of the human condition leading to an account of the nature and limitations of philosophical and scientific theory. This account has important implications for all those disciplines that study human beings."
(Hubert Dreyfus, UC Berkeley)

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CONTRIBUTOR

Simon Perkins
18 APRIL 2005

Jean-Paul Sartre's: No Exit

"No Exit is an existentialist play by Jean–Paul Sartre. The play begins with a bellhop leading a man named Garcin into a hotel room (the play portrays Hell as a gigantic hotel, and realisation of where the action is taking place dawns on the audience in the opening minutes). The room has no windows and only one door. Eventually Garcin is joined by a woman (Inez), and then another (Estelle). After their entry, the bellhop bolts the door shut. All expect to be tortured, but no torturer arrives. Instead, they realise, they are there to torture each other, which they do effectively, by probing each other's sins, desires, and unpleasant memories. The three often see events concerning them that are happening on earth, but they can only observe and listen."

(http://no–exit.biography.ms)

Jean–Paul Sartre (1989) "No Exit" and Three Other Plays, Vintage Books. 0679725164

Fig.1 Olivia Bucks/The Oregonian, Actors (from left) Maureen Porter as Estelle, JoAnn Johnson as Inez, and Tim True as Garcin rehearse Jean–Paul Sartre's "No Exit" on a raked stage at Imago Theatre.[http://www.oregonlive.com/performance/index.ssf/2009/10/imagos_no_exit_tilts_toward_su.html]

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15 FEBRUARY 2005

The limits of language (galaxies & cell division in a coffee cup)

"Perhaps it is a link enabling us...to pass from one subject to another, therefore to live together. But since social relations are always ambiguous...since thought divides as much as it unites...since words unite or isolate by what they express or omit...since an immense gulf separates my subjective awareness...from the objective truth I represent for other...since I constantly blame myself, though I feel innocent...since every event transforms my daily life...since I constantly fail to communicate...since each failure makes me aware of solitude...since...since I cannot escape crushing objectivity or isolating subjectivity...since I cannot rise to the state of being, or fall into nothingness...I must listen, I must look around more than ever. The world... my kin... my twin. The world alone...today when revolutions are impossible and wars threaten me...when capitalism is unsure of its rights and the working class retreats...when the lighting progress of science...brings the future terribly near...when the future is closer than the present...when the distant galaxies are at my door...my kin, my twin... Where is the beginning? But what beginning? God created heaven and earth. But one should be able to put it better. To say that the limits of language, of my language...are those of the world, of my world...and that in speaking, I limit the world, I end it. And when mysterious, logical death abolishes these limits...there will be no question, no answer, just vagueness. But what if things come into focus again...this can only be through the rebirth of conscience. Everything follows from this."

(Jean Luc Godard)

Fig.1 Godard, Jean Luc (1967). "Deux ou trois choses que je sais d'elle" [Two or three things I know about her]. 84 mins

[Godard uses a simple sequence of air–bubbles slowly decaying in a cup of black coffee as a metaphor to explain the perils of reductionist thought: bubbles decay; truth–claims limit. The sequence appears 29 minutes into film.]

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