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Which clippings match 'Max Ernst' keyword pg.1 of 2
15 FEBRUARY 2017

Silent-era avant-garde artist-filmmakers disrupting the new realities of mass media (rather than replicating them)

"Around the time Shub started her documentary experiments, 20th century avant-garde artists likewise began using repurposed chunks of mass-produced ephemera. Picasso and Braque threw bits of newspaper into paintings; Max Ernst cut up Victorian illustrations to create proto-surrealist collages; Walter Benjamin, T. S. Eliot, and James Joyce pushed the literary practice of quotation into the realm of pastiche; Marcel Duchamp pioneered sculptural assemblage with his readymades; and photomontage blossomed in the graphic works of John Heartfield, Hannah Höch, and Alexander Rodchenko. These works rearranged reality to suit their artists' purposes but, unlike the compilation films, did not try to hide that manipulation. Whether Cubist, Dada, or Constructivist, these artists chose to disrupt the new realities of mass media rather than replicate them, savoring the illogic of dreamlike disjunctions and precipitating new ways to see all-too-common images."

(Ed Halter, 10 July 2008, Moving Image Source)

TAGS

20th centuryAlexander Rodchenkoavant-garde artistsavant-garde cinemaconstructivistcubismcut-up techniqueDadadisruptiondocumentary experiments • dreamlike disjunctions • Ed Halter • Esther Shub • experimental film • found-footage • Georges Braque • Hannah Hochinfluential artistsJames JoyceJohn Heartfield • literary practice • Marcel Duchampmass media • mass-produced ephemera • Max Ernst • new realities • Pablo Picassopastichephotomontagepioneering filmmaker • proto-surrealist collages • quotationreadymade • repurposed archival material • Russian constructivism • sculptural assemblage • Thomas Stearns Eliot • Victorian illustrations • Walter Benjamin

CONTRIBUTOR

Simon Perkins
02 SEPTEMBER 2013

Retrospective exhibition of surrealist artist Meret Oppenheim

"Die Meret Oppenheim Retrospektive im Bank Austria Kunstforum zeigt Arbeiten aus allen Schaffensperioden Meret Oppenheims. Eine umfassende Schau, die Gelegenheit bietet, Meret Oppenheim abseits bekannter Klischees neu zu entdecken."

(Joseph Schimmer, 20.03.2013)

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CONTRIBUTOR

Simon Perkins
04 NOVEMBER 2012

CollageMachine: An Interactive Agent of Web Recombination

"CollageMachine builds interactive collages from the Web. First you choose a direction. Then CollageMachine will take you surfing out across the Internet as far as it can reach. It builds a collage from the most interesting media it can find for you. You don't have to click through links. You rearrange the collage to refine your exploration.

CollageMachine is an agent of recombination. Aesthetics of musical composition and conceptual detournement underlie its development. The composer John Cage and Dada artists such as Marcel Duchamp and Max Ernst used structured chance procedures to create aesthetic assemblages. These works create new meaning by recontextualizing found objects. Instead of functioning as a single visual work, CollageMachine embodies the process of collage making.

CollageMachine [1] deconstructs Web sites and re-presents them in collage form. The program crawls the Web, downloading sites. It breaks each page down into media elements—images and texts. Over time, these elements stream into a collage. Point, click, drag, and drop to rearrange the media. How you organize the

elements shows CollageMachine what you're interested in. You can teach it to bring media of interest to you. On the basis of your interactions, CollageMachine reasons about your interests; the evolving model informs ongoing choices of selection and placement. CollageMachine has been developed through a process of freely combining disciplines according to the principles of 'interface ecology.'"

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TAGS

1996 • aesthetic assemblages • agent of recombination • Andruid Kerne • collagecollage art • collage form • collage making • CollageMachine (1996) • conceptual collage • conceptual detournement • create new meaning • detournement • digital collage • evolving model • foundfound object • freely combining • influential works • interactive collage • interface ecology • Internet artInternet artworkJohn CageMarcel DuchampMax Ernst • musical composition • net artnew media • New York Digital Salon • objet trouverecombinationrecombinatory practicerecontextualisationrecontextualising found objects • selection and placement • structured chance procedures • web

CONTRIBUTOR

Simon Perkins
29 MAY 2009

BBC Four Arena 1986 television documentary about Salvador Dali

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TAGS

1986 • Amanda Lear • Andre BretonArena (TV series)BBC Four • blank canvas • donkey • eggfake art • Gala Dali • Hotel Le Meurice • je ne vois pas la femme cachee dans la foret • Jean-Francois Millet • jesuit • Johannes VermeerLouvreLuis BunuelMan RayMarcel DuchampMax Ernst • Paul Eluard • piano • recluse • rhinoceros • Sacre-Coeur • Salvador Dalisurrealist artistssurrealist filmmakertelevision documentary • The Angelus (1859) • The Enigma of William Tell (1933) • The Lacemaker (1670) • Un Chien Andalou (1929)unconscious desiresVladimir Lenin

CONTRIBUTOR

Simon Perkins
14 SEPTEMBER 2008

Dreams That Money Can Buy

"Berlin–born Hans Richter – Dadaist, painter, film theorist and filmmaker – was for four decades one of the most influential members of the cinematic avant–garde. Richter assembled some of the century's liveliest artists as co–creators of Dreams That Money Can Buy, his most ambitious attempt to bring the work of the European avant–garde to a wider cinema audience. Among its admirers is film director David Lynch.

Joe, a young man down on his luck, discovers he has the power to create dreams, and sets up a business selling them to others. The 'dreams' he gives to his clients are the creations of Max Ernst, Fernand Lger, Man Ray, Marcel Duchamp, Alexander Calder and Richter himself, and the result is by turns playful, hypnotic, satirical, charming and nightmarish."

Dreams That Money Can Buy is a film in seven segments namely:
"Desire" Director, Writer – Max Ernst; "The Girl with the Prefabricated Heart" Director, Writer – Fernand Léger; "Ruth, Roses and Revolvers" Director, Writer – Man Ray; "Discs" Director, Writer – Marcel Duchamp; "Ballet" Director, Writer – Alexander Calder; "Circus" Director, Writer – Alexander Calder; "Narcissus" Director, Writer – Hans Richter.

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CONTRIBUTOR

Simon Perkins
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