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Which clippings match 'Erasure' keyword pg.1 of 2
07 NOVEMBER 2013

The Strange Death of Ordinary Language Philosophy

Ordinary Language Philosophy (OLP) "was identified mainly with British analytic philosophers of the last mid–century and more specifically those at the University of Oxford. Its chief practitioners were regarded to be such philosophers as Ludwig Wittgenstein (1889–1951), Gilbert Ryle (1900–1976), J. L. Austin (1911–1960), P. F. Strawson (1919–), Paul Grice (1913–1988) and John Wisdom (1904–1993). From the late 1940s to the early 1960s OLP was an integral part of the mainstream of analytic philosophy; as Stephen Mulhall (1994: 444) has pointed out, when a leading introductory textbook of the era spoke simply of 'contemporary philosophy,' it was OLP that was being referred to. Currently, however, OLP is not generally viewed as a legitimate intellectual option for philosophers, analytic or otherwise. In fact it's safe to say that, with the possible exception of Bergson's and Driesch's vitalism, OLP is the most deeply unfashionable of all the main currents of twentieth–century Western philosophy. It has fallen victim to what Stan Godlovitch has called philosophy's equivalent of 're–touching family photos, old Kremlin–style' (2000: 6)."

(Tommi Uschanov, April 2001)

TAGS

20th century • analytic philosophy • British • contemporary philosophy • erasure • Gilbert Ryle • Hans Driesch • Henri Bergsonhistory of ideasintellectual history • John Austin • John Wisdom • languagelegitimate knowledge • legitimate scholarly texts • legitimationlinguistic philosophyLudwig Wittgensteinmid-century • ordinary language philosophy • Oxford analysis • Paul Grice • Peter Strawson • philosophysociology of knowledge • Stan Godlovitch • Stephen Mulhall • unfashionable • University of OxfordWestern philosophy

CONTRIBUTOR

Simon Perkins
02 OCTOBER 2013

Subservient hunter hawks Tipp-Ex white-out

"Leave it to a brand of ink–correction fluid to create the most entertaining YouTube campaign since the Old Spice response videos. The clip below, for Tipp–Ex, with a hunter who encounters a bear at his campsite, sets in motion a whole interactive choose–your–own–adventure game where you decide what the hunter should do to the bear by typing directions into a field above the video. (The hunter uses Tipp–Ex to erase the word "shoots" and asks you for replacements.) It's basically Subservient Chicken all over again, but with a YouTube spin."

(Tim Nudd, 2 September 2010, Adweek)

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TAGS

2010adAdweekbearbreaking the fourth wall • Buzzman (agency) • campsite • choose your own adventure • correction fluid • deus ex machina • erase • erasuregrizzly bear • hunter • interactive advertisinginteractive narrativeinteractive YouTube video • Old Spice • Subservient Chicken (Burger King) • Tipp-Ex • white-out • YouTube campaign

CONTRIBUTOR

Mik Parsons
04 MAY 2013

Austin Kleon: Steal Like An Artist

"Austin Kleon's talk 'Steal Like An Artist' is a creative manifesto based on 10 things he wish he'd heard when he was starting out. Austin is a writer and artist. He's the author of Newspaper Blackout, a best–selling book of poetry made by redacting newspaper articles with a permanent marker. Austin's talk was delivered as part of the TEDxKC presentation of TEDxChange. Austin's work (including his new book) 'Steal Like An Artist' has been featured on NPR's Morning Edition, PBS Newshour, and in The Wall Street Journal. He speaks about creativity, visual thinking, and being an artist online for organizations such as SXSW and The Economist."

(TEDx Talk, 2012, Kansas City)

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TAGS

2012 • Austin Kleon • authorshipBrion Gysin • Caleb Whitefoord • citation as a form of persuasionclipping • creative lineage • creative manifesto • creativitycreditingcultural productioncut-up techniqueDavid Bowieeditingephemeralerasure • genealogy of ideas • history of ideasIgor Stravinsky • marker pen • mash-up • newspaper blackout • newspaper clipping • nothing is originalNPRobliteratePablo PicassoPBS • permanent marker • redacted • redaction • remix culturesteal from anywhere • SXSW • TED Talks • TEDxChange • TEDxKC • The Economist • Tom Phillips • Tristan Tzaravisual thinkingWall Street Journal

CONTRIBUTOR

Simon Perkins
23 JANUARY 2013

Tree of Codes: re-inscription as a generative compositional technique

Jonathan Safran Foer's 'Tree of Codes' (2010) "is actually a kind of interactive paper–sculpture: Foer and his collaborators at Die Keure in Belgium took the pages of another book, Bruno Schulz's The Street of Crocodiles, and literally carved a brand new story out of them using a die–cut technique.

According to Foer's publisher Visual Editions, Tree of Codes was turned down by every printer they approached: 'Their stock line [was], 'the book you want to make just cannot be made'.'…

The luscious results, designed by Sara de Bondt, will fly in the face of anyone who says that physical books are passé. Tree of Codes is tactile, interactive, immersive––and it won't ever run out of batteries."

(John Pavlus, Co.Design)

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TAGS

2010absenceBelgiumbookbook autopsybook sculpture • Bruno Schulz • carvingcut-up techniquedeface • Die Keure • die-cut • end of printerasuregenerative compositional techniqueheterotopia • Jonathan Safran Foer • new story • no batteries requiredpaper • paper stock • papercraftparallel text • physical book • re-editre-inscriptionreinscribe • Sara de Bondt • slicedtactile experiencetactile interactive • The Street of Crocodiles • Tree of Codes (book) • unmakeable • Visual Editions (publisher)

CONTRIBUTOR

Simon Perkins
28 JULY 2012

Annotate That! content commentary and sharing application

"Annotate That! is a free unique annotating service. Share web pages, images or documents with others and add your comments using annotations. Simply click on the web page or medium to make your annotation."

(Dean Claydon, We Create Digital)

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TAGS

add your comments • annotate • Annotate That! • annotating service • annotationannotation serviceannotationsaugmentationaugmentative communicationaugmented contentcomment systemcontent sharingcooperative design knowledgecritical commentarycritique • Dean Claydon • digital contentembellishmenterasurehypermediacyinformation sharinginterpretationjuxtapositionlayerlayeredlayering • make your annotation • metadataorganisationoverlaypalimpsestreinterpretationresearch toolsharesharing and distributing knowledge • sharing application • sharing ideasstackingtext layers • We Create Digita

CONTRIBUTOR

Simon Perkins
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