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Which clippings match 'Erasure' keyword pg.1 of 1
04 MAY 2013

Austin Kleon: Steal Like An Artist

"Austin Kleon's talk 'Steal Like An Artist' is a creative manifesto based on 10 things he wish he'd heard when he was starting out. Austin is a writer and artist. He's the author of Newspaper Blackout, a best-selling book of poetry made by redacting newspaper articles with a permanent marker. Austin's talk was delivered as part of the TEDxKC presentation of TEDxChange. Austin's work (including his new book) 'Steal Like An Artist' has been featured on NPR's Morning Edition, PBS Newshour, and in The Wall Street Journal. He speaks about creativity, visual thinking, and being an artist online for organizations such as SXSW and The Economist."

(TEDx Talk, 2012, Kansas City)

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2012 • Austin Kleon • authorshipBrion Gysin • Caleb Whitefoord • citation as a form of persuasionclipping • creative lineage • creative manifesto • creativitycreditingcultural productioncut-upDavid Bowieeditingephemeralerasure • genealogy of ideas • history of ideasIgor Stravinsky • marker pen • mash-up • newspaper blackout • newspaper clipping • nothing is originalNPRobliteratePablo PicassoPBS • permanent marker • redacted • redaction • remix culturesteal from anywhere • SXSW • TED Talks • TEDxChange • TEDxKC • The Economist • Tom Phillips • Tristan Tzara • visual thinkingWall Street Journal

CONTRIBUTOR

Simon Perkins
23 JANUARY 2013

Tree of Codes: re-inscription as a generative compositional technique

Jonathan Safran Foer's 'Tree of Codes' (2010) "is actually a kind of interactive paper-sculpture: Foer and his collaborators at Die Keure in Belgium took the pages of another book, Bruno Schulz's The Street of Crocodiles, and literally carved a brand new story out of them using a die-cut technique.

According to Foer's publisher Visual Editions, Tree of Codes was turned down by every printer they approached: 'Their stock line [was], 'the book you want to make just cannot be made'.'…

The luscious results, designed by Sara de Bondt, will fly in the face of anyone who says that physical books are passé. Tree of Codes is tactile, interactive, immersive--and it won't ever run out of batteries."

(John Pavlus, Co.Design)

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TAGS

2010absenceBelgiumbookbook autopsybook sculpture • Bruno Schulz • carvingcut-updeface • Die Keure • die-cut • end of printerasure • generative compositional technique • heterotopia • Jonathan Safran Foer • new story • no batteries required • paper • paper stock • papercraftparallel text • physical book • re-editre-inscriptionreinscribe • Sara de Bondt • slicedtactile experience • tactile interactive • The Street of Crocodiles • Tree of Codes (book) • unmakeable • Visual Editions (publisher)

CONTRIBUTOR

Simon Perkins
28 JULY 2012

Annotate That! content commentary and sharing application

"Annotate That! is a free unique annotating service. Share web pages, images or documents with others and add your comments using annotations. Simply click on the web page or medium to make your annotation."

(We Create Digital)

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add your comments • annotate • Annotate That! • annotating service • annotation • annotation service • annotationsaugmentationaugmentative communicationaugmented contentcomment system • content sharing • cooperative design knowledgecritical commentarycritiquedigital contentembellishmenterasurehypermediacyinformation sharinginscriptioninterpretationjuxtapositionlayerlayeredlayering • make your annotation • metadataorganisationoverlaypalimpsestre-inscriptionreinscribereinterpretationresearch toolsharesharing and distributing knowledge • sharing application • sharing ideasstackingtext layers • We Create Digita

CONTRIBUTOR

Simon Perkins
16 SEPTEMBER 2008

Clay Ketter: Gulf Coast Slabs

"A show of new work by the American artist Clay Ketter opened in London this week at Bartha Contemporary. Ketter, who has lived in Sweden for over 20 years, is renowned for creating art works through the investigation of construction techniques. His work on the surface has a beautifully minimalist aesthetic, but the real interest lies beneath the layers in a "truth to materials" approach and the perfection of the process."

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TAGS

architecturebuilt space • Clay Ketter • construction techniqueserasure • Gulf Coast Slabs • layeredLondonmaterials • minimalist • palimpsestsurface • truth to materials • visual abstraction

CONTRIBUTOR

Simon Perkins
24 JUNE 2005

Hidden Trajectories: designing through the computer interface

"Designing through the computer interface leaves little evidence of discovery. The evidence of the evolution of the design solution: the modifications, reconsideration and redesigns that constitute the tacit dimension of the students' learning trajectories are hidden from the tutors. It is as if the students' design is a palimpsest with each design decision being erased to make room for the next."

(Christine Percy)

Percy, C. (2003). "Critical absence versus critical engagement. problematics of the crit in design learning and teaching." Art, Design & Communication in Higher Education 2 (3): 143 - 154.

Fig.1 "Springloaded I", Posted on September 3, 2008 [http://brandnewmedia.wordpress.com/2008/09/03/springloaded-i/]

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andragogyartart and designbaseroom • Christine Percy • communicating through interfaces • computer interfacecritiquedesign and makingdesign educationdesign processdiscoursediscoveryeducationengagementerasureevidenceevidence of experimentationlayeringlearning trajectorymediated environmentsonlineonline learningoverlaypalimpsestpedagogyredesign • replacement • student
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