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Which clippings match 'James Braithwaite' keyword pg.1 of 1
06 MARCH 2011

H2Oil: dramatic animated expository sequences

"Alberta sits over one of the largest recoverable oil patches in the world, second only to Saudi Arabia. It covers 149, 000 square kilometers, an area larger than Florida, and holds at least 175 billion barrels of recoverable crude bitumen. Canada has become the largest supplier of oil to the U.S., with over a million barrels per day coming from the oil sands. Currently 40% of all oil produced in Canada is derived from the oil sands.

The crude oil produced from the oil sands, the dirtiest oil in the world, could keep the global appetite for oil at bay for another 50 years.

But oil sands are a fundamentally different kind of oil. They take a lot of energy and a lot of water and leave a very large environmental footprint compared to all other forms of oil extraction. Because of this, the massive changes to the boreal forest and the watershed have prompted the United Nations to list this region as a global hot spot for environmental change.

In addition, oil sands projects are major emitters of greenhouse gases. They accounted for 4% of Canada's greenhouse gas emissions in 2005, making it impossible to meet obligations set out in Kyoto for emissions–reductions."


Fig.1 Dale Hayward & Sylvie Trouvé, James Braithwaite, Daniel Legace. 'La Moustache'.



20092D2D animationAfter Effects • Alberta • animated presentationanimation • bitumen • Boreal Forest • Canadaconsumptioncrude oil • Dale Hayward • Daniel Legace • documentaryenvironmentenvironmental change • environmental footprint • ethicsexpositionFloridagreenhouse gas emissionsgreenhouse gases • H2Oil • illustrationJames Braithwaite • Kyoto • La Moustache • motion designmotion graphicsnatureobsolescenceoiloil extraction • oil sands • overburden • Saudi Arabiasequence design • Shannon Walsh • sustainabilityUnited Nationsvisual essaywastewater


Simon Perkins
11 MAY 2010

I Met The Walrus: Animated John Lennon Interview

"n 1969, a 14–year–old Beatle fanatic named Jerry Levitan, armed with a reel–to–reel tape deck, snuck into John Lennon's hotel room in Toronto and convinced John to do an interview. This was in the midst of Lennon's "bed–in" phase, during which John and Yoko were staying in hotel beds in an effort to promote peace. 38 years later, Jerry has produced a film about it. Using the original interview recording as the soundtrack, director Josh Raskin has woven a visual narrative which tenderly romances Lennon's every word in a cascading flood of multipronged animation. Raskin marries traditional pen sketches by James Braithwaite with digital illustration by Alex Kurina, resulting in a spell–binding vessel for Lennon's boundless wit, and timeless message."

(Josh Raskin)

Fig.1 'I Met The Walrus' (2007). Josh Raskin – Animator, Josh Raskin – Director, Josh Raskin – Editor, Josh Raskin – Composer (Music Score), Alex Kurina – Cinematographer, James Braithwaite Computer Illustrations – Cinematographer, Jerry Levitan – Producer, Josh Raskin – Screenwriter, James Braithwaite – Illustrator, Alex Kurina – Illustrator [6 minutes].



14 year old • 19692D2D animation • Alex Kurina • animationdigital illustrationdrawingfilmhotel • I Met The Walrus • illustrationillustrative styleinterviewJames Braithwaite • Jerry Levitan • John Lennon • Josh Raskin • motion designmotion graphicspeacepen sketchesreel-to-reelsequence designtape deckThe BeatlesTorontovisual communicationvisual designvisual narrativevisualisationYoko Ono


Simon Perkins

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