"Art-pop band Klaxons' new video for 'Twin Flames' is a subversive CGI orgy of mutant sex and FX. The promo reel for the latest single from Surfing the Void shows band members and multiracial schoolgirls morphing into one another in an ecstatic phantasmagoria that might be the opposite of sexy, depending on which side of the sensual divide you reside."
(Scott Thill, 19 November 2010, Wired Magazine)
"The complexities already evident in L'anti-oedipe are compounded by Deleuze and Guattari's deliberate refusal to propose a central narrative or theme for the book [A Thousand Plateaus: Capitalism and Schizophrenia]. They refer to the sections in Mille plateaux as 'plateaus', a term they derived from the anthropological work of Gregory Bateson. Bateson had used the term to describe the libidinal economy he found in Bali, which differed from that in the West, with its emphasis on climax. Deleuze and Guattari intended that the sections of their book should not reproduce the climactic and dissipative character of Western discourse, as manifested in the traditional book format with its culminations and terminations. They hoped rather that each plateau would operate as part of an assemblage of connecting parts to be approached by the reader in whichever order they chose. As this might suggest Mille plateaux is a complex and difficult book, though, at the same time, extraordinarily compelling."
Gere, Charlie. 2002 'Digital Culture' Reaktion Books. ISBN 1861891431 1861891431 (pbk.)
"The child-mannequin-type figures of the sculpture "Zygotic acceleration, biogenetic, de -sublimated libidinal model (enlarged x 1000)," 1995, are also removed from biological reality, and yet the body with its multiple girl heads, legs, and arms conveys the impression of a living creature. They are mutated organisms – fused together at their torsi; anus, vulva or penis replace nose, ears, or mouth – who seem to offer themselves sexually to the viewer. The theme of the work is, if one sticks to the title, cell reproduction and sexuality. A work that captures the self-reproductive manifestations of excessive, errant libido and reveals the obsessions of genetic engineering."
(The Kunsthaus Bregenz)