"Korea (South) has recognized design as the future growth engine and has introduced 'Building a Creative Design Nation' as a new government project. The Korea Institute of Design Promotion (KIDP) lies at the center of national design promotion policies. KIDP has been putting its best efforts into promoting Korea as a global leader in the design community and as a result, has created a global design portal site that will compile design information in an integrated and systematic way.
Global DesignDB.com is an integrated online service system set up to manage the latest design information for designers and others involved in the global design industry. It will act as a 'Design Navigator' for anyone interested in design. We look forward to your continuous interests and support."
(The Korea Institute of Design Promotion)
Fig.1 Suzy Sunsook Cho, Package Design [http://suzycho.blogspot.co.uk/2011/04/package-design.html].
"Matchbox labels from the former Eastern bloc often display a remarkable degree of sophistication, elegance and artistic quality. They were, at a time, the most convenient,efficient and powerful medium for visual communications. Although they were produced under strict state-controlled production processes; that were aimed at exploiting them as a means of publicizing political initiatives, promoting public health and safety, and selling the communist ideal both at home and abroad, the artists used them as a vehicle to experiment with various imaginative ideas and artistic techniques, achieving truly stunning results."
(Guity Novin - گیتی نوین (ناوران) - ا)
"This flag was made on the Tory during its voyage from England to New Zealand in 1839 and raised at Petone on 30 September. The Tory carried New Zealand Company agents who intended to buy land from Maori. William Wakefield, the principal agent, referred to the flag as the 'colours of New Zealand' and the Tory gave it a twenty-one gun salute. It is possibly one of several used by the Company.
The flag's design was based on a flag adopted by a group of Maori chiefs at Waitangi in 1834 when New Zealand was an independent territory. The flag came to be known as the flag of the United Tribes of New Zealand, a term derived from an 1835 declaration of the country's independence by a group of northern chiefs.
The flag was the New Zealand Company's acknowledgement of the independent status of the country. After chiefs signed the Treaty of Waitangi with the British Crown in February 1840, the Union Jack was used as the national flag. When the Company continued to use the original New Zealand flag, Lieutenant-Governor William Hobson saw this as a challenge to the Crown's authority and dispatched an armed party to lower it on 30 June 1840. The next day the Union Jack was raised and British sovereignty proclaimed.
Despite the adoption of the Union Jack, the 1834 flag continues to have a special relevance to Maori and to the Treaty of Waitangi."
(Museum of New Zealand Te Papa Tongarewa)
Fig.1 New Zealand Company flag, 1839, gift made to The Museum of New Zealand Te Papa Tongarewa by Andrew Haggerty Richard Gillespie, 1967
"Trove is a new discovery experience focused on Australia and Australians. It supplements what search engines provide. If you are researching in the fields of the social sciences, literature, local or family history, or need inspiration for your school assignment, then this is the tool for you.
For example if researching images relating to Edmund Barton, our first Prime Minister, results will include descriptions such as people, book, manuscript, map and newspaper articles. A researcher searching for information on Nellie Melba will be presented with a range of results including biographies, pictures, music, newspapers, books etc."
(The National Library of Australia)
Fig.1 Teenage Weekly Supplement (page 5) in Australian Womens Weekly 20 September 1961 [http://trove.nla.gov.au/ndp/imageservice/nla.news-page4830846/print]
"We are a changing, emerging state that no longer seeks inspiration from the present flag. It is part of our history and the role that it has played can be respected. We are moving from a predominantly bicultural society to one that now involves an important component of Pacific island people and also immigrants from Asia.
We must now seek inspiration, visual excitement and stimulus to creativity and excellence from many directions and develop a flag that can be a source of pride to New Zealanders as we continue to impact strongly on the wider world in the many areas of commerce, sport, films, literature, tourism and creative thinking in which we have to strive to excel."
(Ian Prior, 27 February 2004)
Fig.1 New Zealand National flag and state ensign;
Fig.2 Michael Smythe, 'Koru (after Gordon Walters)';
Fig.3 Cameron Sanders;
Fig.4 'Tino Rangatiratanga';
Fig.5 Kyle Lockwood.