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Which clippings match 'Prometheus (mythology)' keyword pg.1 of 2
07 JANUARY 2014

Prometheus: speculating about the creators of humanity

"At some point in the film's development it was planned that the Engineers, the creators of humanity, were gearing up to destroy us for the crime of crucifying Christ, who was a representative of the gods. 'We definitely did [plan that],' Scott told movies.com, 'and then we thought it was a little too on the nose. But if you look at it as an 'our children are misbehaving down there' scenario, there are moments where it looks like we've gone out of control, running around with armor and skirts, which of course would be the Roman Empire. And they were given a long run. A thousand years before their disintegration actually started to happen. And you can say, 'Lets' send down one more of our emissaries to see if he can stop it.' Guess what? They crucified him.'

It seems ridiculous to propose that a Jewish man at the time of Augustus and Tiberius was an eight-foot tall milk-white alien. Though some Biblical scholars posit that Christ, as characterised by St Paul in the earliest Christian texts, may have been an angelic or non-corporeal being, it is not a widely disseminated theory. If it's difficult to convince some that Christ was not a man, it would be harder to convince audiences that he was an alien."

(Seonaidh Ceannéidigh, 21 July 2013)

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2012 • 2093 • alienAlien (film)alien beingsalien race • angelic • Augustus • being • Biblical scholars • Carlos Huante • Creator Beings • creators of humanity • Engineer (creator being) • godsJesus Christmankind • Michael Fassbender • Neville Page • non-corporeal being • Prometheus (2012) • Prometheus (mythology)Ridley ScottRoman Empiresci-fispeciesspeculative fiction • Tiberius

CONTRIBUTOR

Simon Perkins
07 DECEMBER 2013

A history of colour organs and visual music

"'The early history of this art was driven by an interest in color. In the eighteenth century, a Jesuit priest, Louis Bertrand Castel, invented the first color organ. Others, including D.D. Jameson, Bainbridge Bishop, and A. Wallace Rimington, created color organs through the next century [2]."

(Maura McDonnell, 2002)

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1730 • 1742 • 18th century • Alexander Scriabin • Alexander Wallace Rimington • amplitudeanalogue correspondence • Arnaldo Ginna • Audiovisual Environment Suite (AVES) • Bainbridge Bishop • Bruno Corra • clavecin oculaire • Clavilux • colourcolour and music • colour and sound • colour light • colour music • colour organ • colour tone • coloured light • coloured notes • compositioncorrelative analogue • D.D. Jameson • experimental instrument • experimental musical instrumentFernand Leger • Fred Callopy • Georg Telemann • GesamtkunstwerkGolan LevinHans Richter • harpsichord • Harry SmithhueinventionJames WhitneyJohn Whitneykeyboard • Lejf Marcussen • Len Lye • Leopold Survage • light organ • Louis Bertrand Castel • Luigi RussoloMan RayMarcel Duchamp • Mary Ellen Bute • Maura McDonnell • music historymusical instrumentNorman McLaren • Ocular Harpsichord • organOskar Fischinger • Paul Friedlander • piano style keyboard • pitch to hue • projected light • Prometheus (mythology) • rhythmiclight • Roy De Maistre • soundStan Brakhagesynaesthesia • synesthesia • Thomas Wilfred • timbre • tone colour • Viking Eggelingvisual music • Wallace Rimington • Walter Ruttmann • Wurlitzer

CONTRIBUTOR

Simon Perkins
16 AUGUST 2013

Kara: an animated short film speculation about our domestic futures

"Quantic Dream released a short film following a character called Kara. The five–minute film is called Kara. She's a female android brought to life on an assembly line, and as her body is put together piece by piece she's asked to speak in English, German and French and sing in Japanese. After expressing emotion she's marked as defective and being to be disassembled, but before being permanently shut down she begs for her life. Her beating blue robotic heart tells how nervous she is, and the man assembling Kara allows her to continue off the manufacturing line"

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2011animated short filmassembly linecybernetics • David Cage • domestic futuresethics • female android • futuristic encounter • GDC 2012 • gendered technologyhousewifehyper-consumerism • Kara (character) • ladybotlifelikelove dollman machine • obedience • objectification of womenperformance capturePlaystation 3Prometheus (mythology)Quantic Dreamreal-life dollreplicant • servant • servile • servility • sex dollSony Computer Entertainmentspeculative fictionsubserviencesynthetic-life • Tercelin Kirtley • Valorie Curry • visions of the future

CONTRIBUTOR

Simon Perkins
26 JUNE 2011

Victor Frankenstein's horror at infusing life into an inanimate body

"The different accidents of life are not so changeable as the feelings of human nature. I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. Unable to endure the aspect of the being I had created, I rushed out of the room and continued a long time traversing my bed–chamber, unable to compose my mind to sleep. At length lassitude succeeded to the tumult I had before endured, and I threw myself on the bed in my clothes, endeavouring to seek a few moments of forgetfulness. But it was in vain; I slept, indeed, but I was disturbed by the wildest dreams. I thought I saw Elizabeth, in the bloom of health, walking in the streets of Ingolstadt. Delighted and surprised, I embraced her, but as I imprinted the first kiss on her lips, they became livid with the hue of death; her features appeared to change, and I thought that I held the corpse of my dead mother in my arms; a shroud enveloped her form, and I saw the grave–worms crawling in the folds of the flannel. I started from my sleep with horror; a cold dew covered my forehead, my teeth chattered, and every limb became convulsed; when, by the dim and yellow light of the moon, as it forced its way through the window shutters, I beheld the wretch – the miserable monster whom I had created. He held up the curtain of the bed; and his eyes, if eyes they may be called, were fixed on me. His jaws opened, and he muttered some inarticulate sounds, while a grin wrinkled his cheeks. He might have spoken, but I did not hear; one hand was stretched out, seemingly to detain me, but I escaped and rushed downstairs. I took refuge in the courtyard belonging to the house which I inhabited, where I remained during the rest of the night, walking up and down in the greatest agitation, listening attentively, catching and fearing each sound as if it were to announce the approach of the demoniacal corpse to which I had so miserably given life."

(Mary Wollstonecraft (Godwin) Shelley, The Project Gutenberg)

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beingbodybreathe life intocomposites • conventional morality • corpsecreation of a new speciescreatorcreature • demon • demoniacal corpse • design responsibilitydiscoveryethicsexperimentationFrankensteinguilthorrorhuman being • human life • human nature • human society • inanimate body • Ingolstadt • lifemankind • Mary Godwin • Mary Shelleymoral dilemmamoral imaginationsnatureProject GutenbergPrometheus (mythology)speciesspeculative fictionspeculative researchVictor Frankenstein • Wollstonecraft

CONTRIBUTOR

Simon Perkins
25 JUNE 2011

Japan Has Made The Human Pop Star Obsolete

"Meet Eguchi Aimi. She's the newest member of Japan's teen girl group, AKB48. Like the rest of her 47 band mates, she's the embodiment of the a tween pop idol. She's got a sugary voice, perfect hair, shiny skin, and an unrelenting desire to plug consumer products, namely Glico's Ice No Mi candy. She appeared in the June 13 issue of Shukan Playboy magazine, where she was described as the 'Ultimate Love Bomb.' Aimi's star was rising fast.

What makes her special is that she doesn't exist. Glico now admits that Aimi is actually a computer generated image created by mashing up the features of AKB48's other members.

The band and the candy company struggled to pass Aimi off as an actual organism, but some of the band's obsessive fans had raised suspicions when they noticed the uncanny resemblance to other members. Others noticed a somewhat eerie quality to her movements."

(Vincent Trivett, 24 June 2011, Business Insider)

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20113D visualisation • AKB48 • Akihabara • appearance • Atsuko Maeda • authenticityavatarbotCGI actorscharacter compositeco-optiondigital actors • Eguchi Aimi • girl group • Ice No Mi • J-PopJapanlifelikemanufactured band • Mariko Shinoda • mash-up • Mayu Watanabe • Minami Takahashi • pop group • pop idol • pop star • Prometheus (mythology)puppetrealistic representationresemblancesimulacrasynthespianteenage cultureteenage girls • Tomomi Itano • tween pop idol • virtual charactervirtual girlvirtual peoplevisual depictionvisual elements combined • Yukari Sasaki • Yuko Oshima

CONTRIBUTOR

Simon Perkins
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