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Which clippings match 'Horizon' keyword pg.1 of 1
13 DECEMBER 2012

Journey (Video Game)

"The studio describes it as an interactive parable, the story of a lone traveller and their path through life told in the form of a voyage that starts in the vast expanses of a desert and ends ... well, to tell you how it ends would spoil it. You think you know what Journey is going to be about after the first five minutes, but you don't. I came to it expecting something charming, visually stunning and perhaps even mildly edifying. I left thinking that it may well be, in many ways, the best video game I have ever played.

You play a traveller swaddled in red robes, beginning atop a desert sand dune with a view of a shining mountain on the horizon. You're given no direction; instead you're guided by the natural impulse to move towards that looming, distant beacon. Control is intentionally simple and unobtrusive; you can only walk, jump and sing, but Journey still crafts some astounding scenarios from those bare gameplay ingredients. It has you surfing down sand dunes in the fading light, scaling towers, flying on the wind and cowering in underground ruins as you slowly uncover what could have happened to the civilisation that must have once lived there."

(Keza MacDonald, 13 March 2012, The Guardian)

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TAGS

2012abandoned ruinsancient cityatmospheric presence • Austin Wintory • barren land • beacon • clothcontinuous • crevice • cutscene • desertdesolate space • endless desert • environment as antagonist • float through the air • floating in spaceflyinggame worldheros journeyhorizonindie game • interactive parable • Journey (2012) • lone traveller • mountain • musical chime • natural impulse • open worldPlaystation 3quest • reach the summit • redrobe • robed figure • ruins • sand dune • scarf • smooth spacesnowSony Computer Entertainmentstone • Thatgamecompany • timelessnesstower • underground ruins • video gamevoyagewindwordless

CONTRIBUTOR

Guannan (cassie) Du
08 MARCH 2010

Encyclopaedia is assumed as an historical production always incomplete, unfinished, precarious, condemned to the voracity of knowledge progress

"In the line of [Francis] Bacon Instauratio Magna, encyclopaedia is assumed as an historical production always incomplete, unfinished, precarious, condemned to the voracity of knowledge progress: "it does not suppose that the work can be altogether completed within one generation, but provides for its being taken up by another"[1]

If encyclopaedia is never a dictionary, yet they have one point in common. They both are discontinuous texts made of independent segments or entries, either alphabetically organised or structured in larger conceptual, thematic or disciplinary frameworks. Those semantic fields never present well–defined borders. Each entry opens (explicitly or implicitly) to other entries which, in turn, open to others in such a way that each entry is virtually connected with all others. In that sense, encyclopaedia is not so much a monumental reunion of all knowledge in one closed place, but the free circulation of unity throughout the dense and sensual effectivity of its volumes and pages. Not a static totality but a dynamic entity, not a mausoleum but a "living intellectual force" as Otto Neurath, the big organiser of neo–positivist International Encyclopaedia of Unified Science (1937–38) used to say [3]. Not an additive totality but a vast, waving horizon, a net of multidimensional elements which can be connected according to multiple relationships. That is to say, encyclopaedia supposes a deep, floating continuity underlying its superficial discontinuity. This is the point in which encyclopaedia most clearly revels itself as a strong configuration of the unity of science. In fact, it is the only attempt of unification of knowledge, which is effectively realised, the only material realisation of unity of science that condenses and presents to the eyes of everybody a large scope of materials, which could never be confronted in any other way."

(Olga Pombo)

[1] F. Bacon, Instauratio Magna, Preface, in The Works of Francis Bacon, edited by J. Spedding, 1857–1874, London: Ellis and Heath, vol. IV: 21.

[3] I quote Neurath from his famous "Unified Science and Encyclopaedic Integration": 'a living being and not a phantom, not a mausoleum or an herbarium, but a living intellectual force', "Unified Science and Encyclopaedic Integration", in O. Neurath (ed.), International Encyclopaedia of Unified Science, Chicago/Illinois: The University of Chicago Press, 1938, vol. I: 26.

Leibniz and the Encyclopaedic Project, Actas del Congresso Internacional Ciência, Tecnologia Y Bien Comun: La Catualidad de Leibniz (Valência, 21–23 Marzo de 2001), Valencia: Editorial de la Universidas Politecnica de Valencia, 2002, pp. 267–278.

TAGS

becomingconstellationsdictionarydiscursive fieldencyclopaediaFrancis BaconGottfried Leibnizhorizon • Instauratio Magna • mausoleum • multidimensional • orderingOtto Neurath • segment • semantic • unification of knowledge

CONTRIBUTOR

Simon Perkins
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