Not Signed-In
Which clippings match 'Garment' keyword pg.1 of 1
09 MAY 2011

How Unilever, Coke and the Mini car got it so wrong

"Even the biggest businesses can make big mistakes – and when they do, the result can be a commercial calamity. Companies are constantly striving to improve their products and turn a profit. But changing an existing product can go horribly wrong, leaving customers in revolt and companies in crisis. Mishandled marketing and bungling public relations can make the slickest of businesses look incompetent. And the costs both financially and to reputation can be enormous. Persil, Coca–Cola and the British Motor Corporation have provided some of the most extreme examples as Evan Davis has been finding out for a new BBC Two series."

(BBC News, 8 May 2011)

Business Nightmares with Evan Davis – Doomed Designs will be on BBC Two at 20:00 BST on Monday 9 May 2011

Fig.1 '2009 Mini Cooper Turns Fifty and is Younger than Ever', picture 09ELG550925430AC

1

2

TAGS

195919851990s1994BBC • best-selling • blind taste test • BMC • British Motor Corporation • businesscarcelebrity endorsementCoca-Colacommodity • companies in crisis • customer revolt • customersenterpriseEvan Davis • failure • garmentinnovationJohn Lennon • low price • loyaltymarket dominancemarket leadermarket researchmarketing • Mini (car) • new and improved • New Generation Persil • original formula • original recipe • Pepsi • Pepsi Challenge • Persil • Persil Power • Peter SellersPolaroidpriceProcter and Gambleproductproduct change • product formula • profitpublic relationssoap • soft drink • Spike Milligan • stain • taste (sociology)UKUnilever • washing powder • waste

CONTRIBUTOR

Simon Perkins
19 FEBRUARY 2010

Industrial and Social Heritage Accessible Through AHRC Pilot Project

"More than 75,000 intricate lace samples, considered to be of national and international importance, have been placed in a new archive at Nottingham Trent University. The collection – acquired by the university and its forerunners over many years through bequests from lace manufacturers and the lace federation – features many significant items, including some which date back to the 1600s. ...

A new steering group has been formed to support the collection, featuring a range of key academic experts as well as leading figures in lace and museology from the Victoria and Albert Museum in London and The Bowes Museum in County Durham. The group will work to link the archive to other significant collections and will be responsible for future exhibitions, research opportunities and promoting and maintaining the relationship between Nottingham and the lace industry.

The majority of donations to the university's collection were made from the late 19th to the mid–20th Centuries and include single pieces, such as cuffs, bonnets and collars; garments and garment panels. There are items in manufacturers' sample books, photographs of lace from a breadth of sources and collections, and portfolios of machine–made lace. The collection not only includes British designs but also portfolios of lace from Italy, France, Belgium, Switzerland, Holland, Germany, Spain, Portugal and Russia.

The collection is regularly studied and researched by representatives from The Lace Guild, various lace and textile organisations, academic experts and undergraduate and postgraduate students.

Dr Amanda Briggs–Goode, programme leader for Textile Design in Nottingham Trent University's School of Art and Design, said: 'It is important for us to conserve and understand the industrial, social and design heritage that this collection brings, and having an official archive space is the ideal way to achieve this. To date, access to the collection has been limited, but this will help us to form the basis of a professional archive which charts the history of Nottingham lace. ...

A project to pilot a database and make key parts of the lace collection web–accessible has also been recently completed, following funding from the Arts and Humanities Research Council."

(Katy Cowan, 4 February 2010, Creative Boom magazine)

1

TAGS

1600s • 17th centuryAHRC • Amanda Briggs-Goode • archiveArts and Humanities Research CouncilBelgium • Bowes Museum • collectionconservationcraftcreative industriesdatabasedecorationdesign • design heritage • fabricFrancegarmentGermanyheritagehistoryHollandindustrial heritageindustrialisationlace • lace collection • lace federation • lace industry • lace manufacturinglace-makingmachine-madematerialmuseologyNottinghamNottingham Trent UniversityNTUpatternPortugalRussia • sample books • School of Art and DesignsearchSpainSwitzerlandtechnologytextile designtextilesUK • Venetian • Victoria and Albert Museumvintagevisual design

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.