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Which clippings match 'Secret' keyword pg.1 of 1
07 MAY 2013

ANAR Foundation: targeting children through lenticular imagery

"ANAR Foundation manages in Spain the European unique phone number 116 111, to attend children and teenagers under a risk situation. On this telephone number, only for minors, they can find the help they need in a totally anonymous and confidential way. But, how can we get our message to a child abuse victim, even when they are accompanied by an adult their aggressor?

Knowing the average height for adults and children under 10, we have created two different messages. Using an outdoor lenticular we show adults an awareness message, while children see a message where we offer them our help and show them the telephone number. A message only for children."

Fig.1 campaign created by Grey Spain (Grey EMEA, http://grey.com/emea/).

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TAGS

abuse • aggressor • ANAR Foundation • average height • awareness message • child abusechild protectionchildrendifferent angles • different height • displaydisplay advertising • Grey EMEA • GREY Group • height • lenticular image • lenticular imagerylenticular printing • only for children • optical effect • outdoor lenticular • perspective view • printed images • revelation • risk situation • secretsecret messageSpainstreet signteenagervictimviewing angleviewing perspectivevulnerable groups

CONTRIBUTOR

Simon Perkins
29 JUNE 2011

The Island: Stephen Walter's London Series

"London is one of the great living palimpsests of our time. Its layers of history and its constant energy to re–invent itself fuels this vast grey magnet. I was spurd on by the great Map Makers of London's past – John Roque, Greenwood and Phyllis Pearsall (the originator of the A–Z). Informed by my own insights and knowledge, I combined further research on the Internet and through writers such as Peter Ackroyd and Ian Sinclair.

The resulting map, a spoof of the historical ones of old, would challenge the first impressions of its viewer; touching on the Capital's vastness, its secrets and its undercurrents. With this process in mind, I began to edit the information, keeping what I felt were historically important, interesting, relevant and amusing. These fantastical additions and epithets are purposefully innocent and acidic, trivial and serious. The Map is as much about the personality of its viewer than it is about of my own. In other words it acts as a mirror.

Britain is a collection of islands and it undoubtedly forms part of our identity. This provincialism; the centre of many industries and in particular the London Centric Art world and its rise again to a world city status add to its identity as an icon, separated from the rest of the country. I wanted to perceive London as another one of these 'islands', and so when mapping the coastline around its Borough edges I was happy to discover Carshalton Beaches coinciding with this border."

(Stephen Walter)

Fig.1&2 Stephen Walter, "The Island"

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TAGS

ancestral domainsancestral domainsborders • Carshalton Beaches • cartographycity mapscultural identitydrawing • epithets • everyday • fantastical additions • graphic representation • Greenwood • hand-drawn mapshistorical importancehistorical map • Ian Sinclair • icon • islands • John Roque • layers of history • London • London Centric Art • map makers • map of Londonmapmakingmapspalimpsest • Peter Ackroyd • Phyllis Pearsall • provincial • provincialism • secretspatial narrative • Stephen Walter • streetsubversion • The Island • UKundercurrentsurban centrevisual communicationvisualisationworld view

CONTRIBUTOR

Simon Perkins
26 APRIL 2011

Heavy Water: a film for Chernobyl

"On April 26th, 1986, reactor four at Chernobyl nuclear power station explodes, sending an enormous radioactive cloud over Northern Ukraine and neighbouring Belarus. The danger is kept a secret from the rest of the world and the nearby population who go about their business as usual. May Day celebrations begin, children play and the residents of Pripyat marvel at the spectacular fire raging at the reactor. After three days, an area the size of England becomes contaminated with radioactive dust, creating a 'zone' of poisoned land.

Produced by Seventh Art Productions and based on Mario Petrucci's award–winning book–length poem, Heavy Water: a film for Chernobyl tells the story of the people who dealt with the disaster at ground–level: the fire–fighters, the soldiers, the 'liquidators', and their families."

(Seventh Art Productions)

'Heavy Water: a film for Chernobyl' (2007). Directed by David Bickerstaff and Phil Grabsky, Poetry by Mario Petrucci, 52 minutes

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TAGS

1986 • 25th anniversary • BelarusChernobylconsequencescontaminationdisasterdocumentaryenvironment • explosion • familyfilmfilm essayfirefirefighter • heavy water • Heavy Water (film) • legacy • liquidator • Mario Petrucci • May Day celebrations • mortalitynuclear disasternuclear power stationnuclear reactorpersonal storypoempoisonPripyatradiationradioactiveradioactive contaminationradioactive dustsecret • Seventh Art Productions • soldierUkrainezone

CONTRIBUTOR

Simon Perkins
15 APRIL 2011

A personal story of the materiality of contamination

Yelena Popova's reflections on the materiality of contamination and the Kyshtym nuclear disaster of the 9th September 1957.

Fig.1 Yelena Popova (2010). still from 'Unnamed', short artist documentary telling a personal story of a secret town in Russia, 10 minutes.

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TAGS

19451957 • artist documentary • atom bomb • Chernobylcitizenshipcold warconsequencescontamination • density • disasterenvironmentfilm essayglass • glass blowing • invisibleKazakhstan • Kyshtym disaster • Lake Kyzyltash • mapmaterials • Mayak plant • metaphor • molten • nationalityNevadanuclear disaster • Ozyorsk • paper weight • personal storyradiationradioactive contaminationRussiasandsecretsecret townshort filmsouvenirtranslucenceunderstandingYelena Popova

CONTRIBUTOR

Simon Perkins
14 FEBRUARY 2010

Wikileaks: airing governments' and corporations' dirty laundry

"Wikileaks, with its simple 'keep the bastards honest' ethos, aims to discourage unethical behaviour by airing governments' and corporations' dirty laundry in public, putting their secrets out there in the public realm. The site won Index on Censorship's 2008 freedom of expression award because it's an invaluable resource for anonymous whistleblowers and investigative journalists.

Among Wikileaks' recent triumphs are its publication of top–secret internet censorship lists. The blacklists from Australia, Thailand, Denmark and Norway demonstrate exactly how censorship systems are abused to suppress free expression. The Thai list featured sites criticising the country's royal family and the Australian blacklist turned out to include a school canteen consultancy. Despite its child porn mandate, less than half of the Australian blacklist were linked to paedophilia. Also on the list were satanic and fetish sites, anti–abortion websites, and sites belonging to a kennel operator and a dentist. Publication highlighted the lack of transparency in the process and gave impetus to the 'No Clean Feed' campaign which opposes the Australian government's internet filter proposals."

(Emily Butselaar, guardian.co.uk)

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abuseanonymous • anti-abortion • Australia • blacklist • censorshipchild pornographycollaboration • comment is free • critiquedemocratic participationDenmarkdigital mediaemancipationempowermentethicsfree expressionfreedom of expression • freedom of information • Internet • internet filter • investigative journalism • Julian Assange • keep the bastards honest • media • No Clean Feed • Norwaypaedophiliapowerprotestresponsibilityroyal family • satanic • secretsexual fetishsocietytechnologyThailand • top-secret • transparencywhistleblowerWikileaks

CONTRIBUTOR

Simon Perkins
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