Not Signed-In
Which clippings match 'Interactive Design' keyword pg.1 of 2
16 APRIL 2013

Moniker: agency behind Light Light's crowd-sourced music video Kilo

"Moniker is an Amsterdam based design studio founded in 2012 by Luna Maurer, Jonathan Puckey and Roel Wouters. ... The studio works across various media for a diverse range of clients ranging from those in the cultural field to commercial companies. ... we explore the social effects of technology – how we use technology and how it influences our daily lives. Often, we ask the public to take part in the development of our projects. The resulting projects expand and grow like plants, displaying their inner organisational process."

[The studio is responsible for the interactive music video "Kilo" performed by Dutch quartet Light Light (http://www.lightlight.nl/) aka Björn Ottenheim & Daan Schinkel of zZz and Alexandra Duvekot & Thijs Havens of Sælors.]

1

TAGS

2012 • Alexandra Duvekot • Amsterdamautonomous • Bjorn Ottenheim • commissioned work • computer cursor • continuous series • crowd-sourced music video • crowdsourcing • Daan Schinkel • design studioDutchever-changing • expand and grow • experimental workflocking algorithmfollow other usersgenerative design • how we use technology • interactive design • interactive music video • Jonathan Puckey • Kilo (song) • Light Light (band) • ludic intervention • Luna Maurer • Moniker (studio)music videonetwork societyorganisational processparticipative mediaparticipatory Internet media • point and click • pointer • quartet • Roel Wouters • Saelors (duo) • shared experiencesocial effects of technology • take part • Thijs Havens • video work • zZz (duo)

CONTRIBUTOR

Simon Perkins
09 JULY 2012

Start JudgeGill: UK Start Academy Grad Programme

"Are you ready to be part of our golden generation? We've built a new agency that blurs the line between the physical and the interactive. Now we're looking for exceptional people to work in multi–disciplinary teams, creating experiences that make them, and us, famous. We need supremely skilled Designers, Developers, Strategists, Copywriters, Account Handlers and Producers. If that's you, then there's a place in our graduate academy to define your career and craft in this connected world. Closing date for the July intake is Friday 13th July."

(Start JudgeGill, UK)

1
2

TAGS

2012 • account handler • account managerAdidasagency cultureBarclays Bank • blurs the line • careerconnected world • copywriter • copywriters • copywriting • Costa Coffee • craftcreative industries • define your career • design agencydesign businessdesign career • design careers • design graduatesdesign industrydesign professionalsdesign projectdesign studiodesignersdevelopersdigital design • Easyjet • exceptional people • golden generation • grad programme • graduate academy • graduate bridgegraduate designers • graduate programme • graduate trainee • graphic designinteractive designinterior designMarks and Spencermoving imagemultidisciplinarymultidisciplinary teams • new agency • permanent jobs • portfolio review • portfolio viewing • post-graduate employmentpost-graduate scheme • producer • producers • professional practicereal-life studio • Start Academy Grad Programme • Start JudgeGill • strategists • structured training programme • trainee scheme • transition into post-graduate employmentUKVirgin Mediawork placement

CONTRIBUTOR

Simon Perkins
08 MAY 2011

AIGA Standard Form of Agreement for Design Services

"This agreement allows you to create customized terms and conditions for different types of design engagements. Updated in 2009, it is modular to meet the needs of a growing design community involved in various disciplines.

It does not take a one–size–fits–all approach, and it is not an extensive pre–printed document where you simply fill in the blanks. Instead, this agreement acknowledges that most design firms develop their own custom proposal document for each project and are looking for an appropriate set of terms and conditions to attach to it. When put together and signed, the custom proposal document and its attached terms and conditions comprise the binding agreement with the client. With this in mind, the focus of the AIGA Standard Form of Agreement is on those terms and conditions.

In addition to being more customizable, the modularity also helps to keep individual agreements down to a more manageable size. The first two modules, Basic Terms & Conditions and Intellectual Property Provisions, should be used for all design assignments. An additional three modules are provided as supplements that can be added to the agreement as needed: Print–specific Terms & Conditions, Interactive–specific Terms & Conditions and Environmental–specific Terms & Conditions."

(American Institute of Graphic Arts)

2). AIGA Standard Form of Agreement for Design Services

1

CONTRIBUTOR

Simon Perkins
10 APRIL 2011

Continue: from simple bifurcation to a graduated field of complexity

"*_Zu Beginn sind auf dem Bildschirm eine weiße und eine schwarze Fläche sichtbar, in denen Continue bzw. 'quit' geschrieben stehen. Entscheidet man sich per Mausklick für die zweite Möglichkeit verlässt man die Arbeit. Entscheidet man sich für die erste Variante, so verdoppelt sich jeweils die Zahl der Felder. Bald sind die sich stets verkleinernden Flächen nicht mehr als einzelne zu erkennen und mit der Maus ist kein eindeutige Wahl mehr zu treffen.

Continue ist eine minimalistische, konzeptuelle Arbeit, die immer wieder neu die immer gleiche Frage nach dem Fortsetzen des interaktiven Prozesses stellt."

(ZKM)

Fig.1,2,3 Dieter Kiessling (2002). 'Continue', artintact #4/2 in Jeffrey Shaw and Astrid Sommer Eds.'artintact', Zentrum für Kunst und Medientechnologie Karlsruhe

[The work progresses from distinct binary divisions identified as 'Quit' or 'Continue' to progressively smaller and smaller subdivisions creating an increasingly cinereous/greyer and more graduated field. In this way the work can be used as a metaphor to illustrate a type of complexity which Basil Bernstein describes as strong classification of discourse where 'the progression will be from concrete local knowledge, to the mastery of simple operations, to more abstract general principles' (2000, p.11).]

Bernstein, Basil. (2000). 'Pedagogy Symbolic Control and Identity, Theory Research Critique'. Oxford, Rowman & Littlefield Publishers, Inc.

1

2

3

4

TAGS

01011997abstractionartintactartistic practice • Astrid Sommer • bifurcationbinary • binary divisions • checkerboard • complexity • continue • Continue (Kiessling) • crisis of empiricismcritiquedatadesign formalism • Dieter Kiessling • DVD-ROM • graduated field • interactive designJeffrey Shawmetaphorpatternquitscalestrong classificationsubdivisionsZentrum fur Kunst und MedientechnologieZKM

CONTRIBUTOR

Simon Perkins
23 APRIL 2010

Computational Studio Arts: the new crafts

"Goldsmiths' Master of Fine Arts (MFA) in Computational Studio Arts can be described as 'smart crafting'. Four students talk about their work in this exciting new field of study.

[Janis Jeffries, Professor of Visual Arts in the Department of Computing, Goldsmiths explains] 'this is the first year of graduating students in the MFA in Computational Studio Arts. It's the first programme within the University of London which is very much about hands–on programming skills as what you might call 'the new crafts'. ...

'Because of the dynamic relationship between art, science and technology, probably some of the most interesting shows are now at the Science Museum and the Wellcome Foundation. They're really pressurising the conventions of the art world because people are much more engaged.'"

(Laura Taflinger, Creative Choices, UK)

1

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.