Not Signed-In
Which clippings match 'IPad' keyword pg.1 of 4
24 AUGUST 2013

Kevin Spacey: television has entered a new golden age

"He said Netflix ... had proved one thing: 'The audience wants control. They want freedom. If they want to binge–as they've been doing on House of Cards–then we should let them binge.

'We have learned the lesson that the music industry didn't learn: give people what they want, when they want it, in the form they want it in, at a reasonable price, and they'll more likely pay for it rather than steal it. Well, some will still steal it, but I believe this new model can take a bite out of piracy.'

But if the medium was to continue in this rich vein, TV executives would have to adapt to the way viewers want to binge on their favourite programmes on the internet or by watching DVD box sets, Spacey said.

Younger viewers no longer saw any difference between watching TV and online. 'For kids growing up, there's no difference between watching Avatar on an iPad or watching YouTube on a TV and watching Game of Thrones on their computer. It's all content. It's all story,' he said."

(John Plunkett and Jason Deans, 22 August 2013, The Guardian)

1
2

TAGS

1950s1980s • Aaron Paul • AMC • AMC Networks • American Beauty • American Movie Classics (AMC) • art formaudience • binge • Breaking Bad (television) • broadcasterbroadcasting • Bryan Cranston • cable channel • cable televisioncharacter-driven stories • cliff-hanger • complex characterisation • control • David Fincher • demassificationdemassified media • DVD box set • Edinburgh Television Festival • Game of Thrones (television) • golden age • HBO • Hill Street Blues • Home Box Office (HBO) • Homeland (television) • House of Cards • iPad • Jack Lemmon • Kevin Spacey • Mad Menmusic industryNetflixOrson Wellespilot episode • programme maker • risk averserisk-taking • sense of total abandon • small screenstorytellingtechnological changetelevision channeltelevision networktelevision programming • The Sopranos (television) • The Usual Suspects • TV • video-streaming service • YouTube

CONTRIBUTOR

Alex Shutti
20 FEBRUARY 2013

Media technology convergence: from Desktop to mobile

"When that Apple II came out, it really could do nothing. It could show text and after we waited a bit, we had these things called images. Remember when images were first possible with a computer, those gorgeous, full–color images? And then after a few years, we got CD–quality sound. It was incredible. You could listen to sound on the computer. And then movies, via CD–ROM. It was amazing. Remember that excitement? And then the browser appeared. The browser was great, but the browser was very primitive, very narrow bandwidth. Text first, then images, we waited, CD–quality sound over the Net, then movies over the Internet. Kind of incredible. And then the mobile phone occurred, text, images, audio, video. And now we have iPhone, iPad, Android, with text, video, audio, etc. You see this little pattern here? We're kind of stuck in a loop"

(John Maeda, TEDGlobal 2012)

1
2

CONTRIBUTOR

Alise Piebalga
30 DECEMBER 2012

Tom Mortimer of 12foot6 on Animation

"Did you have a mentor when you were starting out?
I worked with some great illustrators when i started. We shared a building with the Central Illustration Agency and so met and listened to a few of them. Brian Grimwood, Simon Spilsbury, Robert Shadbolt, Geoff Grandfield. At the time illustration was being battered a bit because everything was going digital. But as we always say – good art will always find a way.

What's your process for writing a treatment?
We like to try new things whenever we can, so it's about getting the idea and pushing to see what we can do with it. And we like to get something drawn or made or modelled quite quickly. One piece of art will always inspire you to the next step we find.

Do you often collaborate in the early stages or do you work alone?
There are 20 of us at 12foot6 and we all do slightly different things, so everyone has to rely on everyone else – all we ever do is collaborate.

Pencil & Paper or iPad ?
it's a bit hard to send an email with a pencil and pen. But i know what you mean. We find there is a pretty simple rule in animation, in fact with any work I think – you get out what you put in. Put good art in and you stand a good chance of coming out with something you'll be happy with. Use whatever tools you like, as long as it works."

(Millie Ross, 13.07.2012, Jotta)

[The Animation/Illustration agency 12foot6 was started by Dave Anderson and Tom Mortimer. Their name was derived from their collective heights i.e. (6 foot 3) * 2]

1

TAGS

12Foot62D animationads • adverts • animatinganimationanimation directorsanimatorsBAFTA • BAFTA nominated • Brian Grimwood • Central Illustration Agency • character builderscharacter design • CIA (design agency) • collaborationcreators • Dave Anderson • design agency • Dog Judo • Geoff Grandfield • going digital • illustrationillustrationsillustrators • in-house creations • iPad • Jetix Europe • Jottamaking things move • mentor • Millie Ross • moving artists • pencil and paper • Robert Shadbolt • Simon Spilsbury • The Sensibles • toolsetUKVirgin Media • writing a treatment • you get out what you put in

CONTRIBUTOR

Simon Perkins
25 DECEMBER 2012

Echograph: an interactive animated GIF app for iPad

"A little over a year ago, Kevin Burg and Jamie Beck mashed up fine–art photography with animated GIFs, and the 'cinemagraph' was born. Since then, a cottage app–industry has sprung up around this ingenious digital art form, offering everyday folks easy tools for creating artsy animated GIFs of their own. Now a new iPad–only app called Echograph is targeting professional and 'prosumer' imagemakers who want to get into the cinemagraph–making game.

If apps like Flixel are trying to be the Instagram of animated GIFs, Echograph is more like Photoshop Elements. It's pitched as a creative tool, not a social network or a digital–hipster fad. That's why it's designed for the iPad, which can display higher–resolution imagery and offer users enough screen space to subtly finesse the details of their animated compositions. 'We saw an opportunity to harness Echograph as a more professional medium that takes full advantage of DSLR and higher resolution videography,' Echograph CEO Nick Alt tells Co.Design."

(John Pavlus, Co.Design)

1
2

TAGS

animated compositions • animated gif • app-industry • artsy • cinemagraph • cinemagraph medium • cinemagraph-making • conversational tool • creative possibilities • creative tool • digital art formdigital photography • display ads • DSLReasy tools • Echograph (app) • fadfile formatFlixel (app)GIFhigh resolution • high-res imagery • imagemakers • immersive editorial content • iPad • iPad-only app • Jamie BeckKevin Burgliving pictureslomographymotion photograph • Nick Alt • partially animated photophotography • Photoshop Elements • Polaroid • popularised • prosumersingle still frame photographstorytelling medium • tactile feedback technology • videography

CONTRIBUTOR

Simon Perkins
27 NOVEMBER 2012

U+MAG: an independent Brazilian digital magazine

"In some religions, one must be baptized in water for a new, sinless person to emerge. Maybe that can unfold, in different ways, for a magazine like U+MAG, which is created from scratch every three months, sinless and clean – as I've said in past issues. And in life, it's sometimes crucial to be born again, everyday. But there is a baptism inside this edition, and it happened through images by Lucas Bori and Fernando Mazza. They are responsible (together with Cassia Tabatini, Daniel Malva, Tiago Chediak and Hugo Toni) for the pictures that act as breathers within this issue, which marks a transition to a new phase for the magazine. It is now divided between online (exclusive stories regularly posted on our website), mobile (iPad, iPhone and Android) and print (print on demand is the future!). This issue of U+MAG is special for another reason: it's our anniversary edition (but without golden, celebratory caps) and also because it celebrates in an unconventional way and running from stereotypes what an emerging nation can show the world. In this issue's opening pages, Bruno Munari's quote is the perfect translation for what we want to convey. Things that make our lives interesting. It's not as if the magazine has a message such as 'Yes, we have Bananas, and they are the world's best'. It's much more than that: we present Brazilian imagery outside of the tourist package that's usually spread around, specially when the country concerned is about to host a World Cup and the Olympics. But we treat it all ironically (e.g. the story shot by Vitor Pickersgill, inspired by the carioca piriguetes, a term for local, shamelessly clad girls) and poetically (such as the Iemanja 2.0, beautifully impersonated by Thais Custodio). If we focused the whole issue on Brazil, however, we would be closing ourselves to the world. And it goes against our principles. That's why the stories shot by our foreign collaborators are indispensable for U+MAG's universe. They are essential for our formula to work out. Our exaggerated, bold and visually ever changing spirit will remain intact. The covers, on the other hand, will suffer a redesign in 2013. A preview of that process is the cover of our special collector's issue–all to value photography and imagery. Besides, fresh air is always appreciated. A special thanks for all who were part of U+MAG's history so far, and hello for all newcomers, who believe in our work and our philosophy."

(U+MAG, 2012)

1
2

TAGS

2004 • a transition to a new phase • acid-free paper • Android OS • anniversary edition • bold • BrazilBrazilian • Brazilian imagery • Bruno Munari • carioca piriguetes • content formcreative people • digital magazine • emerging nation • exaggerated • exclusive online content • FIFA World Cup • HP Indigo digital press • independent publishersiPadiPhonemagazine • MagCloud • make our lives interesting • Olympicsprint on demandredesign • Rio 2016 • rising talents • stereotypes • tourist destination • U+MAG • verified recycled sources • visual communication • visual intact • web magazine • whats happening • whats next • whats past

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.