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Which clippings match 'Generative Music' keyword pg.1 of 1
03 JULY 2015

SuperCollider: real-time audio synthesis and algorithmic composition

"The language interpreter runs in a cross platform IDE (OS X/Linux/Windows) and communicates via Open Sound Control with one or more synthesis servers. The SuperCollider synthesis server runs in a separate process or even on a separate machine so it is ideal for realtime networked music.

SuperCollider was developed by James McCartney and originally released in 1996. He released it under the terms of the GNU General Public License in 2002 when he joined the Apple Core Audio team. It is now maintained and developed by an active and enthusiastic community. It is used by musicians, scientists, and artists working with sound."

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1996 • acoustic research • algorithmic composition • algorithmic music • Apple Core Audio • authoring environmentcomputational designdevelopment environment • Devi Skanadze • electronic musicexperimental music • generative audio • generative musicGNU General Public LicenseIDE • interactive programming • James McCartney • language interpreter • LinuxOpen Sound ControlOSXprogramming environmentprogramming language • real-time audio synthesis • real-time generative music • real-time interaction • realtime networked music • rule-based worksonic arts • SuperCollider • synthesis server • Windows OS

CONTRIBUTOR

Simon Perkins
31 OCTOBER 2014

Bartholomäus Traubeck: A record player that plays slices of wood

"A tree's year rings are analysed for their strength, thickness and rate of growth. This data serves as basis for a generative process that outputs piano music. It is mapped to a scale which is again defined by the overall appearance of the wood (ranging from dark to light and from strong texture to light texture). The foundation for the music is certainly found in the defined ruleset of programming and hardware setup, but the data acquired from every tree interprets this ruleset very differently."

(Bartholomäus Traubeck)

A record player that plays slices of wood. Year ring data is translated into music, 2011. Modified turntable, computer, vvvv, camera, acrylic glass, veneer, approx. 90x50x50 cm. Thanks to Land Salzburg, Schmiede, Pro–ject Audio, Rohol Furniere, Karla Spiluttini, Ivo Francx, Christoph Freidhöfer, vvvv.

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2011analogue correspondence • Bartholomaus Traubeck • Christoph Freidhofer • computational designconcentric circles • design interactions • experimental musicgenerative music • Ivo Francx • Karla Spiluttini • Land Salzburg • modified hardware • patternpiano music • Pro-ject Audio • record player • ring data • Rohol Furniere • rule-based work • ruleset • Schmiede • Schmiede Hallein • sliced • slices of wood • sonic artssound correspondencesound experiments • speculative interactions • speculative music • tree ringsturntablevvvvwood • Years (2011)

CONTRIBUTOR

Anna Troisi
11 MARCH 2013

Ràdio Web MACBA: nonprofit online radio project for popular education

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2006 • Allan Sekula • Ann Demeester • Anri Sala • Antoni Muntadas • arts and cultureBarcelonadigital resources • document the continuous present • electronic musicexperimental music • Fareed Armaly • Franco Berardi • generative music • Guy Schraenen • James Pritchett • John CageJohn Oswald • Judith Butler • Kenneth Goldsmith • listening • MACBA • MACBA project • Mark Fisher • Mel RamsdenMichael Baldwin • Michel Feher • Museum of Contemporary Art in Barcelona • Natascha Sadr Haghighian • online radio • pioneering project • podcast • podcast subscription service • radio • radio medium • Radio Web MACBA • radiophonic art • Rick Prelinger • RWM • Seth Siegelaub • sound appropriationism • sound art • sound collecting • Stuart Bailey • Suely Rolnik • unpublished material • Vicki Bennett • Will Holder • Xavier LeRoy

CONTRIBUTOR

Simon Perkins
31 JANUARY 2010

LeCielEstBleu: interactive, original interfaces and applications

"Founded in 2000, LeCielEstBleu specializes in the creation of highly interactive, original interfaces and applications. Their work has received numerous international awards and has been exhibited throughout the world. They are best known for PuppetTool, an experimental animation tool; SetSearch, a visual search engine; and La Pâté à Son [Sound Dough], a generative musical composition tool and sound toy recently exhibited at Ars Electronica. LeCielEstBleu's principal artists are Frédéric Durieu (code), Kristine Malden (media), e Jean–Jacques Birgè (music)."

(Interferenze 2006)

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2000algorithmanimationanimation toolArs Electronicachoreographycode • Frédéric Durieu • generativegenerative musicgesturehorseinteractive • Jean-Jacques Birgè • Kristine Malden • La Pâté à Son • LeCielEstBleu • movementnew mediapuppet • PuppetTool • SetSearch • Sound Dough • sound toytool • visual search engine

CONTRIBUTOR

Simon Perkins
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