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Which clippings match 'Special Effects' keyword pg.1 of 3
22 FEBRUARY 2015

Eye Appeal: Spectacle on Stage and in Life

"From ancient times to the present 'spectacle' (the visual aspects of human performance–architecture, scenery, costumes, makeup, lighting, special effects, and staging) has been used to expressively embody and evoke meaning in rituals, ceremonies, and artistic performances. This course [Eye Appeal: Spectacle on Stage and in Life at The University of North Carolina at Greensboro] will examine the use of spectacle as an expressive mode of communication in human performance from antiquity to the present."

(Bob Hansen, 2004)

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2004 • aesthetician • antiquityart historyartifice • artistic performances • Ben Jonson • Bryan Holmes • ceremony • Cinquecento • circus • commanding form • costume design • court spectacles • creation of spectacle • dramatic literature • entertainment spectacle • expressive mode of communication • eyecatching • George Kernodle • high renaissance • human performance • Inigo Jones • Jean-Baptiste Poquelin • John Lahr • Jonathan Price • lecture programmeLeonardo da Vincilightingmake-upMichelangelo • Moliere • parade • Phyllis Hartnoll • physiological reactions • psychological reactions • public showsRaphael • religious rites • renaissanceritualscene designsceneryscenographysetting • Shakespeare • show (spectacle)special effectsspectacle • spectacles • spetakel • stage magic • stagecraft • staging • Susanne Langer • Sybil Rosenfeld • technical theatre • theatre architecture • Thomas Heck • TitianTiziano • Tiziano Vecelli • Tiziano Vecellio • University of North Carolina • University of North Carolina at Greensboro • visual and performance elements • visual spectaclevisual spectacular • visually striking

CONTRIBUTOR

Simon Perkins
11 MARCH 2014

A portal to the underworld in Jean Cocteau's Orphée (1950)

"Jean Cocteau's update of the Orpheus myth depicts a famous poet (Jean Marais), scorned by the Left Bank youth, and his love for both his wife, Eurydice (Marie Déa), and a mysterious princess (Maria Casarès). Seeking inspiration, the poet follows the princess from the world of the living to the land of the dead, through Cocteau's famous mirrored portal. Orpheus's peerless visual poetry and dreamlike storytelling represent the legendary Cocteau at the height of his powers."

(The Criterion Collection)

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1950after deathafterlifeallegoryblack and whiteboundary-crossing • Classical mythology • contemplating mortality • Criterion Collection • deathdreamdreamlike storytellingEurydicefantasy about deathglass portalgloveheterotopiain-limboJean CocteauJean Marais • land of the dead • Left Bank youth • legendlove • love and death • love story • Maria Casares • Marie Dea • mirror • mirrored portal • mortalitymythOrphee (1950)Orpheus • Orpheus (1950) • Orpheus myth • otherworldlinessplaceless placeplacelessnesspoetportalprincessSFXspecial effectssurrealist cinemathreshold spaceunderworld • visual poetry • visual spectaclewaterwife • world of the living

CONTRIBUTOR

Simon Perkins
03 NOVEMBER 2012

Immortals: visual effects spectacular epic

Immortals is a "2011 3D action–adventure fantasy film directed by Tarsem Singh and starring Henry Cavill, Freida Pinto, and Mickey Rourke. The film was previously named Dawn of War and War of the Gods before being officially named Immortals and is loosely based on the Greek myth of Theseus and the Minotaur and the Titanomachy."

(movieclipsTRAILERS, 17 August 2011, YouTube)

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2011action-adventure • Ares • Athenacostume designCrete • Daniel Sharman • Dawn of War • Demeter • digital 3D • Eiko Ishioka • epic spectacular • Epirus Bow • fantasticfantasy filmfictional worldfilm • Freida Pinto • gods • Greek myth • green screen • Henry Cavill • Heracles • Hyperion • Immortals • Immortals (film) • Isabel Lucas • John Hurt • legendary weapon • Mickey Rourke • Minotaur • mythmythologicalmythological being • Olympians • oracle • Phaedra • Poseidon • RealD 3D • Relativity Media • revengeSFXspecial effectsspectacular • Stephen Dorff • Tarsem Singh • Tartarus • Theseus • Titan Hyperion • Titanomachy • Titans • Universal Pictures • VFXvisual effectsvisual spectaclevisual spectacularvisual spectacular epic • War of the Gods • world of the storyZeus

CONTRIBUTOR

Simon Perkins
25 SEPTEMBER 2012

Presentation about Ray Harryhausen at UK Canterbury Anifest 2012

"Ray Harryhausen is known as the godfather of stop motion animation, having worked on classic films such as Jason and the Argonauts, Clash of the Titans and Sinbad. Ray Harryhausen stands as a beacon to today's fantasy filmmakers as the creator who inspired directors such as George Lucas, Peter Jackson and Steven Spielberg.

As Ray can no longer attend events, this talk will be given by Tony Dalton, curator of the Ray Harryhausen collection and co–author of Ray's books about his film work. Tony Dalton will be bringing a selection of Ray's models to the talk."

(The Marlowe Theatre, UK)

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2012Anifest Competitionanimationanimation festivalCanterbury Anifestcinema historycinema pioneer • Clash of the Titans • classic films • fantasy filmmakers • festivalfilm festivalfilm pioneerfilmmakerGeorge Lucas • Jason and the Argonauts • Ray Harryhausen • science fiction • Sinbad • special effectsSteven Spielbergstop motionstop motion animationthe magic of animation • The Marlowe Theatre • Tony Dalton • UK

CONTRIBUTOR

Simon Perkins
13 MARCH 2012

Jean Cocteau: la Belle et la Bête

"La lumière brillante et surnaturelle qui avait dominé toute la scène du château (flamme des chandeliers, feu, reflets étincelants de l'argenterie) s'estompe pour laisser la place à la lumière naturelle du jour [plan 9] [9]. Ces rayons lumineux rappellent ceux des dernières gravures de la Belle au vois dormant. D'autant plus que cette lumière naturelle n'est pas légitimée par la présence d'une fenêtre, comme c'est le cas chez Doré. C'est une lumière naturelle, la lumière du jour, mais elle semble toujours éclairer le personnage de manière surnaturelle : comment la lumière extérieure peut–elle pénétrer à l'intérieur sans la présence d'aucune fenêtre ? Les flambeaux s'éteignent un à un, le personnage traverse un grand pan de lumière blanche, la porte se referme toute seule, l'escalier apparaît en plongée : la scène semble se rejouer à l'envers, ce qui souligne la structure circulaire et la clôture de la séquence, mais aussi l'influence de l'œuvre de Gustave Doré. Le dialogue des contes et des illustrations se poursuit jusqu'à la dernière image de la séquence puisqu'elle se termine sur les ronces qui envahissent l'escalier du château de la Bête, comme celles qui envahissent les gravures du château de la Belle au bois dormant."

(Estelle Plaisant Soler, 26 juin 2006)

Fig.1 Jean Cocteau (1946). "la Belle et la Bête"

2). PDF of 100 Cult Films (Screen Guides).

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1946atmosphericbeastbeauty • candlebra • candlestick • caryatids • castlechandelierscostume design • daylight • eerie • enchanted garden • engraving • external light • externalisation • extinguished • fairy talefantasyfilmfilm designfireflameFrenchgloveGustave Dorehorse • iconogaphy • in the mindinterior spaceJean CocteauJean Marais • Josette Day • Jungian • key • La Belle et la Bete • light • living arms • Madame Leprince de Beaumont • magic • merchant • metaphormotion picturemyth • natural light • Prince Charmingrealityset design • silverware • Sleeping Beauty • smoke-breathing • sparkling reflections • spatial symbolismspecial effectsstaircasestory • supernatural • surrealismsymbolismtalismantheatrical space • torch • visual designvisual metaphorvisual spectacle • white light

CONTRIBUTOR

Simon Perkins
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