"Popdex was initially created and developed as a website popularity index. As such, many people, bloggers especially, linked in to Popdex in order to increase their popularity. A site would receive its popularity ranking based on the number of visitors and pings it sent to Popdex through the link on its site. In fact, you may have arrived at this article as a result of one of those links! If so, we welcome you!
Popdex also used to be a place to get the latest news or post an online gamer's profile. Within the profile, many gamers would leave tips, strategies and cheats for their favorite online games.
Times have changed since those days and now Popdex has entered a new phase of web development. The site is hanging in the balance between what it once was, a website popularity index; what it now is, a collection of informational articles on a variety of subjects and what it will become, yet unknown.
Take some time to browse around the site. You may find some wisdom here. Give yourself a moment to think and to imagine what you would like to see the Popdex website become. How would you develop this website if you were given the title of Podex web developer? Then, send us a message and tell us about it. If we like your idea, you could be featured on the front page of the new Popdex as a premier web idea developer!"
(Popdex admin, http://www.popdex.com/computers/internet/web–development/popdex–web–development)
"The 1840 Treaty of Waitangi which, in usual imperial style, seized sovereignty from the Maori and laid it at the feet of Queen Victoria did so on condition that their property rights and political and cultural integrity were respected. Needless to say in the generations that followed, this pact was respected more in the breach than the observance, but New Zealand history did follow its own extraordinary course.
In their first wars against violations of Waitangi the Maori effectively won the battle with the pakeha. Decimated by imported diseases for which they had no immunity, the Maori were expected, at the turn of the 20th Century to be on their way to extinction or extreme marginalisation like native Americans or Australian aborigines. Nothing of the sort has happened.
Today they constitute – by one count – almost 20% of the population and astonishingly a special tribunal created in the 1970s has been ruling on land claims dating back to the post–Waitangi years. Maori and the descendants of intermarriages that go back deep into the 19th Century, are to be found in every leading walk of life in the country.
Of course there have been serious problems of unequal social opportunity, of street gangs. But if there is anywhere in the post–colonial world where two cultural worlds truly live an engaged life alongside each other, it's in New Zealand."
(Simon Schama, 9 April 2010, BBC News)
Fig.1 Warwick Freeman, 1992. Tiki Face
"The 'bob–haired muse', the 'holy shears' and 'Dada's good girl' are a few of the epitaphs that prevail in the comfortable little niche art history has carved out for Hannah Höch. These sound bites are seriously challenged by this travelling retrospective organised by the Walker Art Center. 'The Photomontages of Hannah Höch' momentously reconstructs her marginalised role in early 20th–century art and perhaps even ordains her as the single most influential female artist of the century. The exhibition surveying Höch's 55 years of photomontage not only rescues her from the anti–art antics of the legendary Berlin Dada circle but inclusively chronicles her private and aesthetic journey through the social and cultural constructs that have emerged in the 20th century. While she may have been remembered by her bombastic Dada colleagues for her 'sandwiches, beer and coffee', her lifetime of artistic practice reveals a vital and critical woman who could magically collide disparate reproductions of needlepoint patterns, political figures, film stars, animal life and non–Western artefacts into explorations of androgyny, Aryan activity, gender roles, imperialism, race and lesbianism."
(Michelle Grabner, Issue 33 March–April 1997, Frieze Magazine)
Fig.1 Hannah Höch "Entwurf für das Denkmal eines bedeutenden Spitzenhemdes", 1922, Entwurf, Tafelmalerei, Collage, 27,4 x 17 cm, Hamburg, Hamburger Kunsthalle, Ikonographie (Iconclass)