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Which clippings match 'Film Stills' keyword pg.1 of 1
06 NOVEMBER 2013

Rare Film Programme for Fraitz Lang's 1927 Masterpiece

"The world's most valuable movie poster, for Fritz Lang's 1927 masterpiece Metropolis, is to be auctioned again after making a record $690,000 in 2005. Ephemera related to the film is notoriously scarce, with only four copies of the poster known to survive. Almost as uncommon is this amazing film programme produced for the London premiere at the Marble Arch Pavilion on March 21, 1927, one of only three copies that we have handled. Not only a list of cast and crew, it includes eleven short pieces on the making of the movie, commentary from the director and cast, and numerous production photographs and film stills, many attractively arranged as modernist collages. One of the most interesting sections shows in parallel columns how a passage of film scenes was adapted from the novel of the same name by Lang's wife, Thea von Harbou."

(Laura Massey, 10 July 2012, Peter Harrington)

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TAGS

1927 • auction house • British premiere • cast and crew • film premiere • film programme • film stillsFritz LangGerman cinemaLondonmaking of • Marble Arch Pavilion • masterpieceMetropolis (1927) • modernist collage • movie poster • production photographs • rare bookssouvenirThea von HarbouTower of Babel

CONTRIBUTOR

Simon Perkins
27 APRIL 2013

Factory, a Pictorial Epoch of Technology by Jakob Tuggener

"Fabrik – Ein Bildepos der Technik von Jakob Tuggener, (Factory – a Pictorial Epoch of Technology by Jakob Tuggener, 1943). An unusual sequence contrasts lathes, melting furnaces, turbines and generators with single portraits of workers; the sharp contours of a carved wooden mask or the natural resources of industrial energy such as sluices and waterfalls. These images may be reminiscent of Rodchenko, but they never seem apologetic or nostalgic about technological progress. The book is rich in formal references, while numerous little stories form pictorial narratives. These include, for example, an almost cinematic sequence of a young woman called Berti, who, with blueprints under her arm, rushes along beside a high brick façade before vanishing through a metal door. The camera constantly shifts between Berti's face and the scenes that surround her.

Unlike many of his more politically motivated colleagues such as Paul Senn, who concentrated on the world of workers and farmers, Tuggener took many photographs of the wealthy. During the 40s, with almost post–Modern enjoyment, he joined the rich and beautiful at their balls held in the Hotel Palace in St Moritz, a place where war–profiteers met in the unreal quiet of the Swiss mountains. Tuggener created a series of trance–like photographs, which look like film stills, depicting sparkling crystal glasses, heavy silver cutlery and chandeliers; bare shoulders and low–cut back décolletages juxtaposed with a plate of German sausages shining with grease; the exchange of flirtatious glances and brief hand contacts. He also took superb images of fetishistic details, such as an ornamented room key, ambiguously held by slender fingers in a black velvet glove. It is these minimal details which hint at the complex stories which lie at the heart of Tuggener's oeuvre."

(Hans Rudolf Reust: Translated by Imke Werner, 2000 Issue 53 June–August 2000, Frieze)

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1940s1943Alexander Rodchenko • Berti • brick wall • chandelierscinematic sequence • complex stories • decolletage • documentary photographer • Ein Bildepos der Technik • expressionist aesthetic • Fabrik • facadefactory • fetishistic details • film stills • flirtatious glances • Frieze (magazine) • history of photography • industrial energy • Jakob Tuggener • Paul Senn • photographic portrait • Pictorial Epoch of Technology • pictorial narrative • rich and beautiful • St Moritz • Swisstechnological progress • war-profiteer • wealthy • worker

CONTRIBUTOR

Simon Perkins
03 DECEMBER 2012

Cindy Sherman - Nobody's Here But Me (1994)

"New York based artist, Cindy Sherman, is famous for her photographs of women in which she is not only the photographer, but also the subject. She has contributed her own footage to the programme by recording her studio and herself at work with her Hi–8 video camera. It reveals a range of unexpected sources from visceral horror to medical catalogues and exploitation movies, and explores her real interests and enthusiasms. She shows an intuitive and often humorous approach to her work, and reflects on the themes of her work since the late 1970s. She talks about her pivotal series known as the 'Sex Pictures' in which she addresses the theme of sexuality in the light of AIDS and the arts censorship debate in the United States."

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199420th century art • AIDS • artist • arts censorship • BBC2Cindy Shermancolour photographscritical reinterpretation • dramatic lighting • dressing up • Eric Bogosian • exploitation filmsfemale artistfeminist artfictional scenariosfilm stills • Hi-8 video • humorous approach • Jamie Lee Curtis • Mark Stokes • medical catalogue • New York • Nobodys Here But Me (1994) • non-narrativeNorth American artist • nude photography • photographerphotographic portrait • photographs of women • representation of women • Robert Longo • sequential art • sex pictures • sexuality • strange subjects • street persona • visceral horror • woman photographerwomen artists • works series

CONTRIBUTOR

Simon Perkins
10 JANUARY 2010

Alfred Hitchcock fan site

"Established in 2003, this is the largest Alfred Hitchcock fan site on the web, with news, articles, galleries, videos, interviews, details of DVD & Blu–ray releases, and much more!"

(Dave Pattern)

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TAGS

2003Alfred Hitchcockarchivecinemacinematographyfan • fan site • fanzinefilmfilm stillsJames StewartKim Novakmotion designSan Franciscosequence designTechnicolor • Universal Studios • Vertigo (1958)visual communicationwiki

CONTRIBUTOR

Simon Perkins
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