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02 AUGUST 2012

Computer History Museum: Selling the Computer Revolution

"The brochures selected here (just a fraction of the Museum's holdings in this area) show some of the more important technologies, companies, and applications in computing from 1948 to 1988. This covers the period from mechanical and relay–based computers to those based on the microprocessor – a remarkable transition that occurred over only 25 years. We hope you enjoy browsing through these historical documents."

(Computer History Museum)

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TAGS

1940s1950s1960s1970s1980sanalogue computerAppleApple LisaApple PCArs TechnicaAtariBBC Microbrochure • Burroughs Corporation • COBOL • CommodoreCommodore 64computercomputer historyComputer History Museum • computer revolution • David Ogilvy • device • file system • Fortranhistorical documentshistoryhistory of computingIBMIBM PC • IBM PCjr • important technologiesindustrial archaeologyindustrial designinformation ageinnovationMad Menmainframemarketing campaignmaterial culturemechanical computer • microprocessor • museumPCproduct design • relay-based computers • retrosales brochureselling the computer revolutiontechnological change • technological evolution • technological innovationtechnologytechnology companiestechnology marketingtechnophobiaTexas Instrumentstransitional technologiesUNIVAC 9000 Seriesvintage technology • Wang Laboratories • ZX Spectrum

CONTRIBUTOR

Simon Perkins
29 DECEMBER 2009

The Digital Stereoscopic Renaissance: Moving from the Artistic Ghettos to the Centre Spotlight of Hollywood Production

"Stereo projection throughout the 1980s and 1990s has often been accomplished with large format film projectors, especially Imax. But because of the high cost and complexity of stereo projection and of 65mm film prints, stereo projection was a niche product. And 35mm stereo projection equipment is just as complicated and unappealing to the average theatre owner as is 65mm stereo.

Digital stereo projection is different. The Real D system works with very little modification to the existing Texas Instruments DLP digital projectors that are becoming increasingly common even in neighbourhood theatres. And because these digital DLP projectors already have a beautiful image similar to film prints (minus film print cost and wear and tear), the combination of Real D stereo and the TI DLP digital projector makes lots of artistic and financial sense for the Hollywood studios and exhibitors. Real D uses circular polarizers instead of the older linear glasses, so the stereo effect isn't lost if the audience member tilts their head. Problems with colour casts from the polarizing glasses have also been improved.

Not to be out done, Imax and Dolby are introducing their own digital stereoscopic projection systems for the general public. And Imax stereo analogue film projection continues to be very popular."

(Michael Karp, Student Filmmaker Magazine v.1.1)

Fig.1 Making of documentary about T2 3–D: Battle Across Time, 1996;
Fig.2 Using twin 65mm Showscan/Panavision cameras to film T2 3–D: Battle Across Time.

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TAGS

199635mm3D65mmanaglyphcameracinema • cyan • digitaldigital cinemaDolbyfilmHollywoodillusionIMAXinnovationJames CameronPanavision • parallax • projector • Real D • RealDRealD 3D • RealD 3D cinema • RealD Cinema • Showscan • stereo projection • stereoscopic • T2 • T2-3D • technology • Terminator • Terminator 2 • Texas Instruments • Texas Instruments DLP • The Terminator

CONTRIBUTOR

Simon Perkins
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