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Which clippings match 'Actor' keyword pg.1 of 2
03 JULY 2012

BTS Design d'Espace Toulon: Junk Playground

"Lors des bombardements allemand de la seconde guerre mondiale, Londres à été une des villes les plus détruite. On y trouvait fréquemment des espaces vide crée entre deux immeubles démolis et bourrés de gravats. Ces espaces vides, terrains vagues, en friche, "poubelles" en attente d'être reconstruit furent pendant une période des espaces de terrains de jeux consacré exclusivement aux enfants. L'idée était de donner un lieu spécifique pour que les enfants à la fois s'exprime librement, évite l'ennuie et l'inactivité qui peuvent conduire à la délinquance et participe à leurs façon à la période de reconstruction.

Ces terrains d'aventures, appelés Junk playground (terrains vague) ont été des espaces de libertés encadré ou les enfants construisirent à partir des gravats des "sculptures installation et autres inventions".

La fabrication par lui même (de l'enfant) de ses propres jeux par la maîtrise des outils (marteau, scie...) furent une expérience inédite et fondamentale dans l'approche citoyenne et pédagogique du rôle du jeu comme source d'épanouissement et d'éveil des consciences. La liberté quasi anarchique de ces terrains, laissant à l'enfant la responsabilité de ses actes, en étant acteur de sa propre aventures comme facteur de régénération pour une société pacifié, sans violence ou chacun peut s'exprimer et trouver sa place de citoyen. Cette expérience éphémère n'a pas survécu aux règles de sécurité, aux normes. Mais aussi aux formatages d'équipements modulaires produits en masse ou l'enfant n'est plus l'acteur (car exclu du processus de conception) mais simple utilisateur, spectateur, consommateur et non plus comme citoyen."

(Éric Malaterre, 03/01/2011, BTS Design d'Espace Toulon)

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CONTRIBUTOR

Simon Perkins
28 NOVEMBER 2011

Buster Keaton: one of the greatest comic actors of all time

"Buster Keaton is considered one of the greatest comic actors of all time. His influence on physical comedy is rivaled only by Charlie Chaplin. Like many of the great actors of the silent era, Keaton's work was cast into near obscurity for many years. Only toward the end of his life was there a renewed interest in his films. An acrobatically skillful and psychologically insightful actor, Keaton made dozens of short films and fourteen major silent features, attesting to one of the most talented and innovative artists of his time. ...

Often at odds with the physical world, his ability to naively adapt brought a melancholy sweetness to the films. The subtlety of the work, however, left Keaton behind the more popular Chaplin and Lloyd. By the 1930s, the studio felt it was in their best interest to take control of his films. No longer writing or directing, Keaton continued to work at a grueling pace. Not understanding the complexity of his genius, they wrote for him simple characters that only took advantage of the most basic of his skills. For Keaton, as for many of the silent movie stars, the final straw was the advent of the talkies."

(American Masters and The Public Broadcasting Corporation)

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TAGS

actor • actor-director • American MastersBuster KeatonCharlie Chaplincomedy • comic actor • daredevildeadpan expressionfilmmakerfunnyhumour • Joseph Frank Keaton • moviespathosPBSperformancephysical comedysilent filmsilent moviesslapstickstoicsubtlety • The Cameraman (film) • The General (film) • The Navigator (film)

CONTRIBUTOR

Simon Perkins
13 MARCH 2011

Extreme frustration: in reality and the Meisner technique

"The Meisner acting technique is a many layered approach that relies heavily on a practice known as emotional preparation. Named after Sanford Meisner, the Meisner technique began as a systematic study of the art of acting for theatre. Based on work done by Russian actor Constantine Stanislovski, Meisner created a hybrid technique that he felt was better suited to the American actor and American theatre. ...

Actors using the Meisner acting technique have the ability to immerse themselves in an emotional 'state' of the character before going onstage. Rather than pretending extreme frustration they must ARE extremely frustrated as they enter the scene. Furthermore, Meisner believed that any actor looking to exploit the Meisner acting technique does their homework by creating and developing a complete set of circumstances and a complete emotional landscape that is in tune with the deeper cravings, needs and emotions that have caused the character to be frustrated."

(Maggie Flanigan Studio)

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TAGS

acting is doing • actoraggression • anger • artistic practicebreakdowncharacter • circumstances • composurecomputercomputer printerconflictConstantin Stanislavskidistressdramaemotion • emotional landscape • emotional preparation • emotional undercurrent • escalation • expressionextreme frustrationfilm acting • forceful • frustrationgesturehate • high emotion • incidentintensity • Maggie Flanigan • Meisner technique • office • outburst • PCperformancepersonal experiencephysical actions • physical task • Prt Sc • ragereactionSanford Meisnerscene • tantrum • temper

CONTRIBUTOR

Simon Perkins
04 DECEMBER 2010

Charlie Chaplin: truth and naturalism through improvisation

"While Harold Lloyd played the daredevil, hanging from clocks, and Buster Keaton maneuvered through surreal and complex situations, [Charlie] Chaplin concerned himself with improvisation. For Chaplin, the best way to locate the humor or pathos of a situation was to create an environment and walk around it until something natural happened. The concern of early theater and film was to simply keep the audience's attention through overdramatic acting that exaggerated emotions, but Chaplin saw in film an opportunity to control the environment enough to allow subtlety to come through."

(Public Broadcasting Service, 28th August 2006)

TAGS

actorAmerican MastersaudienceauthorshipBuster KeatonCharlie Chaplincomedycontroldaredevil • exaggerated emotions • filmfilm acting • Harold Lloyd • hidden treasures • humourimprovisationnaturalismpathosPBSperformancephysical comedy • Public Broadcasting Service • realismsilent moviessocial realitysubtletytheatretruth • Unknown Chaplin

CONTRIBUTOR

Simon Perkins
05 NOVEMBER 2010

Sanford Meisner: Theatre's Best Kept Secret

A documentary about the influential acting teacher Sanford Meisner.

Fig.1–7 'Sanford Meisner: The American Theatre's Best Kept Secret'. Dir. Nick Doob. Performers Sanford Meisner, Robert Duvall, Gregory Peck, Sydney Pollack. 1985.

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TAGS

1985 • acting teacher • actor • artistry • craftcreative practicedocumentary • dramatic coach • emotionexpressionfilm actinggesture • Gregory Peck • imaginationinstructionMeisner technique • Nick Doob • pedagogyperformanceplay • Robert Duvall • Sandy Meisner • Sanford Meisner • Sydney Pollack • teacherteachingtechniquetheatretraining

CONTRIBUTOR

Simon Perkins
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