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Which clippings match 'Interruption' keyword pg.1 of 1
18 OCTOBER 2016

The Cut Ups (1966) by William S. Burroughs

"The savage deconstruction of the relationship between image and reality. 'Yes, Hello?', 'Look at that picture,' 'Does it seem to be persisting?', 'Good. Thank you'."

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1966 • Antony Balch • avant-garde cinemablack and whiteBrion Gysincut-upcut-up techniquedeconstruction • does it seem to be persisting • experimental filmGood • hello • interrupted • interruptinginterruption • look at that picture • repetition • thank you • The Cut Ups (1966) • William Burroughs • yes

CONTRIBUTOR

Simon Perkins
02 MARCH 2013

WW1 Razzle Dazzle ship camouflage

"Most camouflage is based on the idea of concealment and blending in with its surroundings. However another school of thought has argued for making the item in question appear to be a mashup of unrelated components. Naval camoufleurs found this theory particularly appealing. Blending didn't work because ships operated in two different and constantly changing color environments – sea and sky. Any camo that concealed in one environment was usually spectacularly conspicuous in others.

Norman Wilkinson, a British naval officer and painter, suggested a scheme that came to be known as Dazzle or Razzle Dazzle painting. Wilkinson believed that breaking up a ship's silhouette with brightly contrasting geometric designs would make it harder for U–boat captains to determine the ship's course."

(FoundNYC Inc, 4 April 2009)

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1917angular shapesappearanceapplication of design • battleship • blend in • blending • blending in • blocks of colourbreaking up • bulk • camo • camouflage • camouflage pattern • colourcolour schemeconcealment • conspicuous • constantly changing • dazzle • dazzle painting • dazzle ship painting • dead-end technology • disruption pattern • disruptive colouration • disruptive patterndistortiongeometric designsinterruptioninvisibilitymilitary • naval camouflage • naval camoufleurs • navy • Norman Wilkinson • optical illusionoutlinepainting • Razzle Dazzle • sea • seascape • shapesshipsilhouetteskyspatial ordersurroundings • U-boat • unrelated components • vessel • visual abstractionvisual patternvorticismWorld War IWW1zig-zag

CONTRIBUTOR

Simon Perkins
30 NOVEMBER 2009

Four Interrupted Carparks Video/Digital insertions, Madrid, 2009

"Four carparks in Madrid are interrupted with a geometric primitive. Modeling, compositing, rendering and editing performed with Blender for Linux."

(Julian Oliver)

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20093Dartworkaugmented space • Blender • carparkcompositingconstructiondigitalenvironmentform • Four Carparks • geometric primitivegeometryillusionillusionistic space • insertion • interruption • Julian Oliver • Madridmedia artmodellingnew mediaNew Zealand artistop artoptical artperceptionperspectiveplaceremediationrenderingsculpturespacespectaclevideovisual communicationvisual literacyvisualisation

CONTRIBUTOR

Simon Perkins
26 MARCH 2005

CutUp: Repurposing Billboard Advertising Space

kemistrygallery.co.uk
Cutup have rethought traditional methods of making a statement through the subversion of the visual landscape of the city. CutUp's billboard images are created by slicing up adverts and collaging the pieces into a newly ordered image. They challenge the invasion of advertising into every aspect of life and show the effects of the "spectacular society".

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