"Based on a short film made for a UK-based film challenge by Swedish director David F. Sandberg and his wife Lotta Losten, the two were more than surprised that their 162-second movie—that didn't win best film—went viral, generating the attention of millions, including Hollywood and famed horror producer James Wan."
(Catherine Chapman, 29 April 2016, The Creators Project)
"Rosemary's Baby is a 1968 American horror film written and directed by Roman Polanski, based on the bestselling 1967 novel by Ira Levin. ... Farrow plays an expecting mother who fears that her husband may have made a pact with their eccentric neighbours, believing he may have promised them the child to be used as a human sacrifice in their occultic rituals in exchange for success in his acting career."
(Zach James and Rich Raddon, Movieclips)
Fig.1 excerpt from "Visions of Light" (1992), Arnold Glassman, Todd McCarthy and Stuart Samuels [http://www.imdb.com/title/tt0105764/]
[Jump to 7:54 to see Polanski's skilful use of framing to heighten the audience's interest and sense of intrigue.]
"The Cabinet of Dr. Caligari is the first modern Horror Film and it influence a number of contemporary productions."
Robert Wiene (1920). "Das Kabinett des Doktor Caligari / The Cabinet of Dr. Caligari".
"In translating a digital game to the big screen, these titles rely on the integration of aesthetics and narrative from their game counterparts to further enhance the viewing experience. The utilization of game narrative in the horror adaptation film is partially based on the acceptance of the video game medium as a cyberdrama, which emphasizes 'the enactment of the story in the particular fictional space of the computer.' Many popular titles were not only about motor coordination and skill, but about becoming immersed in good storytelling. Author Janet Murray states, 'A story has greater emphasis on plot; a game has greater emphasis on the actions of the player. But where the player is also the protagonist or the god of the story world, then player action and plot event begin to merge.' Murray describes the player's attachment to the game narrative as dramatic agency, which 'requires that we script the interactor as well as the world, so that we know how to engage the world, and so that we build up the appropriate expectations.' "
(Timothy D. Alley, p.47, 2007)
54. Janet Murray, "From Game–Story to Cyberdrama." First Person. Eds. Noah Wardrip– Fruin and Pat Harrigan (Cambridge, MA: The MIT P, 2004) 4.
"Disturbing horror film. A woman is cleaning her kitchen sink. Just when she thinks it is spotless, she notices what appears to be a strand of hair near the drain. As she pulls on it, she realizes it is coming out of the drain…and is very long. Nominated for Golden Palm. Written & Directed by Alison Maclean / New Zeland / 1989 Produced by Bridget Ikin Starring: Theresa Healey, Peter Tait & Annagretta Christian"
(a Chick, flicksbychicks.com)