"Tech City Map, created by developers at Trampoline Systems and designed by Playgen, pulls in streams of social network data for all of the businesses in the area to help analyse their influence. The Tech City Map follows in the footsteps of Matt Biddulph's original Silicon Roundabout map as well as Wired's very own version, produced in 2009."
(Olivia Solon and Nate Lanxon, 10 November 2011, Wired UK)
"If you are looking for a cookie-cutter recipe to success, forget it. Developing applications is hard work and relies heavily on the skill and the ability of everyone involved. Even so, a strong process is important. Heroic efforts on the part of a development team can often bring a project to maturity; however, heroic efforts and strong process can do so repeatedly and reliably."
(Jim Conallen, 2002)
Jim Conallen (2002). "Building Web Applications with UML", (Addison-Wesley Object-Technology Series).
"Balls, pendulums, apples and magnets all played their part in the story of modern physics, but then things got weird. And when Albert Einstein combined time and space, things got even weirder - step forward quantum uncertainty, black holes and the Big Bang."
(BBC Two, UK)
Fig.1 this animation is from Episode 2 of 6 of Dara Ó Briain's Science Club, Tuesday 13 November at 9pm on BBC Two, voiced by Dara Ó Briain, animated by 12Foot6, Published on YouTube on 13 Nov 2012 by BBC.
"This diagram was meant as a challenge to the prevailing art world hegemony. It was created to prove the argument that graffiti and street art were already at the center of the art world whether they were officially recognized or not.
Utilizing the same graphic vocabulary as Alfred H. Barr, Jr (the first director of MoMA for the cover of the catalog for Cubist and Abstract Art exhibition in 1937) to create an impression of authority equivalent to his diagram. The Feral Diagram picks up chronologically where Barr left off, thereby subverting and redirecting the officially recognized historical trajectory.
Six years after the first draft of this diagram, the acknowledgement of graffiti and street art as important movements within the fine art community, if not the most important movements at the beginning of the new millenium, has come to light with major museum retrospectives, a never ending stream of books on the subject, websites, products, etc."
(Daniel Feral, 2011, Flickr)
Fig.1 revised "Feral Diagram 2.0" version.
"Lukasa, or memory boards, are hand-held wooden objects that present a conceptual map of fundamental aspects of Luba culture. They are at once illustrations of the Luba political system, historical chronicles of the Luba state, and territorial diagrams of local chiefdoms. Each board's design is unique and represents the divine revelations of a spirit medium expressed in sculptural form. While many lukasa utilize a system of denotation based on masses of shells and beads affixed to their wooden surfaces, this example communicates its content through incised designs and images carved in relief."
(The Metropolitan Museum of Art)
Fig.1 "Memory Board (Lukasa) [Democratic Republic of Congo; Luba] (1977.467.3)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/works-of-art/1977.467.3 (October 2006).