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Which clippings match 'Satirical' keyword pg.1 of 1
16 MARCH 2012

Babakiueria: the colonialisation of European Australians by Indigenous Australians

"Presenter Duranga Manika (Michelle Torres) describes her fascination with white people and their customs and explains how she spent six months living with a 'typical white family' (Tony Barry, Cecily Polson, Kelan Angel, Margeurita Haynes). She also asks members of the general public for their opinions on white people and speaks to the Minister for White Affairs (Bob Maza).

[Geoffrey] Atherden's script takes stereotypes of Australian culture and, with tongue–in–cheek humour, views them as though for the first time, as mysterious, alien and strange. Here, the barbecue is singled out. Elsewhere Manika describes the football match as ritualised violence and betting at the TAB as a religion, while a police commissioner calls the Anzac Day March a ritual where white people 'honour their warrior ancestors' but wonders why it can't be done at home.

Presenter Duranga Manika's ethnographic study of white people simplifies, patronises and mystifies her subjects. Every mundane detail of this one family's everyday life is invested with serious cultural significance. Bob Maza's Minister for White Affairs compresses a history of government treatment of Indigenous Australians into one self–satisfied, authoritative figure. It is interesting that while these characters treat 'white' culture with such fascination, they treat 'black' culture as such a given that the audience does not find out much about it."

(Kate Matthews, Australian Screen)

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TAGS

17881986Aboriginalalien and strangeANZAC • ANZAC Day • ASO • audio and visual heritageaudiovisual archiveAustraliaAustralian cultureAustralian Screen • authoritative figure • Babakiueria • barbecue • Barbecue area • BBQ • belongingblack culture • Bob Maz • Bob Maza • Cecily Polson • colonial misrecognition • colonisationcultural anthropologycultural critiquecultural perspectivecultural significanceculture and customsethicsethnographic studyethnography • Euro-Australians • European Australians • fictitious land • First Australiansflagfootball • for their own good • gambling • Geoffrey Atherden • government treatment • humourIndigenousIndigenous AustraliansIndigenous peopleinvasion • Kelan Angel • Margeurita Haynes • Michelle Torres • Minister for White Affairs • mockumentary • National Film and Sound Archivenative peopleNFSApatronisingpostcolonial • powerboat • racial inequality • racial profiling • religionritual • ritualised violence • role-reversal • satiresatiricalsettlementstereotype • TAB • tongue-in-cheek • Tony Barry • typical white family • untamed land • white culture • white people • white settlement

CONTRIBUTOR

Simon Perkins
29 APRIL 2011

The Chaser banned from taking the royal wee out of Will and Kate's wedding

"Yep, the royal family has banned the ABC's satirical coverage of the royal wedding, only days before it goes to air, despite initially placing no restrictions on the coverage. While the wedding screens on ABC1 on Friday night, The Chaser team was planning to broadcast its own light–hearted look at the spectacle on ABC2.

Over the Easter weekend, restrictions were put in place – banning use of the wedding footage 'in any drama, comedy, satirical or similar entertainment program or content'. While The Chaser coverage has been banned, channels Nine and Ten are still planning to use commentators such as Dame Edna Everage as part of their coverage. Clarence House, the private office of the Prince of Wales, has gone as far as to warn other media outlets not to supply a feed to The Chaser team. Hopefully they'll still manage to use new social media tools to get the word out on Friday night."

(Adam Turner, 27 April 27 2011, digihub.watoday.com.au)

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TAGS

2011ABC TV (Australia) • ABC1 Australia • ABC2 Australia • Australiabanned • British Monarchy • British Royal Familybroadcastcensorship • Channel Nine (Australia) • Channel Ten (Australia) • Chas Licciardello • Clarence House • coverage • Dame Edna Everage • Easter weekend • get the word out • HRH Prince William • Kate Middleton • Lateline (Australia) • light-hearted • media outlets • new social media tools • parody • pisstake • Prince of WalesPrince William • restrictions • royal weddingsatiresatirical • social media tools • spectacletaking the pissThe ChaserThe Chaser team • TV coverage • wedding • wedding footage

CONTRIBUTOR

Simon Perkins
23 NOVEMBER 2009

The Impact of Japanese Comics and Animation in Asia

"Taiwanese comics are the most Japanese of all Asian comics. Many Taiwanese comic artists copy the Japanese style faithfully and one can hardly find any Taiwanese elements in their works. However, there are Taiwanese artists who have attempted to create something original based on their mastery of Japanese techniques. The most successful example is perhaps Zheng Wen who has skillfully combined Japanese (particularly Ikegami Ryoichi and Kojima Geseki's) and Western comic styles with Chinese painting and calligraphic skills in his comics, such as Stories of Assassins (cike liechuan, 1985) and Stories of Eastern Zhou Heroes (dong Zhou yingxiong chuan, 1990). Taiwanese animators have only produced a few commercial animated films and television cartoons, but they are very active in making on–line animation. The most successful Taiwanese on–line animation is perhaps Ah Kuei, a satirical and humorous short piece, in which character design and visual presentation are influenced by Japanese animated works, such as Crayon Shinchan and Chibimaruko–chan. Ah Kuei will be made into a television cartoon series, live–action drama serial and animated film. Recently, Taiwanese on–line animators have begun to experiment animated serials and movies. A three–hour on–line animated film, Love 1/2E, has been serialized. Its story is similar to Tokyo Love Story and Beautiful Life and its drawing is very Japanese. Besides, influenced by the Japanese, Taiwanese animators pay attention to the important role of 'voice actors or actresses.' (seiyu). This is an area that most other Asian nations have overlooked."

(Ng Wai–ming, Hong Kong)

Journal of Japanese Trade & Industry: July / August 2002 p.2

TAGS

Ah Kuei • animated filmanimated filmsanimationanimatoranimeAsia • Asian comics • Beautiful Life • calligraphycartooncharacter design • Chibimaruko-chan • cike liechuan • comic artistscomics • Crayon Shinchan • creative practicedesign • dong Zhou yingxiong chuan • drawingHello KittyHong Konghumour • Ikegami Ryoichi • Japanese • Kojima Geseki • live-action • Love 1/2E • online animation • satirical • seiyu • serialSingapore • Stories of Assassins • Stories of Eastern Zhou Heroes • TaiwanTaiwanese • Taiwanese comics • television cartoons • Tokyo Love Story • visual communicationvisual languagevoice actors • Zheng Wen

CONTRIBUTOR

Simon Perkins
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