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Which clippings match 'Taiwanese' keyword pg.1 of 1
18 JULY 2010

Hundred Pacer: a contemporary origin myth of a native Taiwanese superhero

"This is my final project for motion graphic design, which is a Flash animation that depicts an 'origin myth' of the self–created hero, Hundred Pacer.

The name Hundred Pacer derived from a kind of very venomous snake that exists in mountain areas of Taiwan called Hundred Pacer snake, and the protagonist, Hundred Pacer, was an ordinary Paiwanese Indigenous girl until her and her father were killed by the mudslide, and the snake God chooses her to revive in passing down the power...

The story was inspired by the Typhoon Morakot happened in August 2009, which killed nearly 500 people and destroyed half of Taiwan at that time."

(Jonghsiang Kwan, 2010)

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TAGS

2010animationAustronesian culturescreative practicecultural identitydestructiondevastationdisasterdrawingecologyFirst NationsFlash animationhero • Hundred Pacer • identityIndigenous • Jonghsiang Kwan • MAMA project • native • natural disasterNTUorigin myth • Paiwan • Paiwanese • pilot projectresurrectionsnakesuperheroTaiwanTaiwaneseTaiwanese Aboriginestransformationtyphoon • Typhoon Morakot • visual design

CONTRIBUTOR

Simon Perkins
23 NOVEMBER 2009

The Impact of Japanese Comics and Animation in Asia

"Taiwanese comics are the most Japanese of all Asian comics. Many Taiwanese comic artists copy the Japanese style faithfully and one can hardly find any Taiwanese elements in their works. However, there are Taiwanese artists who have attempted to create something original based on their mastery of Japanese techniques. The most successful example is perhaps Zheng Wen who has skillfully combined Japanese (particularly Ikegami Ryoichi and Kojima Geseki's) and Western comic styles with Chinese painting and calligraphic skills in his comics, such as Stories of Assassins (cike liechuan, 1985) and Stories of Eastern Zhou Heroes (dong Zhou yingxiong chuan, 1990). Taiwanese animators have only produced a few commercial animated films and television cartoons, but they are very active in making on–line animation. The most successful Taiwanese on–line animation is perhaps Ah Kuei, a satirical and humorous short piece, in which character design and visual presentation are influenced by Japanese animated works, such as Crayon Shinchan and Chibimaruko–chan. Ah Kuei will be made into a television cartoon series, live–action drama serial and animated film. Recently, Taiwanese on–line animators have begun to experiment animated serials and movies. A three–hour on–line animated film, Love 1/2E, has been serialized. Its story is similar to Tokyo Love Story and Beautiful Life and its drawing is very Japanese. Besides, influenced by the Japanese, Taiwanese animators pay attention to the important role of 'voice actors or actresses.' (seiyu). This is an area that most other Asian nations have overlooked."

(Ng Wai–ming, Hong Kong)

Journal of Japanese Trade & Industry: July / August 2002 p.2

TAGS

Ah Kuei • animated filmanimated filmsanimationanimatoranimeAsia • Asian comics • Beautiful Life • calligraphycartooncharacter design • Chibimaruko-chan • cike liechuan • comic artistscomics • Crayon Shinchan • creative practicedesign • dong Zhou yingxiong chuan • drawingHello KittyHong Konghumour • Ikegami Ryoichi • Japanese • Kojima Geseki • live-action • Love 1/2E • online animation • satirical • seiyu • serialSingapore • Stories of Assassins • Stories of Eastern Zhou Heroes • TaiwanTaiwanese • Taiwanese comics • television cartoons • Tokyo Love Story • visual communicationvisual languagevoice actors • Zheng Wen

CONTRIBUTOR

Simon Perkins
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