Not Signed-In
Which clippings match 'Deviance' keyword pg.1 of 2
05 MARCH 2015

Cartelle Interactive Arts: Love letters from Craig (NSFW)

"'Love letters from Craig' is a romantic exploration into the perversions of modern-day digital hookups. The narrator reads aloud personal ads from anonymous people seeking love & affection on the internet. The contents are not moderated and completely automated, only enhanced by sensual porno beats and tasty, sexy visuals. Content is scraped hourly from Craigslist casual encounters."

'Love letters from Craig', created by Cartelle Interactive Arts, music by We Work For Fun.

1

2

3

TAGS

Amsterdamanonymity • Cartelle Interactive Arts • casual encounters • casual sex • computer-voiced narrator • CraigsListdata scrapingdeadpan expressiondeviance • digital hookups • disembodied robot voice • erotic ambiguityhookup • husky voice • looking for love • Love letters from Craig • male voice • new media artNSFW • personal ads • personal ads read aloud • raspy voice • read aloud • robot voice • scraped data • seeking affection • seeking love • sensual porno beats • sexual fantasy • sexual innuendosexual perversion • sexy visuals • snippets • sultry • tasty visuals • text to speech • unmoderated content • updated hourly

CONTRIBUTOR

Simon Perkins
12 DECEMBER 2014

Sex Criminals: high-concept comic book about time freezing deviance

"Suzie's a normal girl with an extraordinary ability: when she has sex, she stops time. One night she meets Jon... who has the same gift. And so they do what any other sex–having, time–stopping, couple would do: they rob banks."

1

2

TAGS

2013alternative cartoons • alternative culture • arresting time • bank robbing • Chip Zdarsky • comedy seriescomic bookcomicscriminal actsdeviance • deviant desires • formal conceit • freeze time • frozen in the momentfrozen in timefrozen momentgraphic novelhigh concept • Image Comics • in media resindividual gaininterzoneliminality • Matt Fraction • mature readers • moment of climaxopportunityorgasmpetite mort • robbing banks • rule of law • sex comedy • Sex Criminals (comic book) • slice of frozen timespeculative fictionthefttime

CONTRIBUTOR

Simon Perkins
02 FEBRUARY 2013

MeTube: August sings Carmen 'Habanera'

"'MeTube', a homage to thousands of ambitious YouTube users and video bloggers, gifted and less gifted self–promoters on the Internet, has attracted international attention. No less than George Bizet's Habanera from 'Carmen' has been reinterpreted for MeTube and enhanced with electronic sounds. Behind the cross–over of musical styles are director Daniel Moshel as well as opera and oratorio tenor August Schram."

(Moshel Film & August Schram, 2013)

1
2

3

TAGS

2013artifice • August Schram • Austrian filmmaker • BDSM • bondage • Carmen • catsuit • costumes • cross-over • Daniel Moshel • deviancedigital narcissism • George Bizet • gifted and less gifted • gimp suit • Habanera • homage • latex • leather • MeTube • mouth gag • music videomusical stylesoctogenarianopera • oratorio • pasticheplayfulreinterpretationrobot • self-promoter • sexual fetishstylised • tenor • theatricalvideo bloggervideo bloggingvisual constructionvisual drama

CONTRIBUTOR

Simon Perkins
14 JULY 2012

Student experiences of disability social networks, in and around higher education

"For many young people social networks such as Facebook are an essential part of their student experience. Other web–based, interactive services like Wikipedia and YouTube are also an important facet of everyday student life. New technologies have always been scrutinized for their capacity to support education and, as social technologies become more pervasive, universities are under increasing pressure to appropriate them for teaching and learning. However, the educational impact of applying these Web 2.0 technologies is uncertain.

Using a Foucauldian perspective, my qualitative study explores the networked experiences of disabled students to examine how dis/ability difference is ascribed and negotiated within social networks. Data comprises 34 internet–enabled interviews with 18 participants from three English universities. Interviews incorporate the internet to expand opportunities for discussion, observation and analysis. Mobile broadband, a remote desktop viewer and screen capture have been flexibly applied together to ensure an accessible interview situation and recognise students' preferences and circumstances. Data is analysed using discourse analysis, with an attention to context framed by activity theory.

Disabled students' networked experiences are found to be complex and diverse. For a proportion, the network shifts the boundaries of disability, creating non–disabled subjectivities. For these students, the network represents the opportunity to mobilise new ways of being, building social capital and mitigating impairment.

Other participants experience the network as punitive and disabling. Disability is socio–technically ascribed by the social networking site and the networked public. Each inducts norms that constitute disability as a visible, deviant and deficit identity. In the highly normative conditions of the network, where every action is open to scrutiny, impairment is subjected to an unequal gaze that produces disabled subjectivities. For some students with unseen impairments, a social experience of disability is inducted for the first time.

As a result, students deploy diverse strategies to retain control and resist deviant status. Self–surveillance, self–discipline and self–advocacy are evoked, each involving numerous social, cognitive and technological tactics for self–determination, including disconnection. I conclude that networks function both as Technologies of the Self and as Technologies of Power. For some disabled students, the network supports 'normal' status. For others, it must be resisted as a form of social domination.

Importantly, in each instance, the network propels students towards disciplinary techniques that mask diversity, rendering disability and the possibility of disability invisible. Consequently, disability is both produced and suppressed by the network."

(Sarah Lewthwaite, Slewth Press)

TAGS

2011 • accessible interviews • Activity Theoryboundaries • building social capital • capacity to support education • cognitive tacticscontrol • deficit identity • deviance • deviant • deviant statusdifference • dis/ability • dis/ability difference • disabilitydisability and social networks • disability as a visible • disability studies • disability studies researcher • disabled students • disabled subjectivities • disabling • disconnection • discourse analysisdiversity • education researcher • educational impact • everyday student lifeFacebook • Foucauldian perspective • higher educationidentityidentity constructionidentity performance • impairment • interactive services • internet-enabled interviews • invisiblelearning and teaching • LSRI • mediated environmentsMichel Foucaultmitigating impairment • mobile broadband • networked experiences • networked publicsnew technologiesnew ways of being • non-disabled subjectivities • normal status • normative conditions • open to scrutiny • PhDPhD thesis • produced by the network • punitive • qualitative study • remote desktop • Sarah Lewthwaite • screen capture • self-advocacy • self-discipline • self-surveillance • social experience of disability • social interactionsocial media researchersocial networking servicesocial networking sitessocial networkssocial norms • social tactics • social technologies • socio-technically ascribed • student circumstancesstudent experience • student experiences of disability • student preference • students • suppressed by the network • tactictactics • technological tactics • technologies of powerthesis • unequal gaze • University of Nottingham • unseen impairments • Web 2.0 technologies • web-basedWikipediayoung peopleYouTube

CONTRIBUTOR

Simon Perkins
05 FEBRUARY 2012

Pink Flamingos: a provocative celebration of otherness

"'Pink Flamingos was an antihippie movie made for hippies who would be punks in two years. It's a pothead movie. I wrote it on pot.' – John Waters"

(Jeff Jackson, DreamlandNews)

Fig.1 John Waters (1972). trailer for "Pink Flamingos".

1

TAGS

1970s1972androgynyart filmBaltimore Marylandblack humour • camping it up • celluloid moment • comedy • Cookie Mueller • cult filmcult movie • Danny Mills • David Lochary • defecate • deviancedisgust • disgusting • Divine (actor) • dog • Edith Massey • egg • excrement • faeces • female impersonator • film • flamboyance • flamingo • gaygrotesque • hippie • hippie exploitation • independent cinemaindie cinemainfamous • John Waters • lip synclowbrow • Mary Vivian Pearce • midnight movie • Mink Stole (actor) • mobile home • notorietyotherness • over-acting • over-the-toppink • Pink Flamingos (film) • poodleprovocativepseudonympunkpunk rock ethosqueer cinemashockshocking • Steve Yeager • subculture • swallow • tabootransgressiontrashunderground • underground star • USAviolence

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.