"Based on a short film made for a UK-based film challenge by Swedish director David F. Sandberg and his wife Lotta Losten, the two were more than surprised that their 162-second movie—that didn't win best film—went viral, generating the attention of millions, including Hollywood and famed horror producer James Wan."
(Catherine Chapman, 29 April 2016, The Creators Project)
"A little girl suffers an emotional wound. In her imagination the Wound takes on a life of its own, in the form of a shaggy creature that becomes her best friend. They grow up together. Firmly ensconced in the mind of the girl, the Wound starts to control her life completely."
"A story of transition – from male to female, and from despondency to happiness. Using recorded interview material and representative artwork, this short touches on the fear and loneliness of living in the closet, and the joy and confidence that comes with stepping into the light."
Teagan (2013) - directed by Igor Coric and Sheldon Lieberman.
"Where sociologists differ from many other social researchers in researching digital media is their awareness that digital data, like any other type of data, are socially created and have a social life, a vitality, of their own. They are not the neutral products of automatic calculation, but represent deliberate decisions by those who formulate the computer algorithms that collect and manipulate these data (boyd and Crawford 2012; Cheney-Lippold 2011; Ruppert et al. 2013). The data that these devices and software produce structure our concepts of identity, embodiment, relationships, our choices and preferences and even our access to services or spaces. Without the knowledge of digital technology users, algorithms measure and sort them, deciding what choices they may be offered (Beer 2009, 2013a). Algorithms and other elements of software, therefore, are generative, a productive form of power (Lash 2007)."
(Deborah Lupton, 2013, p.4)
Deborah Lupton 'Digital Sociology: Beyond the Digital to the Sociological', Paper presented at The Australian Sociological Association 2013 Conference, Monash University, 27 November 2013.
"Rajkovic creates animated portraits of anonymous archetypes with deconstructed heads and symbolic components that operate like finely tuned machines. Everything is fair game: a religious figure with alter, candles, and a rotating luxury car; U.S. military figures with weight-lifting Ronald McDonald, skeletons, praying hands, and a flat screen TV playing 24-hour cable news.
The brains of these figures are compromised–sometimes portrayed as dropping into a pool of blood or being picked at by a vulture-like bald eagle–so comprised possibly that they are missing the capacity for human empathy. Are they all portraits of psychopaths perhaps? I'm guessing that Milos' answer might be affirmative—these are the psychopaths who run your government, military, religious and corporate institutions."
(Chris McDonnell, 31 December 2013, Cartoon Brew)