Not Signed-In
Which clippings match 'Design' keyword pg.2 of 43
09 JUNE 2013

Sketch-thinking: the processes of 'seeing as' and 'seeing that'

"Sketches are obviously pictorial, for they refer to shape and orientation, and often to approximate size even if they maintain a varying degree of abstractness. Yet it is impossible to confirm that there is a direct one–to–one correspondence between shapes and figures on paper and the images they stand for. It is therefore proposed to refer to the (pictorial) reasoning evident in interactive imagery at the time of sketching as consisting of two modalities. The designer is 'seeing as' when he or she is using figural, or 'gestalt' argumentation while 'sketch–thinking'. When 'seeing that', the designer advances no figural arguments pertaining to the entity that is being designed. The process of sketching is a systematic dialectics between the 'seeing as' and 'seeing that' reasoning modalities. To examine this proposition, design moves and arguments were inspected as they are established through protocol analysis. The notion of 'seeing as' and 'seeing that' will be further elucidated as we proceed, so as to best exploit documentation from the protocols."

(Gabriela Goldschmidt 1991, p.131)

Goldschmidt, G. (1991). "The dialectics of sketching." Creativity Research Journal, Routledge 4(2): 123–143.

Fig.1 Donald Owen Colley [http://buttnekkiddoodles.com/2012/12/26/knockin–about–chicago/]

1

TAGS

1991abstract thinking • abstractness • concept developmentconcept generationconceptual schemeconceptualisation • concrete thinking • creativity research • Creativity Research Journal • design • design reasoning • design thinkingdrawingdrawing as enquirydrawing researchdrawing studiesdrawing study • figural • figural arguments • Gabriela Goldschmidt • gestalt argumentation • gestalt principlesidea generationinteractive imagery • Israel Institute of Technology • pictorial reasoning • problem-solvingprotocol analysis • reasoning modalities • reflexive technology • seeingseeing asseeing that • sequence of design moves • shape and orientation • sketch-thinkingsketchessketchingsketching ideas • systematic dialectics • visual thinking

CONTRIBUTOR

Simon Perkins
21 FEBRUARY 2013

The Design Research Society

"The Design Research Society is a multi–disciplinary learned society for the design research community worldwide.The DRS was founded in 1966 and facilitates an international design research network in around 40 countries."

1

TAGS

1966Cumulus Associationdesigndesign research • design research community • design research network • Design Research SocietyDRS • international design research network • learned society • multidisciplinary • multidisciplinary research • multidisciplinary scholarship • researchresearch communityresearch networksymposium • worldwide society

CONTRIBUTOR

Simon Perkins
10 FEBRUARY 2013

Metamedia at Stanford

"Metamedia ia a studio and lab that pursues research and pedagogy in design history and media materialities.

It is located online, in Stanford Archaeology Center, and has worldwide affiliates.

Metamedia combines archaeology and media, with an archaeological and long–term focus on how people get on with things, with media(works) treated as modes of engagement between people and things. Media as artifacts and prostheses as well as systems to convey meaning: we emphasize the materialities of mediation at the heart of design – the way the steel was burnished, the clay was turned, how the vessel connects makers and materials, users and contents in genealogies of containment, portage, representation ... whatever work gets done."

TAGS

archaeological media lab • archaeological sensibility • archaeological view • archaeology • archaeology and media • archiveartefactsbetween people and things • constantly revisiting the past • contemporary experience • designdesign history • genealogies of containment • historicity • how people get on with things • makers and materials • material modalities • material modes of engagementmaterialitiesmaterialitymeaning making • media materialities • media works • mediationmemory • Metamedia (archaeological media lab) • modes of engagement • portage • prosthesis • re-presentation • re-presenting • research lab • reworking • sense of history • Stanford Archaeology Center • Stanford Universitythe pastthingstraces

CONTRIBUTOR

Simon Perkins
10 NOVEMBER 2012

UK National Centre for Craft and Design

"The National Centre for Craft & Design sits at the heart of the market town of Sleaford in Lincolnshire in the beautiful riverside setting of Navigation Wharf. It is the largest venue in England entirely dedicated to the exhibition, celebration and promotion of contemporary and international craft and design.

We do not have a permanent collection, providing instead a seasonal programme of dynamic exhibitions ranging from international to innovative new work created by local and regional artists shown across our four diverse gallery spaces."

(The National Centre for Craft & Design, UK)

Fig.1 Claire Morgan (2011). "Gone To Seed", Exhibited at About Time, Hub: National Centre for Craft and Design, Lincolnshire, UK.

1

TAGS

art and craftart and cultureartists • contemporary craft and design • craftcraft and designcraftedcraftscraftworkdesignEnglandexhibitionsgallerygallery spaces • innovative new work • international craft and design • Lincolnshire • local and regional • market town • museumNational Centre for Craft and Design • Navigation Wharf • NCCD • seasonal programme • Sleaford • The Hub (museum) • UKworkshops

CONTRIBUTOR

Simon Perkins
15 OCTOBER 2012

The Korea Institute of Design Promotion

"Korea (South) has recognized design as the future growth engine and has introduced 'Building a Creative Design Nation' as a new government project. The Korea Institute of Design Promotion (KIDP) lies at the center of national design promotion policies. KIDP has been putting its best efforts into promoting Korea as a global leader in the design community and as a result, has created a global design portal site that will compile design information in an integrated and systematic way.

Global DesignDB.com is an integrated online service system set up to manage the latest design information for designers and others involved in the global design industry. It will act as a 'Design Navigator' for anyone interested in design. We look forward to your continuous interests and support."

(The Korea Institute of Design Promotion)

Fig.1 Suzy Sunsook Cho, Package Design [http://suzycho.blogspot.co.uk/2011/04/package–design.html].

1

TAGS

197021st centuryapplied arts • Building a Creative Design Nation • commoditycountry brandscreative design • creative design academy • creative design nation • creative economycreative industriescultural capitaldesign • design academy • design book cafe • design community • design companies • design information • design innovation • design navigator • design policy • design portal • design promotion • design promotion policies • designers • global design industry • government policy • government project • industrial centres • industrial competitiveness • innovative design • KIDP • knowledge economyKorea • Korea Institute of Design Promotion • national identity • North East Asia • Republic of Korea • South Korea

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.