"Brett Leavy is an immersive heritage specialist, virtual historian and artist. His innovative idea to recreate the real environment for mapping Indigenous culture and heritage stems from his passion to educate the community about Indigenous history."
"CityViewAR is a mobile Augmented Reality application that allows people to see how the city was before the earthquakes and building demolitions. Using an Android mobile phone people can walk around the city and see life–sized virtual models of what the buildings looked like on site before they were demolished, and see pictures and written information. Hundreds of 3D models of key city buildings have been made available from architect Jason Mill of ZNO, while the Christchurch City Council and Historic Places Trust have provided photographs and building histories.
CityViewAR is based on the HIT Lab NZ Android AR platform which uses the GPS and compass sensors of mobile phones to enable virtual information to be overlaid on live video of the real world. Android AR makes it easy for Android developers to build their own outdoor AR applications. The software was previously used for showing individual buildings, but this is the first time that it has been used to show dozens of buildings at once, and the first time in world that mobile phone AR has been used for earthquake reconstruction."
(HIT Lab NZ, 2011)
"After debuting at the Expo 2010 Shanghai China (2010上海世界博覽會) and traveling to Hong Kong and Macau, an animated version of the Song Dynasty painting Along the River During the Qingming Festival (清明上河圖), by 12th–century artist Zhang Zeduan (張澤端), is on show in Taipei. The 25cm by 529cm original is a panoramic portrayal of everyday life in Bianjing (汴京), today's Kaifeng (開封), the capital of China during the Song Dynasty. Despite its name, the scroll depicts the architecture and scenery of the period and the apparel and activities of the rich and poor, not the rituals of the Qingming Festival (清明節), otherwise known as Tomb Sweeping Festival. Thirty times larger than the original painting, the animated version, which is titled River of Wisdom, is beamed onto a 6m by 110m screen by 12 projectors. The entire work was digitalized by Crystal CG (水晶石數字科技公司) and its subjects and backdrops move and make sounds."
(Lin King, 29 July 2011, Taipei Times)
"Historical expert Jo Teeuwisse, from Amsterdam, began the project after finding 300 old negatives at a flea market in her home city depicting familiar places in a very different context. She researched the background to each of the most interesting finds and created a beautiful series of pictures by super–imposing the old pictures on top of new ones.
Now she has rediscovered photographs of soldiers at war in France and across Europe and put together further sets of evocative and emotional designs."
(Emma Reynolds, 18 October 2012, DailyMail)
"The Virtual Reef is a life–sized marine ecosystem expanding across two levels of the new Science and Engineering Centre. Multi–touch technologies enable the user to manipulate, intimately explore and interact with the reef world, specific behaviours and relationships.
Australia's leading marine science and interactive and visual design organisations, QUT and the Queensland Museum, bring knowledge and research of the underwater world to your fingertips through multi–touch screens and projectors.
Users will have the opportunity to go beyond the cinematic experience and interact with the marine world. Each interaction has associated content designed to complement the aims of the National Curriculum and provide an exploratory learning experience."
(Jeff Jones, the Cube, QUT)
Fig.1 "The Virtual Reef" project team: Professor Jeff Jones (Cube Project Leader), Associate Professor Michael Docherty (Project Leader), Warwick Mellow (Principal Animator/Art Director), Joti Carroll, Paul Gaze, Sean Gobey, Ben Alldridge, Sophia Carroll, Sherwin Huang, Bryce Christensen.