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Which clippings match Simon Perkins' concept of 'Telejusting' pg.1 of 1
13 APRIL 2017

Sonic Outlaws Documentary (1995)

"Sonic Outlaws, a fragmented, gleefully anarchic documentary by Craig Baldwin, approaches this incident from several directions. Some of the film is about the legal nightmare that ensued from Negativland's little joke. In a highly publicized case, U2's label, Island Records, charged Negativland with copyright and trademark infringement for appropriating the letter U and the number 2, even though U2 had in turn borrowed its name from the Central Intelligence Agency. SST then dropped Negativland, suppressed the record and demanded that the group pay legal fees. Trying to remain solvent, Negativland sent out a barrage of letters and legal documents that are now collected in 'Fair Use', an exhaustive, weirdly fascinating scrapbook about the case.

Sonic Outlaws covers some of the same territory while also expanding upon the ideas behind Negativland's guerilla recording tactics. Guerilla is indeed the word, since these and other appropriation artists see themselves as engaged in real warfare, inundated by the commercial airwaves, infuriated by the propaganda content of much of what they hear and see, these artists strike back by rearranging contexts as irreverently as possible. Their technological capabilities are awesome enough to mean no sound or image is tamper-proof today."

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TAGS

1995 • Alan Korn • anarchic documentary • appropriation art • appropriation artist • audio collage • Bill Daniel • billboard bandit • bone-dry educational film • Casey Kasem • cellular phone scanner • Chris Grigg • commercial airwaves • copyright infringement • Craig Baldwin • cultural criticismculture jamming • David Wills • documentary collage • Don Joyce • Doug Kahnfair usefound footage • guerilla recording tactics • guerrilla tactics • independent rock band • John Heck • John Oswald • Josh Pearson • Linda Morgan Brown • Lloyd Dunn • Lone Ranger • Mark Hosler • media jammer • media piracy • media recontextualisation • multimedia plagiarism • music samplingNegativland • noise maker • Paul Neff • pirated audiotape • public information film • Public Works Productions • Ralph Johnson • recontextualisation • Richard Lyons • Roger CormanRonald Reagan • sample based artist • sampled music • satirical samplings • Silly Putty • sly commentary • Sonic Outlaws Documentary (1995) • stealing ideas • subversive fun • tape music • Tape-Beatles • trademark infringement • U-2 spy plane • U2 (band) • video collage

CONTRIBUTOR

Simon Perkins
11 APRIL 2017

This Unruly: a repository of video cut-ups (clips and literature reviews)

This Unruly is an evolving web repository of theory and practice related to recombinatory video appropriation practices involving video re-purposing, re-mixing, collage and cut-up techniques. The site includes examples of YouTube clips as well as a literature review of articles and academic papers, which relate to the subject. Content within the site has been organised using a provisional taxonomy that centres on formal aesthetic, creative and experimental features. In doing so this marks a departure from more conventional approaches, which generally seek to locate works according to established art historical developments and stylistic conventions. The site, which was created by Simon Perkins is an extension to posts about the practice of video cut-ups that were initially made to the Folksonomy.co in 2016.

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TAGS

advertising hijacking • appropriation practices • cut-up techniquecut-up videosdesign formalismdetournement • detournement publicitaire • DIY medialiterature review • media hijacking • media rerouting • parody rebootparody versionparody video remixespolitical remix video • provisional taxonomy • recombinatory practice • recombinatory video appropriation practices • reinscription through omission • remix video • reorder • Simon PerkinsSimpsonwave aestheticsongifysupercutsupercut mashup • The Reorder Project • ThisUnruly • trackjacking • trailer remix • transformative video remixvaporwave aestheticviddingvideo collage • video cut-up • video cut-up techniques • video hijacking • video re-cut • video re-mixing • video re-purposing • video reinterpretationvideo remixvideo repurposing • web repository • YouTube clips

CONTRIBUTOR

Simon Perkins
11 APRIL 2016

Vidding is a fan-made music video genre using appropriated content

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TAGS

amateur cultural productionamateur videoappropriationauthorship • cast video • consumption spectaclefan art • fan filmmaking • fan made • fan-made video • fandomidentity performanceinternet culturemediated culture • multifandom • music videoparticipatory media culturere-cutremix cultureviddingvideo collagevideo re-cutvideo reinterpretationvideo remixvideo repurposing • Visionary Vidding Contest (VVC) • YouTube

CONTRIBUTOR

Simon Perkins
09 JULY 2013

Museum of the Moving Image: Cut Up (exhibition)

Exhibition: 'Cut Up'; 29 June–14 October 2013; In the Amphitheater Gallery; Organized by Jason Eppink, Associate Curator of Digital Media at The Museum of the Moving Image.

"From supercuts to mashups to remixes, Cut Up celebrates the practice of re-editing popular media to create new work, presenting contemporary videos by self-taught editors and emerging artists alongside landmarks of historic and genre-defining reappropriation.

Easy access to editing tools and distribution platforms now gives more people than ever before the opportunity to respond to the commercial products that shape our cultural dialogues. By plumbing a vast shared vocabulary of image and sound, audiences can express affiliation, criticize, or construct entirely new content using popular media as raw material. Re-edited videos are created and shared online daily by publics that spend increasing amounts of social time in front of networked screens. As the distinction between consumer and participant becomes ever more fluid, re-editing popular media has emerged as a common way of participating in a shared cultural conversation.

The exhibition presents a selection of short-form video works that take movies, music videos, television series, and news broadcasts as their source material, focusing on genres and techniques that have emerged online over the past decade and their on- and offline precedents."

TAGS

2013amateur cultural productionamateur videoappropriationcut-upcut-up videos • distribution platforms • editing tools • exhibition • genre-defining reappropriation • Jason Eppink • mash-upMuseum of the Moving Image • music video mashup • networked publics • networked screens • participatory media culture • political parody • popular media • re-cut • re-edited videos • re-editing popular media • recompositing • recut trailer • remix cultureremixes • self-taught editors • shape our cultural dialogues • shared cultural conversation • short-form • short-form video works • songification • supercutsupercut mashuptrackjackinguser-generated contentviddingvideo re-cutvideo reinterpretationvideo remixvideo repurposing

CONTRIBUTOR

Simon Perkins
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