Not Signed-In
Which clippings match Simon Perkins' concept of 'Telejusting' pg.1 of 2
14 OCTOBER 2017

Media and Interpellation

"Many theorists have taken Althusser's notion of ideology and interpellation, shifted the focus away from the state, and applied it to various kinds of media texts. In this vein, cultural theorists such as Max Horkheimer and Theodor Adorno have argued that the homogeneity of mass media interpellate passive subjects who desire reoccurring tropes and predictable story lines which only serve to further stultify them (1979). 5 They are particularly sympathetic to those exploited in capitalist society, lamenting how 'capitalist production so confines them, body and soul, that they fall helpless victim to what is offered them.' (Adorno and Horkheimer, 1979:8). Yet the common people's acquiesce to the culture industry only perpetuates their conditions, and Adorno and Horkheimer proceed to argue, 'immovably, they insist on the very ideology which enslaves them. The misplaced love of the common people for the wrong which is done them is a greater force than the cunning of the authorities' (Adorno and Horkheimer, 1979:8). Like Althusser, Adorno and Horkheimer argue that the proletariat submit to ideologies that interpellate them as passive, and thus comply with their own domination. Similarly, David Gauntlett describes how 'interpellation occurs when a person connects with a media text: when we enjoy a magazine or TV show, for example, this uncritical consumption means that the text has interpellated us into a certain set of assumptions, and caused us to tacitly accept a particular approach to the world.' (Gauntlett, 2002: 27). Here, Gauntlett seems to echo Adorno and Horkheimer's argument that media consumers unquestioningly accept a medium's subject positioning of them as passive viewers."

(Cindy Nguyen, The Chicago School of Media Theory)

1

TAGS

acquiesce • capitalist machinery • capitalist production • capitalist society • Chicago School of Media Theory • common people • cultural theorists • culture industry • David Gauntlett • domination • helpless victim • homogeneity of mass media • ideologiesideologyinterpellationLouis Althusser • manipulative media techniques • mass media homogeneity • mass media manipulation • Max Horkheimer • media consumers • media textpassive consumption • passive subjects • passive viewers • predictable story lines • proletariat • reoccurring tropes • stultify • subjugationTheodor Adorno • uncritical consumption • unquestioningly accept

CONTRIBUTOR

Simon Perkins
22 AUGUST 2017

ReorderTV: a mixtape of playful, critical and absurd video cut-ups

ReorderTV is an online platform created by Simon Perkins designed as a curated collection of video cut-ups, which challenge, engage and entertain. The collection showcases a variety of clips: some distinctly playful, others critical and some simply absurd.

The site doesn't have traditional menu to make user-selections, instead clips simply begin playing full-screen in reverse-chronological order, from the most recent to the much older. While each clip has an associated permalink for sharing, play-progress is maintained to enable users to restart watching where they left off.

1

CONTRIBUTOR

Simon Perkins
13 APRIL 2017

Sonic Outlaws Documentary (1995)

"Sonic Outlaws, a fragmented, gleefully anarchic documentary by Craig Baldwin, approaches this incident from several directions. Some of the film is about the legal nightmare that ensued from Negativland's little joke. In a highly publicized case, U2's label, Island Records, charged Negativland with copyright and trademark infringement for appropriating the letter U and the number 2, even though U2 had in turn borrowed its name from the Central Intelligence Agency. SST then dropped Negativland, suppressed the record and demanded that the group pay legal fees. Trying to remain solvent, Negativland sent out a barrage of letters and legal documents that are now collected in 'Fair Use', an exhaustive, weirdly fascinating scrapbook about the case.

Sonic Outlaws covers some of the same territory while also expanding upon the ideas behind Negativland's guerilla recording tactics. Guerilla is indeed the word, since these and other appropriation artists see themselves as engaged in real warfare, inundated by the commercial airwaves, infuriated by the propaganda content of much of what they hear and see, these artists strike back by rearranging contexts as irreverently as possible. Their technological capabilities are awesome enough to mean no sound or image is tamper-proof today."

1

TAGS

1995 • Alan Korn • anarchic documentary • appropriation art • appropriation artist • audio collage • Bill Daniel • billboard bandit • bone-dry educational film • Casey Kasem • cellular phone scanner • Chris Grigg • commercial airwaves • copyright infringement • Craig Baldwin • cultural criticismculture jamming • David Wills • documentary collage • Don Joyce • Doug Kahnfair usefound footage • guerilla recording tactics • guerrilla tactics • independent rock band • John Heck • John Oswald • Josh Pearson • Linda Morgan Brown • Lloyd Dunn • Lone Ranger • Mark Hosler • media jammer • media piracy • media recontextualisation • multimedia plagiarism • music samplingNegativland • noise maker • Paul Neff • pirated audiotape • public information film • Public Works Productions • Ralph Johnson • recontextualisation • Richard Lyons • Roger CormanRonald Reagan • sample based artist • sampled music • satirical samplings • Silly Putty • sly commentary • Sonic Outlaws Documentary (1995) • stealing ideas • subversive fun • tape music • Tape-Beatles • trademark infringement • U-2 spy plane • U2 (band) • video collage

CONTRIBUTOR

Simon Perkins
11 APRIL 2017

This Unruly: a repository of video cut-ups (clips and literature reviews)

This Unruly is an evolving web repository of theory and practice related to recombinatory video appropriation practices involving video re-purposing, re-mixing, collage and cut-up techniques. The site includes examples of YouTube clips as well as a literature review of articles and academic papers, which relate to the subject. Content within the site has been organised using a provisional taxonomy that centres on formal aesthetic, creative and experimental features. In doing so this marks a departure from more conventional approaches, which generally seek to locate works according to established art historical developments and stylistic conventions. The site, which was created by Simon Perkins is an extension to posts about the practice of video cut-ups that were initially made to the Folksonomy.co in 2016.

1

CONTRIBUTOR

Simon Perkins
11 APRIL 2016

Vidding is a fan-made music video genre using appropriated content

1
2
3
4

TAGS

amateur cultural productionamateur videoappropriationauthorship • cast video • consumption spectaclefan art • fan filmmaking • fan made • fan-made video • fandomidentity performanceinternet culturemediated culture • multifandom • music videoparticipatory media culturere-cutremix cultureviddingvideo collagevideo re-cutvideo reinterpretationvideo remixvideo repurposing • Visionary Vidding Contest (VVC) • YouTube

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.