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Which clippings match Simon Perkins' concept of 'Video Cut-Up' pg.1 of 7
11 APRIL 2017

This Unruly: a repository of video cut-ups (clips and literature reviews)

This Unruly is an evolving web repository of theory and practice related to recombinatory video appropriation practices involving video re-purposing, re-mixing, collage and cut-up techniques. The site includes examples of YouTube clips as well as a literature review of articles and academic papers, which relate to the subject. Content within the site has been organised using a provisional taxonomy that centres on formal aesthetic, creative and experimental features. In doing so this marks a departure from more conventional approaches, which generally seek to locate works according to established art historical developments and stylistic conventions. The site, which was created by Simon Perkins is an extension to posts about the practice of video cut-ups that were initially made to the Folksonomy.co in 2016.

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TAGS

advertising hijacking • appropriation practices • cut-up techniquecut-up videosdesign formalismdetournement • detournement publicitaire • DIY medialiterature review • media hijacking • media rerouting • parody rebootparody versionparody video remixespolitical remix video • provisional taxonomy • recombinatory practice • recombinatory video appropriation practices • reinscription through omission • remix video • reorder • Simon PerkinsSimpsonwave aestheticsongifysupercutsupercut mashup • The Reorder Project • ThisUnruly • trackjacking • trailer remix • transformative video remixvaporwave aestheticviddingvideo collage • video cut-up • video cut-up techniques • video hijacking • video re-cut • video re-mixing • video re-purposing • video reinterpretationvideo remixvideo repurposing • web repository • YouTube clips

CONTRIBUTOR

Simon Perkins
15 FEBRUARY 2017

Silent-era avant-garde artist-filmmakers disrupting the new realities of mass media (rather than replicating them)

"Around the time Shub started her documentary experiments, 20th century avant-garde artists likewise began using repurposed chunks of mass-produced ephemera. Picasso and Braque threw bits of newspaper into paintings; Max Ernst cut up Victorian illustrations to create proto-surrealist collages; Walter Benjamin, T. S. Eliot, and James Joyce pushed the literary practice of quotation into the realm of pastiche; Marcel Duchamp pioneered sculptural assemblage with his readymades; and photomontage blossomed in the graphic works of John Heartfield, Hannah Höch, and Alexander Rodchenko. These works rearranged reality to suit their artists' purposes but, unlike the compilation films, did not try to hide that manipulation. Whether Cubist, Dada, or Constructivist, these artists chose to disrupt the new realities of mass media rather than replicate them, savoring the illogic of dreamlike disjunctions and precipitating new ways to see all-too-common images."

(Ed Halter, 10 July 2008, Moving Image Source)

TAGS

20th centuryAlexander Rodchenkoavant-garde artistsavant-garde cinemaconstructivistcubismcut-up techniqueDadadisruptiondocumentary experiments • dreamlike disjunctions • Ed Halter • Esther Shub • experimental film • found-footage • Georges Braque • Hannah Hochinfluential artistsJames JoyceJohn Heartfield • literary practice • Marcel Duchampmass media • mass-produced ephemera • Max Ernst • new realities • Pablo Picassopastichephotomontagepioneering filmmaker • proto-surrealist collages • quotationreadymade • repurposed archival material • Russian constructivism • sculptural assemblage • Thomas Stearns Eliot • Victorian illustrations • Walter Benjamin

CONTRIBUTOR

Simon Perkins
29 JANUARY 2017

Jonathan McIntosh: Building a Critical Culture with Remix Video

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2008appropriationArs Electronica Festival • blip.tv • critical culture • critical perspectivescut-up techniquecut-up videosDIY media • identity correction ad • Jonathan McIntosh • political prankster • political remix videorecontextualising found objectsremix videosocial critiquesocial norms • subversive remix video • transformative video remixtransformative worksvideo remixYouTube video

CONTRIBUTOR

Simon Perkins
18 OCTOBER 2016

The Cut Ups (1966) by William S. Burroughs

"The savage deconstruction of the relationship between image and reality. 'Yes, Hello?', 'Look at that picture,' 'Does it seem to be persisting?', 'Good. Thank you'."

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1966 • Antony Balch • avant-garde cinemablack and whiteBrion Gysincut-upcut-up techniquedeconstruction • does it seem to be persisting • experimental filmGood • hello • interrupted • interruptinginterruption • look at that picture • repetition • thank you • The Cut Ups (1966) • William Burroughs • yes

CONTRIBUTOR

Simon Perkins
22 SEPTEMBER 2016

Examples of parody video remixes using omission

Bush: 2004 State of the Union Remix; Obama State Of The Union remix; OBAMA State of the Union Address 2014 - (PARODY); Palin's Breath; Donald Trump's sniffling and heavy breathing; David Cameron's Conservative Party Conference Speech 2012 [Disrupted]; Nigel Farage and Independence day SPOOF!; Cassetteboy vs The News; Cassetteboy vs The Bloody Apprentice; Jeremy Corbyn's nuclear u-turn and David Cameron's approach to poverty | Cassetteboy remix the news; The Queen responds to Brexit | BREAKING.

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TAGS

200420122014Alan SugarBarack Obama • Boris Johnson • Brexit • Buckingham Palace • Cassetteboy • cleaner • conference speech • Conservative partyDavid CamerondisruptionDonald TrumpEuropean UnionGeorge W Bush • heavy breathing • hyperbole • Independence Day (1996) • Jeremy CorbynLiberal DemocratMichael GoveNigel Farage • nuclear proliferation • omissionparodyparody rebootparody versionparody video remixesplaying against type • political meltdown • povertyPrince Charles • Queen Elizabeth II • reboot • referendum • remixesrepurposing • Sarah Palin • sniff • sniffing • sniffle • spoofState of the Union • taken out of context • The Apprentice (UK TV series)tv news • u-turn • UK EU membership referendum • UKIP • upstagingvacuum cleanervideo compositingvideo remixvs

CONTRIBUTOR

Simon Perkins
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