"Resolume is created by Edwin de Koning & Bart van der Ploeg together with Tim Walther, Daniel Berio, Joris de Jong, Menno Vink and a few specialized freelancers.
Resolume was born because we wanted to VJ. But we wanted to do it better. Back in 1998 VJ-ing was done with VHS tapes and an mx50 video mixer so it was hard to quickly improvise video to music because tempo could not be adjusted, or even reversed. Effects were limited to what the mx50 had to offer. We thought software would allow us to improvise more and be a better VJ.
We could not find any VJ software that did what we wanted back in 1998 so we started programming our own. We quickly realized our software was much better than our VJ-ing so we work on Resolume full-time since 2002."
(Edwin de Koning and Bart van der Ploeg)
Dorothy Iannone, "Innocent and Aware", 8 March 2013 - 5 May 2013, Camden Arts Centre in London.
"Iannone's portrayals of male and female sexuality celebrate the joy of her most intimate relationships while subverting traditional gender stereotypes of dominance and control. Through graphic paintings, sculptures and video boxes her works depict partly-clothed and naked figures on bright psychedelic backgrounds of flora, mandalas and biomorphic patterns. Recalling classical Indian erotic art, Egyptian frescoes and Byzantine mosaics, Iannone's intricate work communicates a personal narrative, passionate love affairs and lifetime pursuit of 'ecstatic unity' through transcendence and spirituality."
(Camden Arts Centre, 2013)
"With a final dollop of blood splatter sploshing across the plasma TV, Series One of BBC's visceral police drama Ripper Street came to a crashing finish on Sunday night!
Screen Scene VFX completed all the visual effects work on Ripper Street's first season, and are proud to share this fantastic breakdown/making of video showing you how they weaved their inimitable brand of wizardry to make Dublin look like Victorian London."
(Screen Scene Post Production Facilities, 26 February 2013)
"'MeTube', a homage to thousands of ambitious YouTube users and video bloggers, gifted and less gifted self-promoters on the Internet, has attracted international attention. No less than George Bizet’s Habanera from 'Carmen' has been reinterpreted for MeTube and enhanced with electronic sounds. Behind the cross-over of musical styles are director Daniel Moshel as well as opera and oratorio tenor August Schram."
(Moshel Film & August Schram, 2013)
"Propaganda 2012 is a 95-minute video that presents itself as a North Korean educational video intending to inform the citizens of the Democratic People's Republic of Korea about the dangers of Western propaganda. The video's uploader, known as 'Sabine', reiterates a statement she gave to the Federal Police regarding the movie's origins. She explains how the film was given to her by people claiming to be North Korean defectors whilst she was visiting Seoul. ...
Although the origins of Propaganda 2012 are contentious, its power lies in the fact that much of its content attempts to avoid invented history. Considering the media buzzwords associated with the alleged country of origin, Propaganda 2012 turns a mirror onto the Western world and seeks to criticise its entire history and culture – from the genocide and imperialism of its past, to the interventionism and consumerism of the modern era. The movie's overall attitude seems to express an intention to educate, shock and caution its audience into realising that people in the West are governed by a super-rich ruling class (The one per cent), who do not offer them true democracy; but instead seek to invade and assimilate as many countries as possible, whilst distracting their population with a smokescreen of consumerism, celebrity, and reality television. This message is spread across the video's 17 chapters, which each attempt to focus on specific examples of Western indoctrination and oppression. The film is regularly punctuated by commentary from an anonymous North Korean professor, and quotes from Western thinkers such as Noam Chomsky and Richard Dawkins. ...
Propaganda 2012 is certainly a film where the audience takes from it what they bring to it, and a variety of emotions can be induced upon viewing. Laughter, cynicism, outrage, contemplation and reflection would all be adequate responses to the video's tough, and often graphic, portrayal of the complex world in which we are living. Yet perhaps the most important thing to remember when watching the film is that the video is available to view uncensored, on a largely unregulated world wide web, and merely represents an extreme end of the vast spectrum of free expression. Therefore, during this festive end to an austere year, enjoy Propaganda 2012 as an interesting and beguiling alternative voice that cries loudly against the dangers of religious consumerism, and reminds us to remain humble and reflect on those less fortunate than ourselves."
(Kieran Turner-Dave, 17 December 2012, Independent Arts Blogs)