Grant Gee (Director). (2007). Joy Division: Hudson Productions; Brown Owl Films [http://www.imdb.com/title/tt1097239/fullcredits]. Broadcast 27 February 2015, 21:00, BBC Four.
"The majority of the demand for shark meat is from the shark-fin industry, centered in Asia. Singapore is one of the main consumer countries, along with Mainland China, Hong Kong, Taiwan, Malaysia and Thailand. For every Chinese wedding banquet in Singapore that serves shark fin soup, the world loses another 40-50 sharks."
(Animal Concerns Research and Education Society)
"In the past week or so, you've probably heard about Google Cardboard, Google's lovably wry answer to the Oculus Rift. The Rift, of course, is a gadget that has gotten millions of dollars in funding and a multi-billion dollar Facebook buyout, and will cost hundreds of dollars at launch. Google Cardboard is a piece of cardboard with a couple of special lenses and a place to put a smartphone. Snickers and high fives were no doubt had.
The cool thing is that Google Cardboard is no joke—the rig actually provides a virtual reality experience when you use it with a smartphone and the Cardboard app. Well, now you can get a knock-off cardboard VR rig, and yes, we're living in a time when that's a real thing."
(Helena Stone, 30 September 2014, Chip Chick)
"Current usage of the terms conceptual framework and theoretical framework are vague and imprecise. In this paper I define conceptual framework as a network, or 'a plane,' of interlinked concepts that together provide a comprehensive understanding of a phenomenon or phenomena. The concepts that constitute a conceptual framework support one another, articulate their respective phenomena, and establish a framework-specific philosophy. Conceptual frameworks possess ontological, epistemological, and methodological assumptions, and each concept within a conceptual framework plays an ontological or epistemological role. The ontological assumptions relate to knowledge of the 'way things are,' 'the nature of reality,' 'real' existence, and 'real' action (Guba & Lincoln, 1994). The epistemological assumptions relate to 'how things really are' and 'how things really work' in an assumed reality (p. 108). The methodological assumptions relate to the process of building the conceptual framework and assessing what it can tell us about the 'real' world."
(Yosef Jabareen, 2009)
Jabareen, Y. (2009). Building a Conceptual Framework: Philosophy, Definitions, and Procedure. International Journal of Qualitative Methods, 8(4).
"From ancient times to the present 'spectacle' (the visual aspects of human performance-architecture, scenery, costumes, makeup, lighting, special effects, and staging) has been used to expressively embody and evoke meaning in rituals, ceremonies, and artistic performances. This course [Eye Appeal: Spectacle on Stage and in Life at The University of North Carolina at Greensboro] will examine the use of spectacle as an expressive mode of communication in human performance from antiquity to the present."
(Bob Hansen, 2004)